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booksalacarte's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Addiction, Confinement, Death, Drug abuse, Drug use, Emotional abuse, Genocide, Gun violence, Misogyny, Racism, Kidnapping, Grief, Murder, Gaslighting, Colonisation, War, and Classism
elee2013's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
5.0
I love the feeling I got from this book — I was reminded of mythology, fables and sitting down to listen to my own family lore.
Ruying is young and naïve, and her journey will be an odyssey, but I think we’ll all come out better in the end. I am really looking forward to the continuation of the series!
Graphic: Addiction, Confinement, Drug abuse, Blood, Kidnapping, Murder, and Colonisation
Minor: Police brutality
ztremohno's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.25
Graphic: Colonisation and Classism
Moderate: Violence and War
Minor: Kidnapping
pm_me_book_recs's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
1.0
I was earnestly very excited for this book, but even before the first chapter was through, I had a bad feeling about it. My main issues are with the "romance", vague and shallow worldbuilding, repetitive dialogue, length of monologues, and the lack of action (despite marketing).
For transparency sake, I am a white, US based reviewer and am aware of the 1 star brigade this author experienced as a reaction to being an Asian Author. While I really hated this book, I plan on reading the other installment(s) after reviews are posted and will give other titles a shot as well. There were good ideas, but I had too many issues with the content and execution. Reviewers of global majority have done extensive analysis and provide in-depth criticism here, definitely read their words for more info! Hopefully the author is receptive.
As an abuse survivor, the "romance" definitely made me uncomfortable and furious-I kept waiting, hoping, for her to have been deceiving him into false security. But no, she's actually into it. Let's maybe leave romanticizing Stockholm Syndrome behind next time. Considering the amount of psychological, emotional, and physical abuse Ruying is put through by Antony, and then having it romanticized, this should not be graded YA... teens should not think this behavior is acceptable or normal from a partner.
The worldbuilding felt like it was supposed to be reminiscent of Nimona, a meeting of medieval China and cyberpunk... but it wasn't fledged out at all and was so confusing to digest with the little information given. It really broke the suspension of disbelief that Pangu (China) is given a fantastic name, but then we have ROME. Rome in helicopters and slinging guns? Like modern warfare Rome complete with hyper Latin names, statuesque blonde curls and handsome noses. And there's no real explaining where Rome is, they arrive via sky portals (which wasn't made clear until towards the end), and there are references to "their world"... but then it sounds like they ARE on the same planet?? This vague reference happens 2/3 through and threw me completely off. Do they have spaceships that were not talked about? What is going on?
The dialogue is either boring or immature, and much of the book is internal monologue of repetitive information dumps or rehashing traumatic events.
The description got me amped up for a high-action, dangerous fantasy (originally assumed that Baihu was the enemy-lover) but most of the action happens off-screen. There are a few fight scenes, but we only really see one assassination and it's not... action driven (which was best, in that case). Once I learned that these hyped up assassinations were her own people, I didn't want to read about it anyways.
Thank you Netgalley for access to this ARC.
Also, these content warnings are NOT given lightly!
Graphic: Addiction, Confinement, Death, Drug abuse, Drug use, Emotional abuse, Genocide, Gun violence, Hate crime, Misogyny, Physical abuse, Racism, Slavery, Torture, Toxic relationship, Violence, Xenophobia, Police brutality, Kidnapping, Grief, Medical trauma, Death of parent, Murder, Cultural appropriation, Gaslighting, Colonisation, War, Injury/Injury detail, and Classism
justinekorson's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Thank you to Netgalley for providing me with an ARC of this story
SPOILERS TO FOLLOW
*I'm going to edit this later to add quotes to my review for the examples I'm about to give. I don't want to put the quotes now though because I'm not sure what I'm allowed to share since this is an ARC and the quotes may or may not have changed so I will compare them to my physical copy when it arrives.*
I'm sure many of you (If you follow Booktok/Booktwitter closely know about everything that happened with Molly and that other author I refuse to mention who was incredibly racist toward Molly but I'm not here to talk about that. What I do plan to talk about is what happened after. I've followed Molly for a while (even before that author debacle) because I'd heard about her publishing deal and the story sounded great! I was hyped for it and emphasized with her when everything started to go down. To my surprise, not long after what I'm sure was a completely terrible experience for Molly, I saw a lot of criticism over her novel being thrown her way.
Most of this criticism centered around the main characters Ruying and Antony. People were discussing how Molly had written a colonizer romance (Antony is a Roman and has come from a different world to enslave/decimate the Pangu people using drugs and weapons) and how this narrative was very harmful towards the Asian community, (as well as other communities that have also been colonized by white people). Molly ended up writing a few tweets about how her story is NOT a colonizer romance and the context of the story would show this. I couldn't find the tweet I was looking for to backup my point (so unless I dreamed it) but I remembered reading a tweet from Molly that said something along the lines of, "The next story in this saga is called To Kill A Wicked Prince. Do with that what you will." (EDIT: I HAVE FOUND THE POST SHE ACTUALLY SAID THE NEXT TITLE IS "To Kill A Monstrous Prince" which further solidifies my review in my opinion). So with that tweet in mind, I decided to go into the story with the mindset that Ruying DOES NOT love Prince Antony and that she is a victim of her circumstances. Because of this, I saw the story so much clearer.
Ruying does not love Antony and I say this with my whole chest because I watched Antony manipulate her over and over and over until she felt like she was safe with him. But a false sense of security does not equate love. I can not blame her for seeking comfort in him and his empty promises. Antony threatened her family from the very beginning and Ruying mistook his money and his protection as anything other than another way to control her, to keep her living with the fear that it could disappear. Meiya and Baihu argued with her over and over that she wasn't doing this for peace of for her family but for herself. "So what if I am? There is no sin in wanting to live, in wanting a better life for those I love." Who wouldn't fall victim to Antony though? Especially after the manipulation tactics he applied to make her believe he was going to save her and her people from destruction.
Ruying was also clearly terrified from the beginning of what it would mean to be on the other side of Rome's attention. If she wasn't Antony's guard then she was nothing more than something to be discarded. She is in constant turmoil with herself over what she's doing, struggling between wanting to trust Antony and knowing that she CAN'T trust him because he doesn't fully trust her. "His words were like sweet lies. I wanted these melodies to sing true. I wanted to linger in the world he painted so badly. But Antony couldn't make me a hero. If I stayed loyal to him, I would never be a hero to my people. Not after what I did." There was very little romance between them. Lingering gazes, and small touches barely mean anything. The two of them only kissed once and it was so brief and short it was barely there and Ruying's immediate thought afterwards was, "When tomorrow came, we could never be this close again. Because Antony Augustus was my people's enemy. Nothing could ever change this." Those are not the thoughts of someone head over heels in love. The only reason she's conflicted is because she wants to believe he's a good person even though she knows he's not.
Ruying wanted to believe Antony's lies so bad that she tried to convince herself that killing for him was better than fighting for herself, fighting for freedom for her people. She wanted to live and wanted to help her family and I think a lot of people in her position would find themselves in the same situation as her. "I thought I had to do this for them. For us. For survival. But if I was really doing this for them, I wouldn't fight on the side of our enemy."
I don't know if it was because I went in with the mindset that I couldn't trust Antony, but I didn't believe a word he said the entire novel. Especially after Taohau was never mentioned again I knew that something bad happened. I knew the other should would drop and Ruying would finally see him clearly and be able to shake herself free of him. Nobody should believe this is a colonizer romance after Antony gloats TO HER FACE, "You almost can't blame my people for what we are doing" about the genocide of her own people! She had a very bad visceral reaction to this. Ruying hates Antony she just can't show that to him. Even in Antony's own POV I hated him (there's only one chapter of it) and it didn't endear me to him at all. If anything it made me hate him more because of how he talked about Ruying.
Anyways, this was longer than I anticipated. Overall I truly enjoyed the story. I really liked the magic and the world building. It was like a fantasy world crossed with futuristic one. I'm interested how Rome managed to dimension hop(??) and if that will be explained in the other installments. I'm also curious to see if this mysterious third younger brother will make an appearance in the story. I wanted to see more of Meiya but what we got of her was brilliant. The angry, younger sibling (who will probably not make it until the end of the series judging on a few factors) who wants to save the world is always a fun trope! I also truly think Ruying's real love interest will make an appearance in the second novel. (It's either going to be The Phantom or Baihu himself.) I think the next novel will show more of Ruying trying to break free from Anotony and trying to help her people and I can't wait!
Graphic: Addiction, Child death, Confinement, Death, Drug abuse, Drug use, Genocide, Gun violence, Misogyny, Racism, Sexism, Torture, Toxic relationship, Violence, Xenophobia, Blood, Kidnapping, Grief, Death of parent, Murder, Gaslighting, Colonisation, War, Injury/Injury detail, and Classism
devynreadsnovels's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Addiction, Child abuse, Child death, Confinement, Death, Drug abuse, Drug use, Emotional abuse, Genocide, Gore, Gun violence, Physical abuse, Racism, Sexism, Slavery, Torture, Toxic relationship, Violence, Xenophobia, Blood, Kidnapping, Grief, Medical trauma, Death of parent, Murder, Gaslighting, Colonisation, War, Injury/Injury detail, Classism, and Pandemic/Epidemic
Minor: Misogyny, Racial slurs, Sexual violence, and Suicidal thoughts
abception's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Addiction, Death, Drug abuse, Genocide, Toxic relationship, Kidnapping, Colonisation, and War
Moderate: Child abuse, Drug use, Torture, Blood, and Death of parent
Minor: Alcoholism, Confinement, Gun violence, and Medical content
paracosim's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Whew, so first off all this book has caused quite the commotion. At this point in time I’m unable to add a review to Goodreads alongside my Storygraph review, so for now it’ll be just here.
There have been more than a few misconceptions about this book, the most pressing being the issue of marketing. I’ve spent many years in the publishing world and can tell you as someone who knows the ins and outs, that Molly X. Chang had no decision in marketing this book as an enemies to lovers romance. It should never have been marketed that way, but this flub should never fall on the author. Authors have very little choice in the matter; they don’t even get a say in their own book covers, or sometimes even their titles. This was not a mistake on the author’s part. I have no idea what the marketing team was thinking, but they definitely messed up on that front. It should have been marketed as a dark, taboo villain romance. This book is not enemies-to-lovers. In fact I hope Ruying snaps Antony’s neck.
To Gaze Upon Wicked G-ds is set in the fictional world of Pangu, more specifically in fantasy China. It’s also an alternate universe version of our own history, where the Roman Empire never fell but instead survived until modern times. There’s even a reference to Julius Caesar. The emperor of Rome discovered a portal to a new world (Ruying, the main character’s, world) and realized that Rome could escape climate change and human disaster by creating a new home in Pangu…and bringing more human disaster. So that’s where we’re at. This has been yet another big misconception of the book online, of people thinking Chang had created a fictional land named the Roman Empire. Nope, it is genuinely the Roman Empire tumblr likes to celebrate every Ides of March. (Or, well, we celebrate Caesar’s death. Bit of a difference there.)
The story concept is good, it’s based on real events in human history, the cover is beautiful, and there desperately needs to be a content warning page at the start of the book. I’m fazed by very little but for those whose lives have been touched in any way by addiction, be cautious.
The writing itself is a little juvenile. Chang is a young debut author and relies too heavily on short, choppy sentences framed in their own paragraph to make a point. Many young writers do this; she’ll grow out of it. Her side characters are barely present and don’t have much going on, which I’m hoping will be fixed in the sequel. Her pacing was good.
I can’t personally speak on the colonizer aspect in regards to China, because I am not Chinese. I am part of a group of people who have been colonized, forcibly expelled from our homes, experimented on, and more. The colonizer romance didn’t bother me because it’s clearly intended not to be end-game, but a form of trauma bonding.
Overall, this was an okay book. I was somewhat relieved when it was over.
Graphic: Addiction, Torture, Kidnapping, and Colonisation
Moderate: Murder
Minor: Police brutality
michela_wilson's review against another edition
2.0
The first thing I want to mention is that this is a colonizer x colonized romance. While I am all for enemies-to-lovers, this was a Stockholm Syndrome dark romance disguised as YA enemies-to-lovers and it was frankly just abusive. There was no equal footing between Ruying and her love interest so instead of an enemies-to-lovers plot it turned into pages of watching a woman get tortured and brainwashed by her abuser. It made me think that this was trying to be a dark romance book for a younger audience and that really rubbed me the wrong way.
The romance itself was also extremely underdeveloped and it made me think that it wasn't even in the original draft of the book. To be honest, I think I would have loved this book so much more had the romance not been in there at all (and as a romantasy girlie that shocked me).
The worldbuilding also suffered because the romance took precedence, leading to multiple pages of lore dumping that interrupted the pacing of the book entirely. The world itself was fascinating and I did love the sci-fi elements, but I began losing interest when the book focused more on telling me how the world works rather than showing me how the world worked.
The writing itself was very choppy and repetitive (especially at the beginning) and it felt like there was no trust put in the reader to follow along with the world Molly X. Chang built. However, several later chapters felt extremely well-written and had beautiful prose and I am just sad that it did not carry throughout the rest of the book. Again it felt like Molly X. Chang was forced to put more explanations into a wonderful world of resistance, and I hope that she was not forced by the publisher to dilute her original story.
Then there is the main cause of my disappointment, the execution of the magic itself. The magic of the Xianlings is the coolest part of this book. The Qi and folklore explaining how magic works were fascinating and the death magic Ruying holds was why this book was my most anticipated read of the year! However, the moments when Ruying learned to wield her magic were skipped over in a time jump. There was also so much promise at the beginning where Death speaks directly to Ruying multiple times while she wields her magic and then Death does not speak again until the end of the book. Exploring Death's magic would have been a great way to tie the world into Ruying's story while also exploring why Death chose Ruying to give his gift. Again I felt like there was a lot of lost potential here, which makes me disappointed.
That being said, the last chapter did change a lot of things for me and I am hopeful for the next book and the next chapter of Ruying's story. I hope that the romance gets left behind and the world and magic become more prominent as this series continues. Molly X. Chang has the potential to be an incredible YA fantasy author with this series and I hope that the lost potential from the first book is explored in the later ones.
Thank you to Netgalley and Molly X. Chang for giving me access to this ARC in exchange for an honest review.
Graphic: Emotional abuse, Genocide, Misogyny, Racism, Toxic relationship, Xenophobia, Kidnapping, and War
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
TO GAZE UPON WICKED GODS is a collaborator's view of colonization, as a girl with the power to wield death agrees to work with a prince among the colonizers because he promises to use her in pursuit of lasting peace.
Ruying has been trying to keep her twin sister alive and their grandmother cared for even as everything else is falling apart. Their city is divided, literally, with half of it carved away for use by the Roman colonizers from another world who have held the city in their grip for more than two decades. The Romans brought a powerfully addictive drug with them, promising it would unlock the people's magic but all it has brought is pain. After losing their father to the drug, Ruying is trying to wean her sister off of it, bargaining away whatever possessions she must in order to keep her family together. Already in this precarious state, Ruying is unable to say no when a mistake lands her in Roman dungeons, faced with torture and death unless she agrees to help one of the princes with his dreams of peace through Death like only Ruying can wield.
Ruying is a fascinating main character. Normally I don't like characters who make terrible decisions when a better option is clearly available, but that's not quite what's happening here. There's an ongoing discussion of which definition of "better" should be applied. Ruying's choice might not be the one I would make, but I completely understand why she does what she does, and I don't know for sure if I'd actually disagree under the same circumstances. That tension makes for an excellent story, with Ruying fully committing to her choices once they're made, but then remaining open enough to reevaluate her situation as new facts come to light. At her core, her goal is to protect her family at any cost, and that drives her to a great many things which she would not otherwise accept. Ruying isn't the only one making such choices, early on she interacts with a sort of friend who has been collaborating with the Romans in exchange for access and power. She judges him at first, then comes to understand why he does so. Ruying finds herself in a colonized/colonizer romance, always aware of the coercion which is inextricable from her position. She cares for Anthony, but any safety she feels is always at his discretion. He might really love her, but there's no risk for him in that, not really. Whereas Ruying knows that if she loses his favor, she and her family could lose everything in an instant.
The worldbuilding is excellent. It focuses on the people, the language, and culture, frequently including passages and their translations. There are also frequent reminders of how the Roman invasion changed things, never letting the reader forget that it hasn't always been this way, even though for the reader, it has, because this is our first view of this world. As the first book in the series, this doesn't have to resolve any particular major plot point because it's still setting things up for later. Ruying makes an important decision towards the end in a way that serves as an emotional resolution/climax of the story, while establishing a new status quo for the sequel.
Graphic: Confinement, Death, Violence, Blood, Kidnapping, Murder, Colonisation, and Classism
Moderate: Child death, Drug abuse, Drug use, Gun violence, Misogyny, Self harm, Sexism, Torture, Suicide attempt, Death of parent, War, and Injury/Injury detail
Minor: Child abuse, Rape, Medical content, Trafficking, Abandonment, Alcohol, and Sexual harassment