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3.95 AVERAGE
3.95 AVERAGE
This series struggles with unevenness. This is an adequate but fairly forgettable entry in the series.
After his sister gets married, Scotland Yard's Ian Rutledge feels even more unmoored than usual and takes a long drive, with the voice of deceased friend and fellow soldier, Hamish, in his head. He happens upon an unusual murder scene and, even though it's outside his district, seizes the investigation like a man who desperately needs an excuse to not return home. The case is a grim tale of seemingly pointless murder. Rutledge has to burrow into the victim's past in the hopes of finding clues to unmask the killer. A solid police procedural that hinges mostly on Rutledge's interviews with the people of the town and his attention to detail. World War I looms large as everyone who fought experienced "his own war" which very likely affected their civilian lives afterwards.
admittedly, this was my first in the series. however, this read like a high school drama of men trying to out do each other. After 70% through, gave up.
I always enjoy spending time with Inspector Ian Rutledge of Scotland Yard. This outing begins with the wedding of his sister Frances, following which Rutledge flees London, his demons driving him to a solitary night drive into the English country. Lost in memories of the WWI trenches, he suddenly comes upon a car stopped in the road... and a young woman bending over the body of a man. She tells Rutledge they stopped on their way home from a party because a man was standing in the road. And when her escort got out of the car, the man shot him, and simply walked off into the darkness.
The victim, a bookseller in the local town of Wolfpit, seems to be a blameless, even admired person. There seems no reason for anyone to have killed him. Rutledge manages to get assigned to the case, but every lead seems a dead end. Oddly, the man's own parents seem to have liked him least. Could they have arranged a murder? But why? And what of the tiny carving of a wolf found near the body?
Then, another man is killed... just like the first victim, and another carving turns up nearby.
My biggest quibble with some of Charles Todd's murder plots is that we spend lots of time chasing leads, only to have the killer be someone we knew nothing about until the final few chapters. Play fair, Todd. Give us some chance to guess the motive and the suspect.
The victim, a bookseller in the local town of Wolfpit, seems to be a blameless, even admired person. There seems no reason for anyone to have killed him. Rutledge manages to get assigned to the case, but every lead seems a dead end. Oddly, the man's own parents seem to have liked him least. Could they have arranged a murder? But why? And what of the tiny carving of a wolf found near the body?
Then, another man is killed... just like the first victim, and another carving turns up nearby.
My biggest quibble with some of Charles Todd's murder plots is that we spend lots of time chasing leads, only to have the killer be someone we knew nothing about until the final few chapters. Play fair, Todd. Give us some chance to guess the motive and the suspect.
Better than the last couple of books in this series. The plot moves along and provides the reader with a couple of surprises.
Superb form from a reliable and talented author pair - the latest Inspector Ian Rutledge mystery will not disappoint!
I did not have any idea "who done it" in this one until the last chapter or so. A really good story with well written characters. I am so hooked on this series...I don't want it to end! Does he go to the party with Kate??? I hope we find out in the next book!!
adventurous
mysterious
tense
medium-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
The war has recently ended, and Inspector Rutledge in rural England solving the murder of Stephen Wentworth, whose car was stopped by a tall figure who shot and killed him. As Rutledge questions family, friends, and potential suspects, one murder becomes two, and then three. What is the missing link between the victims? Can Rutledge catch the killer before more fall to his gun?
This was a somewhat fun murder mystery with some interesting twists and revelations. However, I had two big issues. The first is the sheer number of characters. It was impossible to keep track of all the people Rutledge was questioning, let alone the others who were referenced throughout. It was very frustrating, and made much of the story drag. My second issue is that Rutledge has zero personality of his own, and is not a dynamic character throughout. I fully understand that this is a part of a series, but based on this book alone, I would not be compelled to read more about Rutledge.
This was a somewhat fun murder mystery with some interesting twists and revelations. However, I had two big issues. The first is the sheer number of characters. It was impossible to keep track of all the people Rutledge was questioning, let alone the others who were referenced throughout. It was very frustrating, and made much of the story drag. My second issue is that Rutledge has zero personality of his own, and is not a dynamic character throughout. I fully understand that this is a part of a series, but based on this book alone, I would not be compelled to read more about Rutledge.
Twentieth in the Inspector Ian Rutledge historical mystery series set in England just after World War I, December 1920 to be more accurate, and revolving around a shellshocked Scotland Yard inspector.
My Take
The Gate Keeper was compelling with the questions it raised, the bitterness, and the mystery of how all these dead men connect. A reveal that is heartbreaking in its simplicity and meanness.
We read the story from Rutledge’s perspective in single third person point-of-view, so we know about Rutledge’s interactions with Hamish as well as his thoughts on the case. Bitter thoughts for it's a two-sided bitterness. One is the greed for money and the other is the greed to hurt. And the weakness that allows this bitter greed to continue.
It’s a rare mix of the horrible with the truly decent, and through it all, Todd takes us back to the England of 1920 with its dress, mores, lifestyle, social interactions, and the technology. They definitely make me feel the period, and it makes me mourn for it. Although, I’m damned grateful for cellphones, let alone a landline in every house!
I do find these post-World War I novels fascinating to read, as they reflect the changes that occured in the traditional pre-war lifestyle that led to what we experience now. That women's lib, y'know. So few men returned from the battlefields, and so many women had had to do a man’s work while the soldiers were gone.
What's truly sad is that Stephen’s death is actually easier than his life had been. Then there’s Robin, and as his character is revealed, you can’t help but pity him. Todd did a beautiful job on the psyches of these people. Wrenching, but very well done.
The Story
A man admired with hardly an enemy in the world is killed. Murdered in the night. On a lonely road. A body Inspector Ian Rutledge almost stumbles across.
He's desperate to stay out of London now that Frances is married, and this body is a godsend. Until he begins to uncover the bitter hatred and absolute love in which Stephen Wentworth is held. Until the next man is murdered...and the next.
The Characters
Detective Ian Rutledge came home from the war a broken man who struggles to survive from day to day, solving the problems of others in his job with Scotland Yard. Frances is the beloved sister who married Peter that afternoon. Corporal Hamish MacLeod is the resolute soldier whom Rutledge shot on the battlefield in 1916, and his ghost now follows Ian everywhere.
Scotland Yard, London
Chief Superintendent Markham, a Yorkshireman of few words, is Rutledge’s boss. Sergeants Gibson and Williams run interference for Rutledge. Inspector Vernon was suggested to head up the investigation. Inspector Stevenson is sent to Surrey.
Mallard is a friend of Melinda’s with the Home Office. Mr Haldane, who claims to be a member of the Foot Police, knows far too much. Matthew Williamson is a book dealer. Garamond is a bookbinding firm.
Wolfpit, Suffolk
A twin and former captain in the Royal Navy, Stephen Wentworth appalled his family when he bought the local bookshop from Mrs Delaney when her husband, Tom, died. (Tom’s first wife had been Josephine.) Dickens is Mrs Delaney’s King Charles spaniel. And the story behind that love of books is also heartbreaking. Nanny, a.k.a., Hazel Charing, had been Stephen’s only solace; she now lives in Primrose Cottage in Winthrop with Sally. Lydie Butterworth is the protective housekeeper — with a bit of the foretelling — for the family home in Wolfpit. Howard and Margaret Wentworth had been the grandparents. Robbie was the twin who died.
Elizabeth MacRae is the friend Stephen was driving home. Audrey Blackburn is Elizabeth’s aunt and quite intelligent. Lily is the maid. Will Holden (Matilda is his wife) and Geoff Marshall (his wife, Betty, left him) had been Stephen’s childhood friends. Miss Frost and Miss Dennis are the local schoolteachers who live in Mr Grady’s house; both their fiancés were killed in the war.
Constable Penny is in charge at Wolfpit, who he knuckles under. Dr. Brent is the local physician. Blake is a solicitor for Wentworth and Templeton; Danby is his clerk. Oliver Pace is the mysterious church sexton. Miss Goodwin is one of the older ladies in town and plays the church organ. Thomas Abbot is the rector of St. Mary’s. I’m not sure where Constable Burke fits in.
The lively Hardys are local gentry. The reckless Robin Hardy is the younger son. His cousin Evelyn Hardy lives with her widowed mother in the dower house. Harry, Evelyn’s brother, had been great friends with Stephen. Mark Quinton is the wrong fiancé for Evelyn.
Edgar and Mrs Peterson and George and Mrs Farrow were guests at the dinner party. Another dinner party was hosted by FitzSimmons in Kent with the Drysdales and Desmond and Prue Montgomery (they have a son, Julian).
Frederick Templeton, a former major in a Devon regiment, is a gentleman farmer who takes an intense interest in improving his farm and has a reputation for better farming practices. His wife, Rose, died of the flu while he was over there. Mrs Cox is the housekeeper. Sally Beddoes is the head housemaid. Mr Martin is a farmer. George Davies was a contemporary. Bill is Davies’ steward. Harold Young requested aid of Templeton. The gossipy Wilma Smythe was one of Templeton’s neighbors; Tom had been her husband. Private Andrew Watts was temporarily Templeton’s batman in the war. Mrs Gentry, Rose’s sister, is Templeton’s heir.
Stowmarket is…
…a larger town with a bigger police force. The insecure and controlling Inspector Larry Reed, who shouldn’t be a cop, took over in 1919. He was married two weeks ago to Carrie. And if that ain’t scary! Alice. Georgine ran a milliner’s shop. Constables Talley and Neal are grudgingly lent out.
Norwich is…
…a city where Patricia, Stephen's widowed sheep of a sister, lives; Jocelyn Courtney had been her husband. Laurie is one of their two children. Mr and the very disappointed Mrs Wentworth are the parents. Constable Brown is part of the Norwich police force.
Singleton, Surrey, is…
…a small village where Harvey Mitchell was a solicitor. Broughton was his clerk. Vivian Moss had been a governess for a family but left when it was learned she was pregnant. Her son, Eric, is at Oxford. Lawrence had been the father.
Oxford is…
…where Dorothea Mowbray lives, the woman Stephen was to have married. Jane. Arthur is Dorothea’s brother who finally died.
Little Tilton, Essex
Constable Wiggins is the local copper. Teddy and his wife run the local pub. Mr Warren is the local solicitor.
Kent
The brilliant Melinda Crawford (she also appears in Todd’s Bess Crawford series) is a widow who knows everyone who’s anyone and is a very good friend of the family. Shanta is Melinda's Indian housekeeper; Ram is her chauffeur. Winston.
Kate Gordon is a young woman, Jean’s cousin, whom Ian first encountered in A Fine Summer's Day, 0.5 (pub.17).
Dr. Fleming is the doctor who has counseled Ian through his PTSD. Jean Gordon is the woman who jilted Ian. Sergeant Scott and MacDougal were also under Rutledge’s command. O A Manning is a woman poet whom Rutledge revered. Fiona was the beloved to whom Hamish wanted to go home. David Trevor, Ian’s godfather, is a well-known architect. Ross had been David’s son, killed in the war, and David is raising Ross’ son, Ian.
The Cover and Title
The cover suits the darkness and is a metaphor for events within. The black wrought iron gates ajar with the truth spilling out, a car’s headlights beaming back along the private and straight drive lined with trees revealing that which had been hidden in that dark and cloud-ridden night of a past. Most of the text is in white: the info blurb at the top, the author’s name below that, and the series information at the bottom with the publisher’s name in the bottom right. The red is in the title just below the author’s name and above the gate.
The title is where it all began, with The Gate Keeper.
My Take
The Gate Keeper was compelling with the questions it raised, the bitterness, and the mystery of how all these dead men connect. A reveal that is heartbreaking in its simplicity and meanness.
We read the story from Rutledge’s perspective in single third person point-of-view, so we know about Rutledge’s interactions with Hamish as well as his thoughts on the case. Bitter thoughts for it's a two-sided bitterness. One is the greed for money and the other is the greed to hurt. And the weakness that allows this bitter greed to continue.
It’s a rare mix of the horrible with the truly decent, and through it all, Todd takes us back to the England of 1920 with its dress, mores, lifestyle, social interactions, and the technology. They definitely make me feel the period, and it makes me mourn for it. Although, I’m damned grateful for cellphones, let alone a landline in every house!
I do find these post-World War I novels fascinating to read, as they reflect the changes that occured in the traditional pre-war lifestyle that led to what we experience now. That women's lib, y'know. So few men returned from the battlefields, and so many women had had to do a man’s work while the soldiers were gone.
What's truly sad is that Stephen’s death is actually easier than his life had been. Then there’s Robin, and as his character is revealed, you can’t help but pity him. Todd did a beautiful job on the psyches of these people. Wrenching, but very well done.
The Story
A man admired with hardly an enemy in the world is killed. Murdered in the night. On a lonely road. A body Inspector Ian Rutledge almost stumbles across.
He's desperate to stay out of London now that Frances is married, and this body is a godsend. Until he begins to uncover the bitter hatred and absolute love in which Stephen Wentworth is held. Until the next man is murdered...and the next.
The Characters
Detective Ian Rutledge came home from the war a broken man who struggles to survive from day to day, solving the problems of others in his job with Scotland Yard. Frances is the beloved sister who married Peter that afternoon. Corporal Hamish MacLeod is the resolute soldier whom Rutledge shot on the battlefield in 1916, and his ghost now follows Ian everywhere.
Scotland Yard, London
Chief Superintendent Markham, a Yorkshireman of few words, is Rutledge’s boss. Sergeants Gibson and Williams run interference for Rutledge. Inspector Vernon was suggested to head up the investigation. Inspector Stevenson is sent to Surrey.
Mallard is a friend of Melinda’s with the Home Office. Mr Haldane, who claims to be a member of the Foot Police, knows far too much. Matthew Williamson is a book dealer. Garamond is a bookbinding firm.
Wolfpit, Suffolk
A twin and former captain in the Royal Navy, Stephen Wentworth appalled his family when he bought the local bookshop from Mrs Delaney when her husband, Tom, died. (Tom’s first wife had been Josephine.) Dickens is Mrs Delaney’s King Charles spaniel. And the story behind that love of books is also heartbreaking. Nanny, a.k.a., Hazel Charing, had been Stephen’s only solace; she now lives in Primrose Cottage in Winthrop with Sally. Lydie Butterworth is the protective housekeeper — with a bit of the foretelling — for the family home in Wolfpit. Howard and Margaret Wentworth had been the grandparents. Robbie was the twin who died.
Elizabeth MacRae is the friend Stephen was driving home. Audrey Blackburn is Elizabeth’s aunt and quite intelligent. Lily is the maid. Will Holden (Matilda is his wife) and Geoff Marshall (his wife, Betty, left him) had been Stephen’s childhood friends. Miss Frost and Miss Dennis are the local schoolteachers who live in Mr Grady’s house; both their fiancés were killed in the war.
Constable Penny is in charge at Wolfpit, who he knuckles under. Dr. Brent is the local physician. Blake is a solicitor for Wentworth and Templeton; Danby is his clerk. Oliver Pace is the mysterious church sexton. Miss Goodwin is one of the older ladies in town and plays the church organ. Thomas Abbot is the rector of St. Mary’s. I’m not sure where Constable Burke fits in.
The lively Hardys are local gentry. The reckless Robin Hardy is the younger son. His cousin Evelyn Hardy lives with her widowed mother in the dower house. Harry, Evelyn’s brother, had been great friends with Stephen. Mark Quinton is the wrong fiancé for Evelyn.
Edgar and Mrs Peterson and George and Mrs Farrow were guests at the dinner party. Another dinner party was hosted by FitzSimmons in Kent with the Drysdales and Desmond and Prue Montgomery (they have a son, Julian).
Frederick Templeton, a former major in a Devon regiment, is a gentleman farmer who takes an intense interest in improving his farm and has a reputation for better farming practices. His wife, Rose, died of the flu while he was over there. Mrs Cox is the housekeeper. Sally Beddoes is the head housemaid. Mr Martin is a farmer. George Davies was a contemporary. Bill is Davies’ steward. Harold Young requested aid of Templeton. The gossipy Wilma Smythe was one of Templeton’s neighbors; Tom had been her husband. Private Andrew Watts was temporarily Templeton’s batman in the war. Mrs Gentry, Rose’s sister, is Templeton’s heir.
Stowmarket is…
…a larger town with a bigger police force. The insecure and controlling Inspector Larry Reed, who shouldn’t be a cop, took over in 1919. He was married two weeks ago to Carrie. And if that ain’t scary! Alice. Georgine ran a milliner’s shop. Constables Talley and Neal are grudgingly lent out.
Norwich is…
…a city where Patricia, Stephen's widowed sheep of a sister, lives; Jocelyn Courtney had been her husband. Laurie is one of their two children. Mr and the very disappointed Mrs Wentworth are the parents. Constable Brown is part of the Norwich police force.
Singleton, Surrey, is…
…a small village where Harvey Mitchell was a solicitor. Broughton was his clerk. Vivian Moss had been a governess for a family but left when it was learned she was pregnant. Her son, Eric, is at Oxford. Lawrence had been the father.
Oxford is…
…where Dorothea Mowbray lives, the woman Stephen was to have married. Jane. Arthur is Dorothea’s brother who finally died.
Little Tilton, Essex
Constable Wiggins is the local copper. Teddy and his wife run the local pub. Mr Warren is the local solicitor.
Kent
The brilliant Melinda Crawford (she also appears in Todd’s Bess Crawford series) is a widow who knows everyone who’s anyone and is a very good friend of the family. Shanta is Melinda's Indian housekeeper; Ram is her chauffeur. Winston.
Kate Gordon is a young woman, Jean’s cousin, whom Ian first encountered in A Fine Summer's Day, 0.5 (pub.17).
Dr. Fleming is the doctor who has counseled Ian through his PTSD. Jean Gordon is the woman who jilted Ian. Sergeant Scott and MacDougal were also under Rutledge’s command. O A Manning is a woman poet whom Rutledge revered. Fiona was the beloved to whom Hamish wanted to go home. David Trevor, Ian’s godfather, is a well-known architect. Ross had been David’s son, killed in the war, and David is raising Ross’ son, Ian.
The Cover and Title
The cover suits the darkness and is a metaphor for events within. The black wrought iron gates ajar with the truth spilling out, a car’s headlights beaming back along the private and straight drive lined with trees revealing that which had been hidden in that dark and cloud-ridden night of a past. Most of the text is in white: the info blurb at the top, the author’s name below that, and the series information at the bottom with the publisher’s name in the bottom right. The red is in the title just below the author’s name and above the gate.
The title is where it all began, with The Gate Keeper.