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3.42 AVERAGE
3.42 AVERAGE
dark
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Originally a movie, then novelised by the filmmaker: the story follows a queer teen living on a (fictional) Anishinaabe reserve in northern Ontario. Our hero has a boyfriend who's deep in the closet, a girlfriend he hasn't informed is mostly a beard, a sister who's just committed suicide, a mom who's emotionally checked out, a house that's rotting around him, a drinking problem, and not much hope that he's going to get to go to college in Toronto.
The book leans so hard into bleak that it dragged as one terrible thing after another happened to make the hero's life more hopeless, and the pull up to a bittersweet ending didn't feel especially earned. I also felt like though the author tried to give the female characters some kind of voice, they didn't have a lot of agency, and it had something of the feeling that bad things happened to them to further the hero's angst, not their own stories.
I think this was probably a better movie. In film, the narrative would have been given a bit more speed, and a bit less time for the viewer to feel like this was turning into a sadness wallow. (Or to go, "Oh, come on!" at plot developments.) But I haven't seen it, so maybe not.
The book leans so hard into bleak that it dragged as one terrible thing after another happened to make the hero's life more hopeless, and the pull up to a bittersweet ending didn't feel especially earned. I also felt like though the author tried to give the female characters some kind of voice, they didn't have a lot of agency, and it had something of the feeling that bad things happened to them to further the hero's angst, not their own stories.
I think this was probably a better movie. In film, the narrative would have been given a bit more speed, and a bit less time for the viewer to feel like this was turning into a sadness wallow. (Or to go, "Oh, come on!" at plot developments.) But I haven't seen it, so maybe not.
6.5/10 - Review at Pages Below the Vaulted Sky
It's been a while since I've read Canadian Aboriginal fiction. The last one had been Green Grass, Running Water from my highschool AP English class. Which was...well, to put it kindly, definitely an experience. A bit of advice for English teachers? It doesn't matter how brilliant you think a book is or how well-read and mature you think your students are. They're still teenagers. If they can't relate to the subject matter (hell, if they can't even figure out what the subject matter is), they're not going to get the most out of the book like you were hoping for.
With that immediate digression out of the way, let's talk about Fire Song!
Fire Song was originally released into the world in the form of an indie film, written and directed by Adam Garnet Jones. Turns out the guy is super multi-talented because his first attempt at a novel isn't too shabby either. The story stars Shane who's lived in an Ontario reserve with his family all his life. Shane has his girlfriend, Tara, but in the past year and a half, a secret relationship began to bloom between him and a boy named David. Despite not being able to disclose his sexuality to his family and friends, the future didn't seem all too bad for Shane. Then his sister Destiny committed suicide. And everything got flipped upside-down.
Shane is a likeable character (at least in the beginning--we'll get back to this in a bit). His efforts to juggle grief, two relationships, and the possibility of a higher education are easy to empathize with. You find yourself rooting for him to find peace and happiness.
I didn't find the side characters all that well-developed, however. The problem is that this is such a short book and we only get small glimpses for most of them. David, for example. There's little to him besides the fact that he's Shane's secret boyfriend and seriously into their ancestral culture. We don't really get to see the qualities that made Shane fall in love with him in the first place.
But what I did love about these teenagers is that they do everything with so much intensity. They lust deeply. They love deeply. And they hurt and get hurt deeply. It's a double-edged sword, this openness--this unrestrained energy--but it's what I think defines teenagehood. And Jones does a terrific job of showing it.
I also loved the contrast between the prose and the subject matter. The latter is stark and doesn't shy away from heavy topics--sex, drugs, drinking, death. It could have easily become an overly grim story if not for the prose. There's such a quiet, dreamy quality to the writing that not only balances out the harshness but softens it out to a manageable level.
The writing is truly great. The author has no shortage of lovely metaphors to describe every emotion and senses.
I also really liked how the story educates you on what a life in rez might be like for Aboriginal youth without sounding like a pamphlet. The injustice and setbacks that these kids face is depicted in the emptiness that follows Destiny's death. In Shane's struggles to help out his mother and pay his way to university at the same time. In the scrapbook of rez kids who have been murdered or committed suicide. In the anger that roils through Shane at the helplessness of it all. These are major issues regarding First Nations communities that plague Canada, one that the government has yet to fully address, and Jones presents them well with a lot of heart and raw emotions.
"But, Kathy, it sounds like you have a truckload of praises for the book. Why the shitty score?"
First of all, 6.5 is not a bad score. Secondly, I did (do) have a lot of praise for the book. But then I got past the halfway mark and things started to...unravel a bit. The chapters alternate from Shane's POV to chapters that are solely diary entries by Tara. From the start, I'm wasn't too keen on the latter. It felt like cheating--telling what the character's really feeling without having to actually show any of it in Shane's narrative. Then out of nowhere comes this one scene near the end, and without getting into spoilers, it was clear that showing so little of Tara outside of the diary was a detrimental decision.
From there, the pacing took a nose-dive and things turned crazy hectic. Shane's personality was all over the place. One minute he's snuggling with David and the next he's pushing him away and planning the world's worst amateur heist and physically threatening an old woman. And all of this was happening in a matter of days. I felt majorly whiplashed; it seemed like there was a large chunk of segue missing between the middle and the end of the story.
The ending is a hopeful one, though. Which I appreciated. And I do love the spotlight shone on the LGBTQ Aboriginal youth of Canada. It's an important story, to be sure, with some issues of execution.
My hope is that stories like these pave the way to similar ones in Canadian literature in the future.
Thank you to Netgalley and Annick Press for providing this review copy.
It's been a while since I've read Canadian Aboriginal fiction. The last one had been Green Grass, Running Water from my highschool AP English class. Which was...well, to put it kindly, definitely an experience. A bit of advice for English teachers? It doesn't matter how brilliant you think a book is or how well-read and mature you think your students are. They're still teenagers. If they can't relate to the subject matter (hell, if they can't even figure out what the subject matter is), they're not going to get the most out of the book like you were hoping for.
With that immediate digression out of the way, let's talk about Fire Song!
Fire Song was originally released into the world in the form of an indie film, written and directed by Adam Garnet Jones. Turns out the guy is super multi-talented because his first attempt at a novel isn't too shabby either. The story stars Shane who's lived in an Ontario reserve with his family all his life. Shane has his girlfriend, Tara, but in the past year and a half, a secret relationship began to bloom between him and a boy named David. Despite not being able to disclose his sexuality to his family and friends, the future didn't seem all too bad for Shane. Then his sister Destiny committed suicide. And everything got flipped upside-down.
Shane is a likeable character (at least in the beginning--we'll get back to this in a bit). His efforts to juggle grief, two relationships, and the possibility of a higher education are easy to empathize with. You find yourself rooting for him to find peace and happiness.
I didn't find the side characters all that well-developed, however. The problem is that this is such a short book and we only get small glimpses for most of them. David, for example. There's little to him besides the fact that he's Shane's secret boyfriend and seriously into their ancestral culture. We don't really get to see the qualities that made Shane fall in love with him in the first place.
But what I did love about these teenagers is that they do everything with so much intensity. They lust deeply. They love deeply. And they hurt and get hurt deeply. It's a double-edged sword, this openness--this unrestrained energy--but it's what I think defines teenagehood. And Jones does a terrific job of showing it.
I also loved the contrast between the prose and the subject matter. The latter is stark and doesn't shy away from heavy topics--sex, drugs, drinking, death. It could have easily become an overly grim story if not for the prose. There's such a quiet, dreamy quality to the writing that not only balances out the harshness but softens it out to a manageable level.
Watching the fire grow, Shane feels the presence of his ancestors like an echo behind him. Generations that crouched near the flames and warmed their palms, one after another for tens of thousands of years. He wonders if white people ever feel something like that or if it's just Indians who feel their past and present breathing into each other.
The writing is truly great. The author has no shortage of lovely metaphors to describe every emotion and senses.
I also really liked how the story educates you on what a life in rez might be like for Aboriginal youth without sounding like a pamphlet. The injustice and setbacks that these kids face is depicted in the emptiness that follows Destiny's death. In Shane's struggles to help out his mother and pay his way to university at the same time. In the scrapbook of rez kids who have been murdered or committed suicide. In the anger that roils through Shane at the helplessness of it all. These are major issues regarding First Nations communities that plague Canada, one that the government has yet to fully address, and Jones presents them well with a lot of heart and raw emotions.
"But, Kathy, it sounds like you have a truckload of praises for the book. Why the shitty score?"
First of all, 6.5 is not a bad score. Secondly, I did (do) have a lot of praise for the book. But then I got past the halfway mark and things started to...unravel a bit. The chapters alternate from Shane's POV to chapters that are solely diary entries by Tara. From the start, I'm wasn't too keen on the latter. It felt like cheating--telling what the character's really feeling without having to actually show any of it in Shane's narrative. Then out of nowhere comes this one scene near the end, and without getting into spoilers, it was clear that showing so little of Tara outside of the diary was a detrimental decision.
From there, the pacing took a nose-dive and things turned crazy hectic. Shane's personality was all over the place. One minute he's snuggling with David and the next he's pushing him away and planning the world's worst amateur heist and physically threatening an old woman. And all of this was happening in a matter of days. I felt majorly whiplashed; it seemed like there was a large chunk of segue missing between the middle and the end of the story.
The ending is a hopeful one, though. Which I appreciated. And I do love the spotlight shone on the LGBTQ Aboriginal youth of Canada. It's an important story, to be sure, with some issues of execution.
My hope is that stories like these pave the way to similar ones in Canadian literature in the future.
Thank you to Netgalley and Annick Press for providing this review copy.
This is definitely an important story, but unfortunately the execution wasn't phenomenal. This is the novelization of an award winning film of the same name, which I'm curious to see.
This book is beautiful and I really enjoyed it.
There are two kinds of books that I give three-star ratings. One is books that I like throughout, but don't stand out to me in any way. The other is books that I have so many mixed feelings about throughout that when I have to condense all of my feelings down to a number, three stars seems to average things out as nicely as possible. This is definitely the latter kind of book. There were moments in here that absolutely shone, and paragraphs that took my breath away. There were also pages that left me horribly frustrated, and sections that I strongly disliked.
I think that I might appreciate this more after a reread. However, any future reread is going to be a long time from now.
This was a movie before it was a book, and I'm definitely still interested in seeing the movie!
CW: suicide, homophobia, off-page rape, drug dealing, referenced child molestation, referenced transphobia
I recieved an eARC from the publisher via NetGalley in exchange for an honest review.
I think that I might appreciate this more after a reread. However, any future reread is going to be a long time from now.
This was a movie before it was a book, and I'm definitely still interested in seeing the movie!
CW: suicide, homophobia, off-page rape, drug dealing, referenced child molestation, referenced transphobia
I recieved an eARC from the publisher via NetGalley in exchange for an honest review.
This is an emotional read that has so many components that tied into the perfect storm of a narrative.
This book deals with a lot of heavy subject matter. Personally, I don't think it dealt with it adequately enough. It might have to do with the fact that it's the novelization of a film, or maybe the plot was badly executed. I genuinely wanted to like this book, but I can't get over how Tara was used as plot device-and reduced to another Native American girl who was brutally raped and killed while barely getting enough characterization or nearly enough depth-to further Shane's development which was, ultimately, very underwhelming.
Well that was a massive bummer. Literally all I ask is to get to read books about m/m romance that don't screw over EVERY SINGLE FEMALE CHARACTER, is that really too much to ask?? ARGH. Don't get me wrong, #ownvoices books about indigenous queer characters are undoubtedly needed and there are harsh things about that world that need to be addressed, but my GOD did this have to be such a downer... I like hard-hitting contemporary YA as much as the next gal, but this had way too many bummers and shitty twists with not enough catharsis. The latter half was just such a drastic downhill slide and the whole thing left me quite unhappy. I also didn't really like the way the audiobook was read so that certainly didn't help. Blah.