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blewballoon's review against another edition
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
"The stakes have never been lower" is not something I usually have a problem with, because I like it when lower stakes leave room for more focus on the minutiae of the human experience and getting every detail of an emotionally charged interaction between characters. In this case I didn't feel like I really got any of the above. Billie and George never grew on me much. Billie is too much of a blatant "not like other girls" trope. That phrase is used literally in the text to describe her. George is your typical uptight heir who starts to think about his family friend Billie differently without much reason for why. The grounds for them being "enemies" is nonexistent and the animosity poofs away almost immediately. I don't think that was the right starting point for the relationship to grow from, because it didn't add any meaningful conflict or angst. Ultimately nothing really happens, and without an interesting emotional journey the book just kind of plods along slowly until a single mildly spicy scene at the end and a happily ever after.
Content Warnings
Moderate: Injury/Injury detail, Sexism, and Sexual content
Minor: Pregnancy, Misogyny, Alcohol, Miscarriage, War, and Colonisation
angelofthetardis's review against another edition
emotional
funny
lighthearted
relaxing
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Billed as the first Bridgerton prequel, this book tells the story of Billie Bridgerton who, if I've got my family tree right, should be Anthony, Benedict, Colin, Daphne et. Al's paternal Aunt. Raised by liberal parents, she is commonly seen riding astride about the family estate, wearing breeches, and doing a better job of running the place than her father or his steward. Lifelong friends with the middle sons of the titled family next door, she can see herself perhaps one day accepting a proposal from one or the other. As long as she doesn't have to have much to do with the oldest brother and heir to the Rokesby fortune, George...
I bought this (and the others in the Rokesby series) on a whim, purely because they are described as prequels to Bridgerton. After reading that series, I had middling expectations; I just hoped for a gentle, happy, easy read in that familiar style. And actually, my expectations have been far surpassed; this is certainly my favourite Julia Quinn book to date. It doesn't take itself too seriously, the characters and relationships launch themselves off of the page and it's probably the most relatable. In some respects, I feel like it's the closest match in tone to the Bridgerton TV series; all of the Georgian grandeur you'd expect, brought right up to date to give a 21st Century audience the ability to understand their 18th/19th Century counterparts.
The constant back and forth between the three principal characters; Billie, George and Andrew, is an absolute joy to read. It's pitched perfectly; part banter, part good natured teasing, part flirtation, and the energy sparks from it with no effort from the reader whatsoever. And best of all it doesn't tail off - the bounce it brings to the prose is sustained and effective from beginning to end.
Similarly, the romance element is there all the way through, but it's kept quite subtle until fairly late on in the story. Now, it doesn't take a genuis to work out what happens partnership-wise, but it's quite a nice gradual realisation and development, rather than the 'thunderbolt' that quite often annoys me. As for the spice, it's fairly minimal and I'd say less detailed than a lot of the Bridgerton novels.
I loved the examination of Billie's character and the fact that she isn't a typical debutante. I'd say that Eloise in the TV series pulls quite a lot of characterisation from Billie (although not the breeches, at least not yet!) as that independent streak is definitely a shared trait. While I'm not entirely convinced that there were many aristocratic families that would have countenanced a daughter or wife acting as Billie does, I did enjoy the fact that it seems giving your children a long leash to discover themselves appears to be a Bridgerton family tradition rather than a reaction from Edmund (and Violet) to a restricted childhood of their own.
I was planning to put this in the local book swap when I finished, but have 100% changed my mind and it'll be going on my bookshelf as soon as I can make some space!
I bought this (and the others in the Rokesby series) on a whim, purely because they are described as prequels to Bridgerton. After reading that series, I had middling expectations; I just hoped for a gentle, happy, easy read in that familiar style. And actually, my expectations have been far surpassed; this is certainly my favourite Julia Quinn book to date. It doesn't take itself too seriously, the characters and relationships launch themselves off of the page and it's probably the most relatable. In some respects, I feel like it's the closest match in tone to the Bridgerton TV series; all of the Georgian grandeur you'd expect, brought right up to date to give a 21st Century audience the ability to understand their 18th/19th Century counterparts.
The constant back and forth between the three principal characters; Billie, George and Andrew, is an absolute joy to read. It's pitched perfectly; part banter, part good natured teasing, part flirtation, and the energy sparks from it with no effort from the reader whatsoever. And best of all it doesn't tail off - the bounce it brings to the prose is sustained and effective from beginning to end.
Similarly, the romance element is there all the way through, but it's kept quite subtle until fairly late on in the story. Now, it doesn't take a genuis to work out what happens partnership-wise, but it's quite a nice gradual realisation and development, rather than the 'thunderbolt' that quite often annoys me. As for the spice, it's fairly minimal and I'd say less detailed than a lot of the Bridgerton novels.
I loved the examination of Billie's character and the fact that she isn't a typical debutante. I'd say that Eloise in the TV series pulls quite a lot of characterisation from Billie (although not the breeches, at least not yet!) as that independent streak is definitely a shared trait. While I'm not entirely convinced that there were many aristocratic families that would have countenanced a daughter or wife acting as Billie does, I did enjoy the fact that it seems giving your children a long leash to discover themselves appears to be a Bridgerton family tradition rather than a reaction from Edmund (and Violet) to a restricted childhood of their own.
I was planning to put this in the local book swap when I finished, but have 100% changed my mind and it'll be going on my bookshelf as soon as I can make some space!
Content Warnings
Moderate: Sexual content and Injury/Injury detail
Minor: Pregnancy, Death, War, Alcohol, and Miscarriage
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