3.82 AVERAGE

challenging emotional informative reflective slow-paced
challenging dark informative reflective medium-paced

“Lived experience expands and illuminates the art we take in.”

This was such an interesting read and delved into a really important topic, now more than ever!

I’m sure we all have that one creator (be it musician, actor, artist) that we admire the work of, only for their personal biography to be a disgusting pit of problematic believes/behaviours. 
Dederer explores this relationship between art and artist, as well as between artist and consumer, so brilliantly and she doesn’t shy away from any of the darker elements that this topic presents. 

If you’re looking for a fascinating and insightful piece about whether we should separate the art from the artist, or whether the artist’s biography is the reason the art is as great as it is, then look no further.

Expand filter menu Content Warnings
reflective medium-paced
reflective medium-paced

More memoir than criticism. If you are going into this looking for tools to manage monsters, you won't get any. This is more a car ride than a destination.

Up and down in terms of engagement. Especially enjoyed the discussion of  Nabokov - gave rise to points I didn’t consider when reading and reflecting on Lolita. I also enjoyed the questions at the end - reframing the whole starting question. 
challenging informative medium-paced

Just really well-written criticism that manages to be insightful/rational but also personable and approachable. Really liked this.
reflective slow-paced

You’re going to have a whole chapter on Joni Mitchell and say she’s a monster because she gave up her child for adoption? What about the blackface and doubling down on the blackface?
The whole book rambled on and I felt there wasn’t a good conclusion. The title says “should we support horrible people even if their art is good?” And the book says, “Do whatever you want!”

Look, I thought this was a great book and a great examination into the facets of dealing with the great art of terrible people. I thought it got... eh... like tenuous when she was talking about abandoning mothers as monsters, and ngl the realisation of what do we do with artistic monsters is a corollary to what do we do with monsters IRL was like, yes Claire this is painfully obvious. But I really liked the concept of The Stain being something that affects how the artwork is translated, that it's impossible to separate knowledge of monstrous things from the art, regardless of what stance you take about consuming the media of 'monsters'.

Idk, it's also been a while since I finished it. But I remember it being real good! Would recommend.
informative fast-paced