Reviews tagging 'Religious bigotry'

Kaikeyi by Vaishnavi Patel

26 reviews

poisoned_icecream's review

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emotional hopeful reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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moonlitreading_'s review against another edition

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adventurous challenging emotional tense fast-paced
  • Plot- or character-driven? A mix
  • Flaws of characters a main focus? Yes

3.75

“Before this story was Rama’s, it was mine.”

I have no knowledge of the Ramayana prior to reading Kaikeyi so this review is based on the latter. First things firts, I loved the writing!!! There wasn’t really a dull moment for me. I really enjoyed the first parts of the book with Kaikeyi’s childhood. As an eldest daughter with only brothers I found myself sympathizing with Kaikeyi. I adored her relationship with Yudhajit so much, and their bond was really great. The Binding Plane was really interesting, and I love anything magic. I like that it didn’t let Kaikeyi do everything she wants with it. I like that there were limitations with how much she could get away with using it.

The latter parts weren’t as enjoyable to me as the first ones but I didn’t hate them. Sure, the characters (men) pissed me off but beyond that the storyline was still good. I did love the whole Women’s Council thing because women deserve rights as much as men do (f the sages). Kaikeyi’s role as a mother made me sad because all she wanted was for them to be the best people they could be. I understand why her sons acted the way they did, but that doesn’t mean I should like them. Right?

Overall, Kaikeyi was a fantastic read and I had fun with it.

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snohwhyman's review against another edition

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adventurous emotional hopeful inspiring medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? It's complicated

4.5


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fallandfox's review

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adventurous emotional hopeful inspiring reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Quando o Livro começa acompanhamos Kaikeya, a única filha do reino de Kaikeya e uma jovem que cresceu escutando historias sobre os deuses e seus poderes. Ela observa o tratamento frio de seu pai contra ela e um dia ele expulsa sua mãe deixando as responsabilidades além do vazio de não poder nem se despedir ou saber a razão de tal ato. Em meio ao vazio ela descobre um poder por meio de suas leituras que a permite manipular sua ligação emocional com os outros. Com a sua busca por independência e deixar de ser somente uma moeda de troca de casamento entre nações Kaikeyi se torna uma guerreira, diplomata e a rainha mais favorecida.
Decidi pegar esse livro quando vi ele na lista de nominação do ano de 2022 fiquei muito curiosa sobre ele e consegui finalmente alugar o audiobook para a leitura dele.
Quando eu terminei ele eu só consegui para e pesar que leitura maravilhosa eu tinha feito e como eu daria de tudo para poder ler mais um pouco sobre ela e as outra esposas.

A escrita da autora é muito boa e a forma como ela descreveu o mundo e magia foi incrível, com uma escrita fácil de ler tornou tudo melhor.
A comida na historia me deixou com água na boca e eu me senti parte da mesa provando das delicias nesses momentos.

Eu quero que quando alguém ler essa resenha e se perguntar porque eu não descrevi mais sobre os personagens é porque eu quero entrem nessa historia como eu sabendo bem pouco pois fica mais magico assim. As descobertas que você faz junto com ela e as pessoas que ela vai conhecer e fazerem parte da vida dela e do reino.
Eu quero muito que ele venha para o Brasil pois ia ser uma leitura que muita gente ia amar e eu tenho certeza.

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mightymegan25's review against another edition

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adventurous emotional hopeful mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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bookdragonk's review against another edition

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adventurous challenging emotional sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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thewordsdevourer's review against another edition

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adventurous emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Diverse cast of characters? Yes

4.0

kaikeyi is a compelling, richly woven tale w/ the marks of great storytelling. despite having almost no knowledge of the ramayana, i enjoyed this novel and retelling, for despite some of its faults its emotional moments are highly affecting and touch me deeply. 

as ive never truly acquianted myself w/ the original epic, idk how much work patel's done on crafting the characters in her novel, but theyre def layered and complex. the titular character in particular undergoes quite a transformation from a lonely young princess to a powerful radnyi, shaped by her numerous trials and triumphs. i esp like the relationships between those in the kosalan royal family, how some of them defy stereotypical expectations, and the complex web of motives that each has and impacts their relations w/ one another esp the siblings. 

patel does a fantastic job of not only creating the story that occurs prior to the events of the epic, also adding new ones, but putting a fresher spin on the original as well, offering a new look and pov on certain events, relationships and decisions. ofc kaikeyi's decision to exile rama is one of them, but i also like how lakshmana's depicted here, as well as his relationships w/ kaikeyi and his most renowned brother. they all shed a new light and perspective on the epic, and is def a mark of a great retelling.

the last 20% hit me particularly hard, w/ kaikeyi having to choose to literally tear her family apart to avoid a greater disaster, which ultimately proves to be useless. her sense of utter helplessness in the face of the gods' hands and having to bear her family's hatred and wrath - theyre all told very movingly and i rly empathize w/ her plight and the recurring themes of how she tries to forge her own path anyway despite destiny, the gods' indifference, and the repressive patriarchal status quo.

although i do think the book's a lil too long - certain parts in the first 60% have middling pace and are overly detailed - and there are some major plot holes (ex: how could dasharath's promise to kaikeyi not be publicly known w/ how monumental a vow it is?), in addition to the author suddenly introducing then dropping certain plot points (kekaya's former chief lady in waiting, for instance), this is an enjoyable read and esp a must-read for those fond of good retellings.

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lanid's review against another edition

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adventurous emotional reflective
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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leahrosiee's review

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adventurous inspiring reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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just_one_more_paige's review against another edition

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adventurous emotional mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0

 
I love a good retelling, so I'm here for the overall boom in feminist classic mythology retellings. The Witch's Heart and The Silence of the Girls are both great, and of course Circe is an all-time favorite of mine. So I was super excited to delve into this feminist retelling of a non-Western epic, the Ramayana. 
 
The titular protagonist, Kaikeyi, is, in essence, Rama's (step)mother. In the original epic, the story focuses on Rama's exile to the forest at Kaikeyi's urging, and his battle with Ravana after he kidnaps Rama's wife, Sita, and his eventual crowning as king. Patel takes this original story as the scaffold, but turns the focus to Kaikeyi, building her characterization and the unfolding of events that explain why she urged Rama's exile. We follow Kaikeyi through her youth, as she realizes that, as a woman, she has nowhere near the power and position of the men in her world, and that despite all her prayers to the gods (as urged by society and tradition), they seem to have forsaken her. And yet, Kaikeyi makes a life with what she can, forging forward with a bit of magic, a bit of manipulation, a bit of secret training with her twin brother, and a whole lot of effort to create a better world for herself and the women of her nation. When the will/plan of the gods for the human world clashes with her own, threatening her family, her status, her relationships, her life's work, she must make an impossible choice between averting war (saving her homeland and her new land) or preserving the public legacy of her years of diplomacy and advocacy (and her familial ties). 
 
Well, I loved this retelling. Kaikeyi became such a fleshed out and fully developed character in Patel's hands. I loved reading about her youth, both the difficult parts of finding her own ways without a mother or the gods to guide and help her, and the sweet and fun parts, like her relationships with her brothers, especially her twin. This is one of the only books I have read that goes into the art of charioteering (the Nevernight trilogy is the only other one I can think of), and I was fascinated reading about it. Plus, I am a sucker for a lady in battle, historically (I was weirdly obsessed with Joan of Arc as a kid, and loved Tamora Pierce's Alanna series), so the entire "Kaikeyi winning over Dasharath and Ayodhya through her horse/weapons prowess" really hit the spot for me. As Kaikeyi got older, I really enjoyed reading about her mind-opening about how she could help the women of her nation. There was some great insight into how being raised in one way (within a powerful family/court life) can limit one in the ways a person thinks about potential for change or how to make it happen, but with a little looking outside oneself, there are many creative and roundabout ways to affect change. As for her role as a mother, it was well-written, but not as much the highlight for me personally. I was much more into the ways she found to influence and act as a diplomat and use her small magic to create connections. And finally, I was so here for the ace spectrum coding on Kaikeyi’s character; it was smooth and natural and just....felt so right. 
 
The writing itself was perfect for the genre, that sort of the folklore-y narrative voice that feels like classic fairy-tale story-telling. It's narrated by Kaikeyi herself, sort of looking back on everything after it all played out, so there is some fairly heavy-handed foreshadowing, with (short) reflections on what decisions could have been different or moments might have been altered to change the way things happened (just as a heads up, in case you, like myself, are not the biggest fan of that stylistic device). There were a couple other common plot devices that were recognizable, but well used, like the dangers of open-ended promises/boons as repayment/gift/in recognition. Also, and you can see it coming from a mile away but can't look away from it, the inevitable finale due to Kaikeyi keeping secrets (because she is a woman and grew up with little power/support/trust) leading to making decisions for the best possible outcome...but the lack of confiding in others about her knowledge plays a major part in her downfall of status/trust with those closest to her (because they didn’t understand her reasoning for having to make the decisions in the first place and felt taken advantage of and strong armed). That was a long description, but I was trying to convey the vibe while staying vague. The point is, it's a pattern I've definitely read before, but the confluence of situations/events built to Kaikeyi's tragedy in a wonderful way. Finally, I want to mention that the magic/gods aspects were in great balance to the rest of the novel (plot and character development - which were well-balanced and paced in their own right - and feminist themes); present, but never overpowering. 
 
This was a cinematic, adventurous and spectacular retelling. The female gaze and centering was spot on and, as it always is, so refreshing. I always go into these retellings hoping for a happier story, even though I know that the women in these classics are tragic characters, the ones that suffered. So though these retellings are their perspectives, they are not happier for it, just given their own voice to tell it. Regardless, the forceful (though subtle within the plot itself, as necessary) feminism of historical, "powerful" women, was reminscient of Signe Pike's Langoureth (The Lost Queen and The Forgotten Kingdom) in all the best ways (I personally love that vibe/style). All in all, I just really enjoyed this reading experience and definitely recommend this book.  
 
“I could not stop thinking about Ahalya, doomed to remain a stone statue in a forest, slowly eroding while her husband continued to wander the world. If a woman crafted by the gods themselves could be consigned to this fate, what hope was there for a woman born of a woman?” 
 
“I had long thought of Ahalya as the foremost example of how a man might devastate a woman, but as I saw more of the world, I was realizing there were many ways to ruin a person's life. Most women were not cursed by their husbands, but they suffered all the same.” 
 
“In helping another woman, I had in fact helped myself.” (love love love) 
 
 “I did not wish to bring a daughter into this world of men, into a world that would silence her thoughts before she could even speak them. I wondered how many women had felt this same fear, deep in their bones. [...] I had to build a world where [...] her opinion could be valued…” 
 
“If the gods had already ordained my evil deeds, then I had nothing to lose by defying them now. So, I would defy them.” 
 
“It is not weak to avoid war [...] It is the strongest thing you could do, to avoid unnecessary bloodshed.” 
 
“'Then why do I feel wicked?' / 'Because those who are good question themselves. Because those who are good always wonder if there was a better way, a way that could have helped more and hurt less. That feeling is why you are good.'” 
 
“Before this story was Rama’s, it was mine.” 

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