Reviews tagging 'Misogyny'

If We Were Villains by M.L. Rio

84 reviews

madelinedalton's review against another edition

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challenging dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

This feels like a third draft of what could have been a truly excellent book. It needs some heavy revisions imo.

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kazli's review against another edition

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dark emotional funny mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.25

A bit predictable, the ending made it worth it.

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scifipunk's review

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

Honestly, when I first started reading this book, I expected to spend my review tearing it apart.
Interestingly, now at the end, my opinion changed completely.

It is remarkable that a lot of things that annoyed me at the beginning, regarding plot, characters, and some choices the author made, almost all of them improved or at least became ignoreable by the later chapters.
Especially in the beginning, I had the impression that a lot of the characters were extremely flat and one-dimensional — I feel like in many, many scenes, the reader is told about all these different, vibrant personalities, and yet I still had the impression that Filippa and Wren could be fused into one character without any relevant change to the plot or group dynamic. 
I still think so, but it somewhat justified by the characters’ in-universe theater obsession making them think in tropes rather than individuals, and in the end, the plot managed to immerse me and I found myself not as bothered by the characters as I thought I would be.

The author is amazing at describing atmosphere and creating tension in her writing — once the pace picks up, it works well, and this book does have a couple of paragraphs and scenes that stand out for simply how elegant and beautifully phrased they are.
The protagonists, as theater students at an elite university, also have the habit of speaking in shakespearean verse in otherwise casual conversation. 
This comes off extremely pretentious at first, but  seems to be by design — in at least one scene, a character shows awareness of how he and his friends must sound to regular people, and critically reflects about it for a bit. It flowed into the narrative well and seemed natural, and honestly, I would have liked more introspective like this throughout the novel.
I am absolutely torn on the amounts of verse in this book as a whole, however. There are many great scenes, where as a reader, you can see even with minimal knowledge of the original text, that the author means to highlight a certain dynamic or subtext, foreshadow, or give some characterisation. And if it works, it works well.
But on the other hand, there are just as many scenes where it feels excessive or much longer than necessary.

I did. enjoy the book as a whole, and the main plot definitely felt cohesive and satisfying in the end. About the subplots, I’m not so sure. Some major plot twists and entire characters, especially some that are relatively important later on for example
a character’s struggle with addiction and near death experience, a girl’s mental breakdown, the narrator’s jealousy of another’s relationship, people questioning their sexuality, someone’s sister developing an eating disorder, people getting into fistfights on stage,
and so on… are established in a major scene and then just, never brought up again, let alone become relevant.

I thought that was really a tragedy, since so many plot threads actually seemed interesting and worth exploring. The author, in my opinion, clearly has talent and put a lot of thought and effort into her work, so I really would have liked to see where all these subplots go… but well.
I enjoyed reading “If We Were Villains” a lot, but it did not quite leave me satisfied in the end.

If you are looking for a captivating, well-executed mystery with a great, immersive atmosphere, then this is for you. The book clearly deserves the “dark academia” hype it got. If you are, however, the type of person who is very annoyed by excess drama, pretentious characters, handwaved details and so on, then you should probably give this one a pass.

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quinn24's review against another edition

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emotional funny medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25

I had fun reading it, but i don’t think I took from it what was supposed to be taken, I am not a Shakespeare fan so that may be it. I did think it was rather obvious but then maybe it was supposed to be?  I’m not sure it wasn’t clear to me whether it was meant to be obvious to the reader or not. I also didn’t like the little ending switch-up. But I did enjoy myself.

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teddylouise00's review against another edition

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dark emotional mysterious sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

I was prepared to give this a solid 4, maybe 4.5 but as soon as those last few dozen pages came around and it steered into probably the most
tragic gay love story
I’ve ever read I knew this book was something special and it’s a 5 from me. Addicting

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faythfarrar's review against another edition

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dark emotional
  • Plot- or character-driven? Character
  • Loveable characters? No

2.0


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shelfofunread's review

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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lottselgar's review

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challenging dark mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

meredith, listen. i am free for u always

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sophiesmallhands's review against another edition

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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tinstae's review

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dark emotional reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

The reveal was predictable, but not so much what came after it. The slight predictability and how slow it felt at some parts, combined with what can be difficult reading if like me you're unfamiliar with theatrical and Shakespearean terminology is what brings this rating down. But otherwise, this is an interesting book and I'm glad to have read it. This might just be personal taste, but I'm not too sure it quite lives up to the hype of its online fandom.

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