Scan barcode
nyssa_jo's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Blood, Medical content, and Pregnancy
Moderate: Murder, Toxic relationship, Domestic abuse, and Child abuse
Minor: Abortion and Alcohol
annir's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Graphic: Domestic abuse, Emotional abuse, Physical abuse, Violence, Toxic relationship, Infidelity, Blood, Body horror, Death, Gaslighting, and Injury/Injury detail
Moderate: Murder, Pregnancy, Infertility, and Gore
Minor: Suicide, Miscarriage, Medical content, Abortion, Alcohol, Alcoholism, and Confinement
emptychurches's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Blood, Domestic abuse, Emotional abuse, Infidelity, Medical content, and Murder
Moderate: Abandonment, Confinement, Death of parent, Gaslighting, Pregnancy, Sexism, Suicide, Toxic relationship, Violence, and Child abuse
Minor: Ableism, Abortion, Alcohol, Body horror, Misogyny, and Vomit
marlinspirkhall's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I wrote down a few thoughts as I began reading the book, but found it so engrossing that I didn't take detailed notes. It was fantastic, and I can't wait to reread it at some point. For now, it will be on-loan to a friend until they finish it.
You always hear writing advice which suggests you should hook the reader with the first paragraph, which Gailey does effortlessly.
"My gown was beautiful. It was the kind of garment that looks precisely as expensive as it is. I did not hate it, because it was beautiful, and I did not love it, because it was cruel. I wore it because wearing it was the thing the night demanded of me."
Gailey has a wonderful way of using words, which makes me rethink the often-underutilised potential of the English language. It's always just succinct enough that it never crosses into the territory of purple prose.
"Her voice was high, light, warm. Nonthreatening. Hearing it was like swallowing a cheekful of venom."
"But somehow Nathan- Nathan, the coward, the failure, who had abandoned industry for academia nearly a decade before, who shouldn't have been able to approach the level of work I was doing- somehow, Nathan had found a way to undermine that principle. To undermine *my* principles."
Page 55:
Page 55: "when I got to the kitchen, Nathan was still dead"
Me, out loud: wait, what?!
Fucking good plot twist, fucking well done.
"People always brought up the idea of feedingbodies to pigs, as if there were pig farms around every goddamn corner."
Thank you, Gailey. There's an entire tumblr thread out there, to which I will be using this quote as a "gotcha".
The way that Gailey imbues several tropes into their work is skillfully done, too. Many reviews said they transformed the "cheating spouse" trope with a sci-fi twist, but, really, this book was about generational abuse. How it echoes down through your family and sets its roots in you, and makes you wonder fi you're going to internalise and repeat the pattern too... Which is why it's so cathartic when the book ends with:
Graphic: Emotional abuse and Body horror
Moderate: Domestic abuse, Murder, Suicide, Misogyny, Violence, Toxic relationship, Sexism, Pregnancy, Death, Death of parent, Confinement, Alcohol, and Blood
Minor: Physical abuse, Child abuse, and Abandonment
Body Horror:booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
This is a well-paced thriller which doles out disturbing news just often enough to be unsettling. Evelyn's descriptions consistently bury the lede, pondering first the reactions and consequences to some very important piece of information before finally circling back to say what caused the fuss in the first place. It reshapes the weight of these moments to emphasize how dealing with each horrible (and sometimes not so horrible) event affects those who remain. It's disassociation in book form, as if Evelyn isn't ready to look at what's going on and must approach everything at an angle in order to have any chance of reaching it at all. I especially love the complex discussions about the ethics of cloning, the difference between what Nathan did and what Evelyn does, if there is one.
It's about healing, clawing back by inches what was taken and filling in new things where the old bits are lost forever. Figuring out what bits of Evelyn and Martine belong to themselves, leaving space for them to want different things even though they started out as the same person. It's shaped by the absence of an abuser, the gap left behind by someone who demanded that every thought fit his needs.
Graphic: Blood, Medical content, and Death
Moderate: Sexism, Grief, Alcohol, Toxic relationship, Vomit, Violence, Domestic abuse, and Murder
Minor: Suicide, Death of parent, and Abortion
Contains a staged suicide.thesaltiestlibrarian's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I've been in this weird kind of funk lately where I've picked up books by authors who haven't impressed me before, only to really like the book I picked up. Emma Donoghue, Kara Thomas, Fredrik Backman, and now Sarah Gailey. This year I read UPRIGHT WOMEN WANTED but felt that the world was muddled and the story had no point. But the summary for THE ECHO WIFE really grabbed my attention, so--in spite of myself--I started reading. And I couldn't stop.
The characters felt so real here. The dire situations made my hair stand on end, and the philosophical knots presented were so mesmerizing to pick at. As soon as the sentient, sapient, what is a person argument whirled into the narrative, I immediately recommended this book to my husband. He LOVES stuff like this, and I know he'll enjoy it just as much as I did.
Sarah Gailey speaks about their own experiences with domestic abuse in the acknowledgements, and I personally identified with that part of the story because of the accuracy. I hate that they had to go through that. My brothers, mother, and myself are domestic abuse survivors, and the insidious way it crept into the lives of Evelyn and Martine here...it's chilling and scary and real.
I don't want to say too much. People should experience this semi-blind, because it's not at all what you expect it to be.
Graphic: Blood, Infidelity, Gaslighting, and Pregnancy
Moderate: Child abuse, Murder, Emotional abuse, Physical abuse, Suicide, and Alcohol
Minor: Abortion
wear_sun_screen's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Blood, Body horror, Death, Domestic abuse, Emotional abuse, Gore, Infidelity, Medical content, Murder, and Pregnancy
Moderate: Violence
Minor: Alcohol