Reviews with content warning for Suicide attempt - No Gods, No Monsters

tw: drug use, animal death, death, suicide, medical trauma, child abuse, suspected police brutality, active shooter situation, possible transphobia, prejudice, murder

cool facts: urban fantasy, first of a series, mostly third person and multiple viewpoints + timelines, lgbt+ (including an ace character!), BIPOC author, my first book by him, no steam (level 1), short chapters

tldr summary: what if monsters were real? would we accept them if they revealed themselves? feat. werewolves, vampires, witches, seers.

vibes: mysterious, tense, confusing, a little creepy, dark. excellent writing. a few head scratching moments about science-y stuff like the separation of atoms and alternate timelines. i’m very curious to see where this story goes.

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cour13r5's review against another edition

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5.0

a truly exquisite and unsettling book. grounded while ambitiously speculative. deft experiment with structure/form. highly recommend.

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obscurepages's review against another edition

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adventurous challenging dark mysterious reflective tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.75

Wow wow wow. This took me on quite a ride and made me question what we know about the world.

It dove into the paranormal/supernatural, the secret organizations, the magic and the scientific theories that surround us, the reality that we know, the hardships that people go through, the society and the system we live in.

Another thing that really impressed me is the writing style and the prose. It was dark and eerie and so captivating. And the fact that the author blended horror, fantasy, and science fiction and he did it so brilliantly. 😭👏

There are a lot of characters and it can get confusing/hard to keep up. However, the way these different characters and their perspectives intertwine was so cool and impressive. (And hello??? That unnamed narrator?!) Kudos to the author for creating such an intricate yet satisfying network of point of views.

I really enjoyed reading this y'all. This one surprised me and I loved it!

E-arc from NetGalley in exchange for an honest review. Full review soon!

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allisonwonderlandreads's review against another edition

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challenging mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

There is some serious world-building mindfuckery on display in this book. The writing is spare and stunning, drawing up images, emotions, and philosophical questions with apparent ease. The narration style confused me at first, not because it is poorly done but because it intends to obscure. We have a seemingly invisible observer as a first-person narrator popping in and out of third-person narration surrounding interconnected but distinct people and plots. I found this an intriguing approach, especially because each person was magnetic even as they were enigmatic. My favorite character was Ridley, an anarchist and worker-owner of a co-op bookstore, who also happens to be an ace trans man. The different characters lead us through the moments where they are pivotal actors or key witnesses in a historic shift for humanity. There is something more natural about this multifaceted approach than following in the wake of a single hero who sees and does everything herself.

I'll keep the discussion of plot brief because I don't want to ruin the experience of seeing the mysteries unfold as the author intends. The gist is this: in the near future, humanity fractures open at the revelation of monsters among us, leading to violence, hatred, and the unveiling of long-pursued secret agendas. The conflicts among many factions will sow chaos on a massive scale.

This eerie fantasy has elements of physics and monster lore spread across a vast landscape, only the first tentative venture in what will require greater exploration. It covers harsh and relevant topics of structural violence, capitalism, abuse, and drug addiction while also peering into philosophical debate about choice and meaning that will take significant time and thought to percolate.

Thanks to Blackstone and NetGalley for the opportunity to read and review this cleverly woven tapestry of a book, out 9/7.

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melaniereadsbooks's review against another edition

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dark mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

Thank you to Netgalley and Blackstone Publishing for an ALC of this book

A diverse cast of characters come together when Monsters are publicly revealed to be real, and a power struggle between those who want equal rights for Monsters and those who want them swept under the rug begins.

Firstly, I want to say that I would love to reread this book with a physical copy in my hands, because there were so many characters that I was getting a little lost with just the audiobook. That being said--I don't think it was the audio's fault at all, and I loved loved loved the narration by Dion Graham .

There were so many amazing characters with diverse identities that I loved! This was dark and tempting and I loved reading/listening to it! I thought it was so interesting and I love that this was just the start of a series! Can't wait to read more!

Pub Date: Sept 7, 2021

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ceilidhwilliams's review against another edition

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challenging dark mysterious tense fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

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nini23's review against another edition

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adventurous dark mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

From one of Cadwell Turnbull's interviews with Lightspeed Magazine, he describes his upcoming book as "modern retelling of the civil rights movement of the ’60s and ’70s, but with monsters." Indeed, the title No Gods No Monsters derives from an anarchist slogan "No gods, no masters" meant to be a "call against discrimination and hierarchy," as explained in the climactic protest at the book's finale. No Gods No Monsters opens with a horrifically common occurrence in the United States, the shooting of an unarmed black man Lincoln by police and his sister Laina is informed. In the midst of her grief, she is mysteriously handed a video of the events which show her brother and others turning into wolves.

Ambitious, with multiple threads of polyphonic stories, this sprawling novel defies neat categorization - urban fantasy, speculative fiction, science fiction, social commentary. We readers are dipped into the lives and stories of diverse individuals and families including:
- Puerto Rican lesbian female Rebecca also a werewolf, Laina's lover
- guy returned to his home island of St Thomas, US Virgin Islands, his brother Cory Turner died
- Ridley coop bookstore owner asexual trans biracial (half white, half black)
- Monsters: Dragon rescued by Order of Asha, Melku (also from St Thomas) - tech mage, Sonya- invisible, Cassie/Cassandra - seer, sight mage, Damsel - witch, Yuni, Sarah - werewolf
- 2 orders of monsters, rogue ones, unknown organization forcing them into open
- Sociologist Karuna Flood born in Nepal raised and adopted by Irish parents in Ireland, went missing
- Sondra, senator running again for reelection, from St Thomas, Sondra monster, sister Sonya is a souyoucant (bloodsucking supernatural being from Caribbean folklore), Sondra's parents are werewolves who adopted Sonya
- Hugh Everett quantum physicist who discovers a new wave theory, neglects his family with devastating consequences
- Henry who falls into a cult Golden Dawn from loneliness after divorce

At first, the stories seem disparate, we are dripped backstories across timelines and geography but slowly the interconnections and common themes emerge. I love that the author gives space for the stories to breathe and for readers to reach realizations. One of the refrains is "So it fucking goes" - shitty things happen, is it derived from Vonnegut's famous 'So it goes?" There's drug addictions, racial injustice, spousal physical abuse, family inability to accept LGBT members, suicide, lung cancer from second-hand smoke of smoking spouses, PTSD in military. Close family and friends wonder in regret and self-recrimination whether they could have done more to help, to reach out, made a different decision in the crossroads of fate and time. This is where the concept of multiverses and alternate outcomes, alternate selves pops up with regularity. I felt that the theory of quantum mechanics that sets up this concept a little thin and basic. Also although the stories tried to be empathetic to everyone's pain and trauma, I thought in the subset story of Cory and his ex-wife Keren, his side was given too much emphasis, over-explained vs Keren's terror, I didn't think she had anything to apologize for.

The term 'monsters' is deliberately provocative, because if we treat beings different from us monstrously, what does that turn us humans into? With the release of the video of werewolves that is subsequently altered, there is the Fracture, those who acknowledge the existence of them and those who deny it. Fear, paranoia, violence and desire for destruction of the other pervades; even those who know the 'monsters' personally hesitate to support their cause publicly for fear of their safety.

I really enjoyed the range of No Gods, No Monsters. From a peanut growing coop (and the fascinating method of plant reproduction underground geocarpy) to the flavors of St Thomas (rum, obeah, souyoucant, hurricane, struggle to gain statehood status, iguanas, working at the local Kmart, local slang pahnah) to the SF elements (teleportation, mysterious omniscient fractal sea entity with first person narration, tracker soul worms, memory wipes, particle physics) to the abilities of the different 'monsters,' it's complex and action-packed. But beyond the thriller elements are hard pointed questions of prejudice, allyship, inequality, justice.

No Gods, No Monsters will be released on September 7th, 2021 by publisher Blackstone Publishing. Will definitely be reading book 2 of the Convergence Saga when it comes out.

Thanks to Blackstone Publishing and Netgalley for an ARC of this book in exchange for an unbiased review.

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emilyrainsford's review against another edition

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challenging dark mysterious slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Where on earth to start with this book??

In the M. Night Shyamalan movie "Signs", there is a scene that creeped out a generation. The footage is a shaky, handheld style rendering of a kids' birthday party. Everyone is running to the window. The footage looks out the window and you're looking at an ordinary yard and then BOOM a weird grey alien appears in an alleyway, looks directly at you, then runs away, and everyone starts screaming. It's not big flashy Hollywood CGI - we're talking a 2002 film here. But that's precisely what makes it so creepy - it feels REAL. It feels like it could really be some dad's handycam footage from an average lounge room. It makes you think - omg imagine if that were real?? - in a way that smooth shiny footage wouldn't.

That's what reading this book felt like to me. I would not consider this fantasy, not even urban fantasy. It's more like a kind of speculative near-future realist dystopia that just happens to feature werewolves and a dragon. It's not fantastical. It's CREEPY. I admit I almost put it down fairly early on - the disembodied voice, a child eating hands... it was almost too creepy for me to handle. And yet there was a curiosity I couldn't shake, so I kept going.

The way the book is told feels more like a series of somewhat interconnected vignettes than a truly cohesive narrative. Just as you're getting to know one character, it switches drastically to a different person and story. It requires quite a lot of patience. It's... fractured.

It's so fractured that it's hard to even pin down a short synopsis. Essentially, a video emerges one day in the near future of werewolves shifting back into humans. Suddenly the world is alerted to the existence of things that have lived in the shadows. But then the end of that video disappears from every copy of it worldwide. All evidence of the shifting is gone. Those who didn't see it on live TV think that people let their imaginations run wild. Those who did see it start to question their own memory. But there are shifts happening beneath the surface of things, monsters are being pushed into the light. By whom? And why?

The emergence of that video is known as - The Fracture.

There is a strong thread of social commentary that runs through this novel. Because I'm woefully uneducated on such things, I had no idea that the title was a play on an anarchist slogan - "no gods, no masters", meaning that no human should be held above another. Once you realise that, you see how incredibly clever the title of this book is - "no gods, no monsters", a call to equality, that no one should be held either above or below another. There is an open relationship, characters of varying gender identities and sexualities and races, a few discussions and representations of cooperatives and socialist-anarchist type communities. This book is the very antithesis of a heteronormative, default-white novel and it feels very authentic.

This is a novel that pushes the boundaries of the way things have always been done, and so the structure of it is only fitting, in my opinion. It's not a standard novel because it doesn't WANT to be a standard novel - that, in fact, is the whole point. It's subversive - it wants to challenge you and the way you think things "should" be done, just because they've always been done that way.

There is an omniscient third person narrator who increasingly becomes part of the story. It is quite disconcerting at first. Imagine you're just reading along a seemly standard third person narration, when suddenly one of the characters starts addressing the narrator, a non-physical presence. It's jarring, although it does come together a bit more towards the end.

Speaking of the end, it finishes somewhat abruptly. The whole book is a very slow build up, to a kind of climactic scene, but then it finishes in a way that is still very unresolved. Goodreads suggests this is part one of a "Saga", so I guess there's more to come. Still, it was an unsatisfying ending after such a long, slow book - especially if you're unsure if you can stomach another whole book of this weirdness.

I saw a review that invoked Gaiman's American Gods and that definitely feels like an apt comparison to me, in vibe if not content. There's an eeriness to it all, a sense of mild horror. Have you ever looked up into the night sky and imagined what it would be like if suddenly gravity stopped working and everyone fell off the earth and was burned up in the stratosphere?? The absolute horror of it, the helplessness, the vastness of a universe that doesn't really give a crap? It probably is a little weird that I have, but that's exactly the feeling this book gave me.

I would not recommend you pick this up if you're expecting standard fantasy. This is not it. If you want to read absolutely different from anything you've ever read before, something a little weird and experimental, give it a try. And don't say I didn't warn you :-P.

Trigger warnings include sexual abuse of a minor, domestic abuse, mild body horror, police shooting of a Black man, an active shooter scene.

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