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emotional
lighthearted
fast-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
I adore magical realism; I would say it was the first great literary love of my adult life. I am happy to slip into the suspension of disbelief required and allow myself to be cocooned by the fantastic; to experience characters as archetypes and motifs who are driven by fate rather than as drivers of their own narratives. I enjoy this... To a point.
For these reasons, Like Water For Chocolate has been on my to-read list for over a decade. Maybe this long lead time resulted in my expectations being too high, because I was very disappointed in this novel.
I loved the fairytale-like lyricism and outlandish surrealism of the grand magical moments. I didn't even mind the thinness of the novel's premise regarding the tyrannical monstrosity of Mama Elena, the archetypal wicked witch/evil stepmother despite being the biological parent of Tita, the MC. Their relationship and her cruelty she inflicted on her family was the heart of the novel for me, and I think that the novel really went off the rails after her death .
What I struggled with was the limpness of Tita's character, and the febrile hollowness of the love story between her and Pedro. While the passivity of Tita serves the plot, and is required for the emotional outbursts of magic in her cooking to carry any weight, it makes her incapable of action to the point of unlikeability.
Similarly, while the romance between her and Pedro is heightened and inflamed, at no point are we shown *why* these two are in love with each other beyond their unresolved physical attraction towards each other. Pedro's character is weak and spineless as several other characters make a point of lampshading, and there is no explanation as to why Tita would remain in love with him once this weakness is revealed to her.
The scene in which their love is finally consummated reads more like a rape scene than passionate lovemaking. It really soured the rest of the book for me as well as Tita ultimately deciding to choose Pedro over John (although I recognise that John was also a skeezy and duplicitous character who was essentially grooming a vulnerable teenager).
Although I was grateful that the book was quite short, I found the huge time jump annoying and gratuitous. I also didn't understand what the resolution of this book was trying to say. Was it a happy ending, or a tragedy? Is the power of true love inevitable? Or was it just a rushed resolution that shoehorned in the Chekhov's gun of an extended proverb that was introduced for no reason halfway through the book? (This. It was this.)
In summary, I do not understand why this is such a lauded example of the magical realism genre from a female Latinx perspective when Isabel Allende is RIGHT THERE.
For these reasons, Like Water For Chocolate has been on my to-read list for over a decade. Maybe this long lead time resulted in my expectations being too high, because I was very disappointed in this novel.
I loved the fairytale-like lyricism and outlandish surrealism of the grand magical moments. I didn't even mind the thinness of the novel's premise regarding the tyrannical monstrosity of Mama Elena, the archetypal wicked witch/evil stepmother despite being the biological parent of Tita, the MC. Their relationship and her cruelty she inflicted on her family was the heart of the novel for me, and I think that the novel really went off the rails after
What I struggled with was the limpness of Tita's character, and the febrile hollowness of the love story between her and Pedro. While the passivity of Tita serves the plot, and is required for the emotional outbursts of magic in her cooking to carry any weight, it makes her incapable of action to the point of unlikeability.
Similarly, while the romance between her and Pedro is heightened and inflamed, at no point are we shown *why* these two are in love with each other beyond their unresolved physical attraction towards each other. Pedro's character is weak and spineless as several other characters make a point of lampshading, and there is no explanation as to why Tita would remain in love with him once this weakness is revealed to her.
The scene in which their love is
Although I was grateful that the book was quite short, I found the huge time jump annoying and gratuitous. I also didn't understand what the resolution of this book was trying to say. Was it a happy ending, or a tragedy? Is the power of true love inevitable? Or was it just a rushed resolution that shoehorned in the Chekhov's gun of an extended proverb that was introduced for no reason halfway through the book? (This. It was this.)
In summary, I do not understand why this is such a lauded example of the magical realism genre from a female Latinx perspective when Isabel Allende is RIGHT THERE.
Content Warnings
Graphic: Adult/minor relationship, Animal death, Bullying, Child abuse, Child death, Confinement, Domestic abuse, Emotional abuse, Infertility, Infidelity, Misogyny, Rape, Sexism, Sexual content, Sexual violence, Suicidal thoughts, Toxic relationship, Blood, Kidnapping, Grief, Death of parent, Murder, Pregnancy, Fire/Fire injury, Gaslighting, Abandonment, War, Injury/Injury detail
emotional
funny
lighthearted
sad
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Read more like a movie than a book. Heartwarming and interesting, though weird.
Content Warnings
Graphic: Child abuse, Death, Emotional abuse
Moderate: Confinement, Infidelity, Rape, Medical content, War
Minor: Racism
adventurous
emotional
funny
lighthearted
fast-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
WOW this book was really fun and entertaining. some bits were maddening, some hilarious, some romantic, and others sad. there was a sense of poetic irony and exaggeration that gives this story the feel of a folktale. the ending was a bit wild, but after letting it simmer (haha) in my mind i’ve come to like it. (this a very food-oriented book, so pls keep that in mind if that is a sensitive topic for you)
Content Warnings
Graphic: Child abuse, Domestic abuse, Emotional abuse
Moderate: Physical abuse, Toxic relationship
Minor: Confinement, Racial slurs, Racism, Rape, Violence, Forced institutionalization, Vomit, War
emotional
informative
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
I liked the fairy tale style and the way the recipes were woven into the narrative. Unfortunately, the narrative itself wasn't very good. The main character falls in love with a man with zero good qualities and lusts after him for years because they're forbidden to marry. He treats both her and his wife so badly and they're both so into him. There are two interesting characters and they're both hardly in the book.
Content Warnings
Graphic: Child abuse, Death, Eating disorder, Emotional abuse, Fatphobia, Infidelity, Physical abuse, Toxic relationship, Vomit, Medical content, Death of parent
Moderate: Animal death, Chronic illness, Confinement, Racial slurs, Racism, Rape, Violence, Forced institutionalization, Blood, Trafficking, Kidnapping