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kjm19's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Graphic: Death, Grief, Murder, Blood, Child death, Confinement, Violence, Gore, and Misogyny
rehtaehwashere's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
- What I liked: The DRAMA, the characterization of Dracula, how hell-bent they were on catching him after he corrupted Lucy,
that Lucy's mother fucked her over by not just leaving her and her flowers the hell alone and opening windows. The wolves and the bats. The suspicions of Dracula's neighbors and that everyone knew and just said LITERALLY NOTHING.Dracula throwing the mirror out the window lmao - What I disliked: that they equated soft feminine virginal girls with morality and goodness implying that Lucy deserved what happened because she wasn't 'pure' enough. That women were written as such weak little things and that they only got praise when they 'thought like men'. That the story was basically men saving 'women in distress'. That the language was so flowery and annoying to parse through.
- Overall thoughts: I think I'll stick to modern adaptations because the flowery language was so annoying to get through and I loved how dramatic Dracula was but the characterization of women left a lot to be desired. It was definitely a product of its time and a good story none-the-less if you can overlook the 1 dimensional female characters but it's hard for me to do. The men are well written, rounded out characters that show emotion which is a bright spot in this.
- Recommend to a friend? Y
Graphic: Grief, Cannibalism, Misogyny, Murder, Blood, and Sexism
Moderate: Medical content, Violence, Death, Addiction, Terminal illness, Colonisation, and Classism
jelliestars's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Moderate: Death, Grief, Medical content, Death of parent, Racial slurs, Animal death, Blood, and Classism
Minor: Sexism, Alcohol, Gun violence, Animal cruelty, Grief, Xenophobia, Violence, Murder, Misogyny, Mental illness, Terminal illness, Suicidal thoughts, Suicide, Forced institutionalization, and Cursing
leonormsousa's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Very slow and long, a bit repetitive at times even. The characters were a bit dumb, they would come to the obvious conclusions too late and act like it was the smartest thing ever and not right in front of them the whole time. Although I can accept that it is representative of its time, my feminist side could not sit super well with the book. Similarly, there were sections of the book that felt prejudiced and bothered me a bit, although one could say it was once again representative of the mindset of high class people of the time.
As usual with classics though, I am nonetheless happy to have read it and looking forward to reading articles about the significance of this book and to better understanding its motives.
Moderate: Body horror, Death, Injury/Injury detail, Racism, Sexism, Animal cruelty, Classism, Gore, Misogyny, Murder, Blood, Death of parent, Forced institutionalization, Grief, Medical content, Violence, Gun violence, Stalking, Suicidal thoughts, and Terminal illness
phantompansy's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Graphic: Blood, Injury/Injury detail, Death, and Gore
Moderate: Grief, Alcohol, and Forced institutionalization
Minor: Antisemitism, Child death, Suicidal thoughts, Gun violence, and Racism
loveisabird's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Animal cruelty, Death, and Murder
Moderate: Grief, Kidnapping, Blood, Sexism, Schizophrenia/Psychosis , Torture, Violence, and Animal death
Minor: Misogyny
warlockdorian's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Graphic: Blood, Suicidal thoughts, Terminal illness, Murder, Antisemitism, Medical content, Confinement, Cultural appropriation, Death, Death of parent, Grief, Injury/Injury detail, Kidnapping, Racism, Misogyny, Stalking, Xenophobia, Chronic illness, Forced institutionalization, and Racial slurs
mellifer's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
I don’t love it so much for the horror, although there is plenty of that. Dracula is a really great monster and there are plenty of spine chilling moments. But I think the reason I love it so much is the good characters, and the relationships between those characters. Without giving too much away, these characters and their bonds to each other bring light and hope to what could otherwise have been a very dark and depressing read.
I finished this via the podcast “Re: Dracula”, an unabridged, full cast audio version of the book, with some parts slightly rearranged to be in chronological order. I highly recommend this. The voice acting is perfect, the soundscaping is excellent, and overall it really breathes life into this book. I will most definitely be re-reading and re-listening.
Graphic: Animal death, Blood, Violence, Racial slurs, Racism, Injury/Injury detail, Forced institutionalization, Mental illness, Death, Grief, Ableism, and Confinement
Minor: Death of parent
june_t_michael's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Und ich finde, dass es ein unglaublich interessantes Experiment war. Ich habe "Dracula" in der Vergangenheit schon etliche Male gelesen, das letzte Mal allerdings ist über zehn Jahre her. Vieles habe ich vergessen. Vieles fiel mir vielleicht einfach noch nicht auf, weil ich nicht dafür sensibilisiert war oder mir nicht viel dabei dachte.
Woran ich mich überhaupt nicht mehr erinnern konnte:
- Dass im Grunde genommen die Katastrophe, die die Handlung signifikant vorantreibt, durch Sexismus verursacht wurde.
- Wie lange Lucys Verwandlung gedauert hat.
- Wie lange im Allgemeinen die ganze Lucy-Handlung gedauert hat.
- Wie unfassbar viele Ismen das Buch enthält. Mal eben dahingeworfene rassistische Vorstellungen, das Propagieren von Eugenik durch Van Helsing. Wann immer Mina gelobt wird, passiert dies in Form von "not like other girls" - seltsamen Vergleichnissen von einem männlichen Gehirn in einem weiblichen Körper (Transfeindlichkeit, anyone?) Und Gadje-Rassismus. Wenn ich nun außerdem an einen Artikel in der Jüdischen Allgemeinen über den Roman denke und mich an die Stelle erinnere, an der Dracula mit einem Beutel voller Gold durch die Gegend springt... Autsch.
Ich will nicht sagen, dass ich überhaupt keinen Spaß hatte. Das Konzept eines Romans ausschließlich aus zusammengetragenen Medien (Zeitungsartikel, Tagebücher, Briefe, Telegramme) finde ich immer noch charmant und es wäre was, das ich selbst mal ausprobieren könnte.
Die diversen englischen Dialekte, wenn auch teilweise mühsam zu lesen, fand ich interessant eingebunden und es ist ein sehr ... globalsiiertes Buch? Eine wichtige Nebenfigur ist ein Amerikaner, Van Helsing kommt extra aus Amsterdam und Sewart ist sein Schüler. Jonathan macht eine Dienstreise nach Transsilvanien, was aus England heraus zumindest gefühlt eine halbe Weltreise ist. Aber ähnlich wie in anderen Romanen aus dieser Epoche hirschen die Figuren durch die halbe Welt und das ist gefühlt sogar normaler als es für uns wäre.
Und auch sonst ist es historisch interessant, ein so altes Buch über ein so zeitlos gewordenes Thema wie "Vampirismus" zu lesen.
Aber meine Güte, ist das schlecht gealtert ^^
Graphic: Animal cruelty, Body shaming, Physical abuse, Panic attacks/disorders, Death of parent, Gore, Grief, Mental illness, Ableism, Animal death, Blood, Child abuse, Colonisation, Death, Emotional abuse, Excrement, Forced institutionalization, Gun violence, Injury/Injury detail, Murder, Medical content, and Misogyny
Moderate: Racial slurs and Racism
Minor: Antisemitism and Rape
spookfish's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? No
5.0
Despite its sexism by today's standards, our main two, Mina and Jonathan, are decidedly queer characters. Mina in particular fascinates me.
Time to watch many video essays haha.
Graphic: Forced institutionalization, Grief, Mental illness, Murder, Confinement, Schizophrenia/Psychosis , Violence, and Death
Moderate: Alcohol, Animal death, Blood, Body horror, Injury/Injury detail, Medical content, Death of parent, Gore, Child death, Misogyny, and Sexism
Minor: Suicidal thoughts, War, Antisemitism, Colonisation, Gaslighting, Panic attacks/disorders, and Racial slurs