Reviews tagging 'Gaslighting'

Catch-22 by Joseph Heller

9 reviews

imaginefishes's review against another edition

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dark emotional funny slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

Was difficult to read at times because of the repetitions between chapters and non-consecutive storylines, but it had its funny and ironic moments which make you consider if the structures which hold us down (even in civil society) exist at all.

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jujubeans's review against another edition

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dark emotional funny hopeful sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.75

Ok imagine the speed and subject of the plot like this: completely straight and consistent line for about the first 85%, then a quick drop in tone and weirdly enough, style, then a crazy steep climb at the very end.  It is incredibly crass, vulgar, violent, gory, confusing, and humorous in the way “Who’s on first“ would be humorous if the characters were depressed, lonely, terrified, and traumatized to a great extent. 

I don’t know how I feel about it to be honest. 

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erebus53's review against another edition

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adventurous challenging dark emotional funny lighthearted reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

I knew that this was a story about war, but I really had n idea what sort of flavour it was going to have. The whole idea of Catch-22 as I understood it, is that a crazy person is not fit for military duty, but to claim that you are crazy, so as to get out of service, just proves that you are sane.

This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes.  I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".

I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.

Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu  (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.

The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.

This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.

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seapotatohowisitalrtaken's review against another edition

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adventurous dark emotional funny hopeful inspiring mysterious reflective relaxing sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.25


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friesenag's review against another edition

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adventurous challenging dark emotional funny mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

This book is so interesting considering that the author himself was a B25 bombardier and that this is not speculation and the plot isn't too far fetched because it is based on his personal experiences in the war. I think Heller perfectly balanced the humor of the absurdity of how the U.S. Air Force was run and the gruesomeness of what war does to a person. He highlights the silliness of rank and order and doing things just because you're told and how that has more control on weather a man lives or dies rather than his own actions and how those actions along with the trauma of their compatriots dying makes them all go insane. 
The way Heller writes gave me a headache though, as the plot would go back and forth I had to keep my spark notes open to make sure I was really comprehending what was happening. The first half of the book there is no chronological order and the repetition of words, phrases, or actions also created maximum confusion. When I think about it more it definitely is a plot device to give the book a lack of structure and repeat things which gives the reader a sensation of the chaos that is occurring in every single characters brains and on the base. Insanity and deja vu are major plot points in the book and I think Heller wanted to amplify it in the readers, which did give me the feeling that I was going crazy while reading this book. I see the genius and deliberate work that he put into it, but that does not mean I have to enjoy it. 
I want to preface this last part by saying I know that this guy is like a boomer and it was written in 1961, but the MISOGYNY in this book was APPALLING. Women were only mentioned in a sexual connotation and used as a plot device and weren't really well thought out in my opinion. There was a character that wasn't even given a name and just referred to as "Nately's Whore" the whole time and she was bored and not interested in Nately until he "saved her" and then tried to control her and THEN he DIED and all of a sudden she cared enough about him to try to kill Yossarian???? Idk, there was just not a single female character that wasn't a sex object or stupid or a plot device. 
Overall this book is good on the pretense that it was anti-war and the structure of the book makes you feel sick to your stomach, much like the structure of war and American bureaucracy, but I can't look past the misogyny, sexism, racism, etc. to give this more than three stars. I know I'm looking at this in a modern lens but there's not way I can separate the good and bad of this book. I would be very concerned if a man said this was their favorite book, its definitely an interesting read but I would classify it as pretty problematic. 

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c3liaiswhoiam's review against another edition

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slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.5

This was shit. It doesn't hit my good spot at all. I'm a very character-driven person, you know? If the plot is bad, I can sometimes get by if the characters are still good, but these characters are so many, and they're all unlikeable, they're all the same, they do the same shit, and they know the same people. I can't read books like this! That's not interesting to me! It's so clearly satire, but it's not funny to me. It's just depressing and frustrating to read. I need hope! This doesn't give it. I need enjoyable characters (not necessarily likeable ones) but this doesn't give it. And finally, it's just such a fucking drag. There was absolutely no reason for this book to be longer than 300 pages. None. Silch. Nu-uh. It's too long, and it's hard to keep tabs on which character you're with, and it's entirely character-driven but without character development (because it's satire...), and I really wish I hadn't needed to waste my precious time reading a book that wasn't suited to my tastes whatsoever, when I'm busy enough as it is right now. Because all this book did was frustrate me. It was just. so. frustrating. Never again do I want to think about this book. 

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seanml's review against another edition

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challenging dark funny slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25

Reading anything called a ‘classic’ is a gamble; you don’t have to go too far back for them to be super problematic. In this instance, Joseph Heller’s Catch-22 ended up being a mixed bag. It’s a comedy novel that takes place during World War II, and was written in the 1960s. It is very much a product of its time. The book is “clever,” but clever in the way that a high school freshman would ask you “Is water wet?” and then once you answer they’re prepared to argue the complete opposite point in order to confuse you. In Catch-22 the military is basically run by the Marx Brothers: misunderstandings are frequent, and nothing is safe from being a gag to the point of death. Each chapter is in a way a skit focusing on a soldier or a commander, one of the handful that the book revolves around. They range from entertaining to infuriating. Luckily our protagonist is a soldier named Yossarian who happens to be the only sensical character throughout the entire thing. So as I went crazy from the never-ending chapters, Yossarian was right there with me. Unfortunately, I couldn’t relate to him in the chapter when he sexually assaults a nurse out of the blue. Yeah, this is the 1960s and every female character has at least one line about the shape of their breasts. This does not in any way pass the Bechdel test. In any case, the book does a good job at portraying the mania-fueled spiral of someone told to die for the good of their country again and again and again. Did I misunderstand most of it? Maybe. Should I read it again? Maybe, it depends on if it was good. Was it good? I’d have to read it again. Catch-22. 6.5/10. 


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laynie_rearick's review against another edition

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challenging dark emotional funny mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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bekahhinson's review against another edition

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3.0

Oh my god this book would be like 4.5 stars if it wasn’t so fucking disgusting towards women. Why the hell was it necessary to include SO MANY scenes of the men groping women in public sexually assaulting/raping them? Not to mention there’s no justice, no return to that narrative to assert that those types of actions are wrong, and all of them do it so it’s not like you can claim an unreliable narrator situation. Additionally I don’t care if it’s not the authors true opinion on the matter because it happened so much that is felt like he was writing it because he doesn’t think it’s wrong. Fuck you joseph heller. Next time you write a good book simply exclude women if you can’t resist writing in an SA scene. 

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