Reviews tagging 'Medical trauma'

The Marriage Portrait by Maggie O'Farrell

6 reviews

heather_freshparchment's review

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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helenaramsay's review against another edition

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emotional mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

A phenomenal story! The serious topics were handled so sensitively and portrayed so realistically throughout and you really fell in love with Lucrezia and rooted for her til the end. I thought it would take me longer because it's quite a chunky paperback, but I couldn't put it down at all.

The writing is fabulous- you can read a chapter or two and realise there hasn't been much in the way of actual events happening, but the character development and, even moreso, the emotional current flowing through the whole novel are sublime.

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cadybooks's review against another edition

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dark mysterious reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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newton's review

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adventurous challenging dark emotional sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0

Okay so. Generally I did enjoy this book, it kept me coming back for more every time I finished a chapter. It did a great job of building tension — especially towards the end — and I really did care about Lucrezia. However… I do have some thoughts. (spoilers below) 

This one is pretty major and has to do with the very end of the book, so be warned. Emilia. Oh my love Emilia. She was so lovely from the moment she was introduced, and her relationship with Lucrezia broke my heart. The author did a lot of good work to establish their friendship/sisterhood, and I loved Emilia so very much. 

With that said, I really do feel that she existed ONLY as Lucrezia’s loyal servant. An obvious example is her scar (gotten from playing with Lucrezia/foreshadowing that Lucrezia will be Emilia’s end), but this is MOST clear in how Emilia died. Unnamed and unmourned by anyone, not even Lucrezia! I wish I could say that she should have gone back for Emilia after her escape (or at least like, considered that Emilia looks like her and is ASLEEP IN HER BED. And there are men COMING TO KILL HER), but honestly? I never got the impression that Lucrezia gave much of a shit about Emilia outside of her loyalty and companionship. 

This could have been a place for O’Farrell to explore the self-centered nature of nobility or the ways that Lucrezia IS privileged despite her gendered oppression as Alfonso’s wife. However, this doesn’t seem to have been given much of a thought, and Emilia was reduced to a simple plot device in order to allow Lucrezia to survive where history insists she did not. 

A few more nit-picky issues I had: 

If Alfonso was going to kill Lucrezia, why would he poison her only to then smother her a day or so later? I feel like it would make much more sense for the venison and wine to have contained a deadly poison rather than a poison that weakened her, though granted, I won’t pretend to know what was going through Alfonso’s mind in that moment. 

The title, frankly, does not make sense. The marriage portrait, O’Farrell writes in the notes, is completely fictional, and it doesn’t even appear until well past the halfway mark. It had very little to do with the story as a whole, and instead tied the novel to Browning’s poem. This might just have been me, but I was reading this as historical fiction rather than a strictly intertextual work with “My Last Duchess.” 

I also thought that Lucrezia’s feelings towards Alfonso flip-flopped a bit more than was realistic. It made sense to me that she would be unsure if he truly loves her, but to have her thinking that he would never hurt her moments after she’s convinced that he is going to kill her just felt unnatural.
 

All in all, this was a book that I enjoyed reading, but I don’t think it’s one that I would highly recommend or reread. 

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cstein's review

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dark emotional informative mysterious reflective sad tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

A gripping examination of a tragic social order.

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lostinthelibrary's review against another edition

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dark informative reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.5

Wow! Hamnet was a tough act to follow but Maggie O'Farrel has done it again! I love the idea of taking a pre-gothic tale and giving it a gothic style. I was hooked throughout by the tense atmosphere and the beautiful prose. It put me in a constant pull between wanting to speed through to the end and wanting to take it slowly to reflect on the themes and savour the writing. I am rarely a re-reader but I feel this book may warrant it.  Time to read more of her back catalogue as this has cemented Maggie O'Farrel as one of my favourite authors.  

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