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kitausu's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Really interesting premise with some fascinating things to say about colonialism and diaspora, just advertised so poorly.
Graphic: Colonisation and Racism
maregred's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Colonisation
Moderate: Cancer, Grief, and Death of parent
thewordsdevourer's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
1.0
the book's built on a flimsy foundation, and how things develop just dont make sense. for example, that a billionaire art thief chooses will for a $50 mil job literally just bc he's chinese-american - having not an idea whether he'll have the skills to pull it off - is ludicrous to me. some of the crew agreeing to the job bc of will's sheer charisma is also far-fetched bc he has no charisma whatsoever.
moreover, this is a heist story, but the writing's totally unsuited for it. there are wayyy too many ~reflective~ moments - most of them being the same thing said over and over again in a slightly modified way - and it's all overdramatic and lamentative. tbh this book's more like a volume of the characters' emo introspection peppered w/ some action, so infrequently we ever get out of their heads. there's way too much boring stuff and not enough of the fun ones. i also think this book's written in a very amateur way, a playbook of a failed show-not-tell esp when the phrase "it goes like this..." is a given in almost every chapter.
as a result, the whole story falls flat for me, including the characters who im impartial to; i simply dont feel anything reading this. again, the tell-not-show approach also means li couldnt be more heavy-handed w/ the themes, which could benefit from more subtle exploration.
although the last couple chapters are markedly better than the rest of the book, they arent enough to save it. this is a novel brimming w/ potential, one that could def be sth better in more adept hands. alas, that cant be helped and this is what we get.
Moderate: Grief, Racism, Chronic illness, and Colonisation
Minor: War and Death of parent
laurenkimoto's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? Yes
4.0
Moderate: Colonisation, Hate crime, Racism, and Cultural appropriation
Minor: Death of parent and Gaslighting
luckykosmos's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Colonisation and Death
Moderate: Xenophobia
amandas_bookshelf's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Colonisation, Cultural appropriation, and Racism
Moderate: Death of parent
sfbookgirl's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Graphic: Colonisation, Death of parent, Grief, and Racism
Moderate: Xenophobia and Cursing
mar's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Grief, Colonisation, and Death of parent
Minor: Racism
sophiareadswaytoomuch's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I read most of it in one sitting. It was a very fun, power fantasy type book. There is a certain amount of suspension of disbelief required, but for me, for this book, that was part of the appeal.
I personally enjoyed how the writing style contributed to the overall tone of the book. While the writing style is not perfect from a critic/technical standpoint (I’ve seen some people say the wiring is too poetic/flowery) it worked perfectly for me. The pacing was a little bit odd, but it worked for the story being told.
I understand why it was not for some people: it’s a very ambitious book, and from the reviews I’ve read I think the marketing focus on the heist aspect left a few people disappointed. While this book is about a heist, it’s more about what the heist means for each character and their connections to each other and their shared and unique cultural heritage. As well as some fun heist moments.
I can’t express how much fun I had reading this book. I laughed, I cried, I contemplated existence. It might be a cliche, but I could tell every part of this book was written with love.
It was also an interesting view into Chinese culture, particularly the diaspora living in America, which I am not personally very familiar with. I enjoyed the unpacking of both cultural and heist stereotypes, and the diverse range of both characters and worldviews represented. I loved each character for different reasons- though sometimes their decisions stressed me out a fair bit. I loved all of their character arcs, and I felt like they each got a decent amount of ‘screen time’, especially for such a large main cast. All in all, an extremely fun and interesting debut novel. I’ll definitely be looking out for more from this author.
Moderate: Grief, Racism, and Colonisation
vaniavela's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Cultural appropriation, Colonisation, and Racism
Minor: Death of parent
Portrait of a Thief tells the story of 5 college students who receive a once-in-a-lifetime proposition: steal 5 Chinese sculptures and receive $10 million each. The heists are realistic, something you don't see often. Visualize this. They plan it all by watching Ocean's 11, discussing things via zoom, putting all their research and plans on a google drive, and keeping in touch via WhatsApp. Mind you, Portrait of a Thief is much more than that. We can examine issues regarding colonialism, immigration and identity. It is a critique of Western imperialism. I loved the multitude of identities we encountered. While I personally can't speak to the Chinese and Chinese-American representation in this book, I found it amazing to read. My problem is that it's hard for me to think that anyone would hire these random college kids to do something like this. It seems like an odds-on thing to me. The romantic subplots also seemed unnecessary to me, as they were poorly developed. Literally everyone ended up with someone in the group. The only one who didn't was Daniel. Something I also disliked a tiny bit was the attempt at Sapphic romance. I know it was somewhat enemies to lovers, but Irene literally kept insulting or being rude to Alex for no apparent reason. As a sapphic person, I wish I would have read the correct terms (lesbian, bisexual) because I was really confused. Also, I loved the writing in this book. If more books are written in the future, I will definitely read them. I'm sure it will make an interesting Netflix movie when adapted.