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azrah786's review against another edition
4.25
**I received an ARC from Titan Books in exchange for an honest review**
CW: violence, gun violence/mass shootings, blood, gore, body horror, injury, death, death of parent/loved one, animal death, murder, suicide, police brutality, hate crime, drug abuse/addiction, alcohol, confinement, cannibalism, child abuse, domestic abuse, emotional abuse, grief, transphobia, racism, xenophobia
--
No Gods, No Monsters is the addictive beginning to a new supernatural/paranormal urban fantasy series. In this story filled with both magic and science, an event denoted as The Fracture sees monsters and creatures from myths and legends being chased out of the shadows and living openly amongst humans as a means of protection from some “other” threat.
Turnbull deftly blends the genres of science fiction, fantasy, horror and thriller together, and his prose perfectly encapsulates the eerie and dark vibe of the story throughout.
The combination of short chapters and a storyline laced with mystery makes this such a page turner. There are secret organisations and seers, shifters and gods but the sharp, underlying commentary on marginalised communities, human nature and the disbelief and blind ignorance people chase during times of change make this so much more than fiction.
There is an extensive cast of diverse and intriguing characters to follow which at times gets a little confusing. However, the multi pov narration also makes the book feel like an anthology of stories that are all subtly interconnected, with a greater overarching storyline connecting them all more fully happening in the background.
We also have a unnamed narrator to follow that pops up within these individual stories and honestly just wanting to figure out who this mysterious figure observing all of the character is, is just one of the unputdownable elements of the book.
A perfect read for spooky season but also one that can be enjoyed all year round.
Final Rating – 4.25/5 Stars
CW: violence, gun violence/mass shootings, blood, gore, body horror, injury, death, death of parent/loved one, animal death, murder, suicide, police brutality, hate crime, drug abuse/addiction, alcohol, confinement, cannibalism, child abuse, domestic abuse, emotional abuse, grief, transphobia, racism, xenophobia
--
No Gods, No Monsters is the addictive beginning to a new supernatural/paranormal urban fantasy series. In this story filled with both magic and science, an event denoted as The Fracture sees monsters and creatures from myths and legends being chased out of the shadows and living openly amongst humans as a means of protection from some “other” threat.
Turnbull deftly blends the genres of science fiction, fantasy, horror and thriller together, and his prose perfectly encapsulates the eerie and dark vibe of the story throughout.
The combination of short chapters and a storyline laced with mystery makes this such a page turner. There are secret organisations and seers, shifters and gods but the sharp, underlying commentary on marginalised communities, human nature and the disbelief and blind ignorance people chase during times of change make this so much more than fiction.
There is an extensive cast of diverse and intriguing characters to follow which at times gets a little confusing. However, the multi pov narration also makes the book feel like an anthology of stories that are all subtly interconnected, with a greater overarching storyline connecting them all more fully happening in the background.
We also have a unnamed narrator to follow that pops up within these individual stories and honestly just wanting to figure out who this mysterious figure observing all of the character is, is just one of the unputdownable elements of the book.
A perfect read for spooky season but also one that can be enjoyed all year round.
Final Rating – 4.25/5 Stars
Content Warnings
Graphic: Addiction, Body horror, Child abuse, Confinement, Death, Drug use, Gore, Gun violence, Hate crime, Suicide, Violence, Blood, Police brutality, Mass/school shootings, Cannibalism, Murder, Alcohol, and Injury/Injury detail
Moderate: Animal death, Domestic abuse, Emotional abuse, Racism, Transphobia, Xenophobia, and Death of parent
gilnean's review against another edition
adventurous
challenging
dark
emotional
mysterious
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Addiction, Animal death, Cancer, Child abuse, Confinement, Cursing, Death, Domestic abuse, Drug abuse, Emotional abuse, Gore, Gun violence, Hate crime, Mental illness, Physical abuse, Racism, Suicidal thoughts, Suicide, Terminal illness, Torture, Violence, Forced institutionalization, Xenophobia, Blood, Police brutality, Medical content, Mass/school shootings, Cannibalism, Suicide attempt, Death of parent, Murder, Fire/Fire injury, and Injury/Injury detail
Moderate: Body horror, Deadnaming, Eating disorder, Transphobia, Vomit, Pregnancy, and Alcohol
Minor: Pedophilia, Sexual content, and Excrement
meaghanelizabook's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Content Warnings
Graphic: Death, Gun violence, Hate crime, Violence, Mass/school shootings, and Murder
Moderate: Body horror, Child abuse, Cursing, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Gore, Racism, Xenophobia, Blood, Police brutality, Suicide attempt, Death of parent, Alcohol, and Injury/Injury detail
Minor: Cancer, Mental illness, Suicide, Terminal illness, and Forced institutionalization
orange4orange's review against another edition
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? N/A
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Content Warnings
Moderate: Body horror, Mass/school shootings, and Cannibalism
melaniereadsbooks's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Thank you to Netgalley and Blackstone Publishing for an ALC of this book
A diverse cast of characters come together when Monsters are publicly revealed to be real, and a power struggle between those who want equal rights for Monsters and those who want them swept under the rug begins.
Firstly, I want to say that I would love to reread this book with a physical copy in my hands, because there were so many characters that I was getting a little lost with just the audiobook. That being said--I don't think it was the audio's fault at all, and I loved loved loved the narration by Dion Graham .
There were so many amazing characters with diverse identities that I loved! This was dark and tempting and I loved reading/listening to it! I thought it was so interesting and I love that this was just the start of a series! Can't wait to read more!
Pub Date: Sept 7, 2021
A diverse cast of characters come together when Monsters are publicly revealed to be real, and a power struggle between those who want equal rights for Monsters and those who want them swept under the rug begins.
Firstly, I want to say that I would love to reread this book with a physical copy in my hands, because there were so many characters that I was getting a little lost with just the audiobook. That being said--I don't think it was the audio's fault at all, and I loved loved loved the narration by Dion Graham .
There were so many amazing characters with diverse identities that I loved! This was dark and tempting and I loved reading/listening to it! I thought it was so interesting and I love that this was just the start of a series! Can't wait to read more!
Pub Date: Sept 7, 2021
Content Warnings
Graphic: Death, Gun violence, Racism, Violence, Police brutality, Grief, and Mass/school shootings
Moderate: Addiction, Body horror, and Gore
Minor: Child abuse, Drug abuse, and Suicide attempt
ceilidhwilliams's review against another edition
challenging
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Content Warnings
Graphic: Addiction, Body horror, Confinement, Death, Domestic abuse, Drug abuse, Gun violence, Violence, Forced institutionalization, Kidnapping, Mass/school shootings, and Cannibalism
Minor: Animal death, Child abuse, Drug use, Self harm, Suicide, Toxic relationship, Police brutality, Suicide attempt, Death of parent, and Fire/Fire injury
2treads's review against another edition
dark
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? No
4.0
-No human above. No human below.
Turnbull is a smooth writer. Whatever tale he is telling just flows so easily from page to page, even when the subject matter is heavy. He ensures that his readers will have an easy time of it, while remaining interested and engaged.
He did it with The Lesson and he has brought this same style to No Gods, No Monsters. As he builds the reveal that monsters are among us, Turnbull is also raising questions around community and family: how they grow and change, what brings them together, what drives them apart, and how the shadowy areas overlap.
The story of #NoGodsNoMonsters is one of those stories that has moving parts which requires attention and which rewards a reader that sticks it out. With storylines that move forwards and backwards through time and place, expanding the cast of characters, introducing new magics and monsters, and then looping everyone together in some way was just a great reading experience.
I love a book that keeps me puzzled here, clues me in there, and that has heart. Because at the heart of this story is family and finding a place to be safe and to belong. Isn't that what we all want?
Turnbull is a smooth writer. Whatever tale he is telling just flows so easily from page to page, even when the subject matter is heavy. He ensures that his readers will have an easy time of it, while remaining interested and engaged.
He did it with The Lesson and he has brought this same style to No Gods, No Monsters. As he builds the reveal that monsters are among us, Turnbull is also raising questions around community and family: how they grow and change, what brings them together, what drives them apart, and how the shadowy areas overlap.
The story of #NoGodsNoMonsters is one of those stories that has moving parts which requires attention and which rewards a reader that sticks it out. With storylines that move forwards and backwards through time and place, expanding the cast of characters, introducing new magics and monsters, and then looping everyone together in some way was just a great reading experience.
I love a book that keeps me puzzled here, clues me in there, and that has heart. Because at the heart of this story is family and finding a place to be safe and to belong. Isn't that what we all want?
Content Warnings
Minor: Addiction, Body horror, Child abuse, Confinement, Death, Gun violence, and Homophobia
emilyrainsford's review against another edition
challenging
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Where on earth to start with this book??
In the M. Night Shyamalan movie "Signs", there is a scene that creeped out a generation. The footage is a shaky, handheld style rendering of a kids' birthday party. Everyone is running to the window. The footage looks out the window and you're looking at an ordinary yard and then BOOM a weird grey alien appears in an alleyway, looks directly at you, then runs away, and everyone starts screaming. It's not big flashy Hollywood CGI - we're talking a 2002 film here. But that's precisely what makes it so creepy - it feels REAL. It feels like it could really be some dad's handycam footage from an average lounge room. It makes you think - omg imagine if that were real?? - in a way that smooth shiny footage wouldn't.
That's what reading this book felt like to me. I would not consider this fantasy, not even urban fantasy. It's more like a kind of speculative near-future realist dystopia that just happens to feature werewolves and a dragon. It's not fantastical. It's CREEPY. I admit I almost put it down fairly early on - the disembodied voice, a child eating hands... it was almost too creepy for me to handle. And yet there was a curiosity I couldn't shake, so I kept going.
The way the book is told feels more like a series of somewhat interconnected vignettes than a truly cohesive narrative. Just as you're getting to know one character, it switches drastically to a different person and story. It requires quite a lot of patience. It's... fractured.
It's so fractured that it's hard to even pin down a short synopsis. Essentially, a video emerges one day in the near future of werewolves shifting back into humans. Suddenly the world is alerted to the existence of things that have lived in the shadows. But then the end of that video disappears from every copy of it worldwide. All evidence of the shifting is gone. Those who didn't see it on live TV think that people let their imaginations run wild. Those who did see it start to question their own memory. But there are shifts happening beneath the surface of things, monsters are being pushed into the light. By whom? And why?
The emergence of that video is known as - The Fracture.
There is a strong thread of social commentary that runs through this novel. Because I'm woefully uneducated on such things, I had no idea that the title was a play on an anarchist slogan - "no gods, no masters", meaning that no human should be held above another. Once you realise that, you see how incredibly clever the title of this book is - "no gods, no monsters", a call to equality, that no one should be held either above or below another. There is an open relationship, characters of varying gender identities and sexualities and races, a few discussions and representations of cooperatives and socialist-anarchist type communities. This book is the very antithesis of a heteronormative, default-white novel and it feels very authentic.
This is a novel that pushes the boundaries of the way things have always been done, and so the structure of it is only fitting, in my opinion. It's not a standard novel because it doesn't WANT to be a standard novel - that, in fact, is the whole point. It's subversive - it wants to challenge you and the way you think things "should" be done, just because they've always been done that way.
There is an omniscient third person narrator who increasingly becomes part of the story. It is quite disconcerting at first. Imagine you're just reading along a seemly standard third person narration, when suddenly one of the characters starts addressing the narrator, a non-physical presence. It's jarring, although it does come together a bit more towards the end.
Speaking of the end, it finishes somewhat abruptly. The whole book is a very slow build up, to a kind of climactic scene, but then it finishes in a way that is still very unresolved. Goodreads suggests this is part one of a "Saga", so I guess there's more to come. Still, it was an unsatisfying ending after such a long, slow book - especially if you're unsure if you can stomach another whole book of this weirdness.
I saw a review that invoked Gaiman's American Gods and that definitely feels like an apt comparison to me, in vibe if not content. There's an eeriness to it all, a sense of mild horror. Have you ever looked up into the night sky and imagined what it would be like if suddenly gravity stopped working and everyone fell off the earth and was burned up in the stratosphere?? The absolute horror of it, the helplessness, the vastness of a universe that doesn't really give a crap? It probably is a little weird that I have, but that's exactly the feeling this book gave me.
I would not recommend you pick this up if you're expecting standard fantasy. This is not it. If you want to read absolutely different from anything you've ever read before, something a little weird and experimental, give it a try. And don't say I didn't warn you :-P.
Trigger warnings include sexual abuse of a minor, domestic abuse, mild body horror, police shooting of a Black man, an active shooter scene.
In the M. Night Shyamalan movie "Signs", there is a scene that creeped out a generation. The footage is a shaky, handheld style rendering of a kids' birthday party. Everyone is running to the window. The footage looks out the window and you're looking at an ordinary yard and then BOOM a weird grey alien appears in an alleyway, looks directly at you, then runs away, and everyone starts screaming. It's not big flashy Hollywood CGI - we're talking a 2002 film here. But that's precisely what makes it so creepy - it feels REAL. It feels like it could really be some dad's handycam footage from an average lounge room. It makes you think - omg imagine if that were real?? - in a way that smooth shiny footage wouldn't.
That's what reading this book felt like to me. I would not consider this fantasy, not even urban fantasy. It's more like a kind of speculative near-future realist dystopia that just happens to feature werewolves and a dragon. It's not fantastical. It's CREEPY. I admit I almost put it down fairly early on - the disembodied voice, a child eating hands... it was almost too creepy for me to handle. And yet there was a curiosity I couldn't shake, so I kept going.
The way the book is told feels more like a series of somewhat interconnected vignettes than a truly cohesive narrative. Just as you're getting to know one character, it switches drastically to a different person and story. It requires quite a lot of patience. It's... fractured.
It's so fractured that it's hard to even pin down a short synopsis. Essentially, a video emerges one day in the near future of werewolves shifting back into humans. Suddenly the world is alerted to the existence of things that have lived in the shadows. But then the end of that video disappears from every copy of it worldwide. All evidence of the shifting is gone. Those who didn't see it on live TV think that people let their imaginations run wild. Those who did see it start to question their own memory. But there are shifts happening beneath the surface of things, monsters are being pushed into the light. By whom? And why?
The emergence of that video is known as - The Fracture.
There is a strong thread of social commentary that runs through this novel. Because I'm woefully uneducated on such things, I had no idea that the title was a play on an anarchist slogan - "no gods, no masters", meaning that no human should be held above another. Once you realise that, you see how incredibly clever the title of this book is - "no gods, no monsters", a call to equality, that no one should be held either above or below another. There is an open relationship, characters of varying gender identities and sexualities and races, a few discussions and representations of cooperatives and socialist-anarchist type communities. This book is the very antithesis of a heteronormative, default-white novel and it feels very authentic.
This is a novel that pushes the boundaries of the way things have always been done, and so the structure of it is only fitting, in my opinion. It's not a standard novel because it doesn't WANT to be a standard novel - that, in fact, is the whole point. It's subversive - it wants to challenge you and the way you think things "should" be done, just because they've always been done that way.
There is an omniscient third person narrator who increasingly becomes part of the story. It is quite disconcerting at first. Imagine you're just reading along a seemly standard third person narration, when suddenly one of the characters starts addressing the narrator, a non-physical presence. It's jarring, although it does come together a bit more towards the end.
Speaking of the end, it finishes somewhat abruptly. The whole book is a very slow build up, to a kind of climactic scene, but then it finishes in a way that is still very unresolved. Goodreads suggests this is part one of a "Saga", so I guess there's more to come. Still, it was an unsatisfying ending after such a long, slow book - especially if you're unsure if you can stomach another whole book of this weirdness.
I saw a review that invoked Gaiman's American Gods and that definitely feels like an apt comparison to me, in vibe if not content. There's an eeriness to it all, a sense of mild horror. Have you ever looked up into the night sky and imagined what it would be like if suddenly gravity stopped working and everyone fell off the earth and was burned up in the stratosphere?? The absolute horror of it, the helplessness, the vastness of a universe that doesn't really give a crap? It probably is a little weird that I have, but that's exactly the feeling this book gave me.
I would not recommend you pick this up if you're expecting standard fantasy. This is not it. If you want to read absolutely different from anything you've ever read before, something a little weird and experimental, give it a try. And don't say I didn't warn you :-P.
Trigger warnings include sexual abuse of a minor, domestic abuse, mild body horror, police shooting of a Black man, an active shooter scene.
Content Warnings
Graphic: Gun violence and Mass/school shootings
Moderate: Body horror and Gore
Minor: Adult/minor relationship, Domestic abuse, Drug abuse, Sexual assault, Police brutality, and Suicide attempt