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uglyreading's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Racial slurs
Moderate: Racism
kimscozyreads's review against another edition
3.0
So many thoughts. I had a hard time getting into this book, I think in large part because there was so much dated slang that I had trouble making sense of- and even trouble finding translation for. However, parts of it were quite engrossing, and I thought the murder plot aspect of the book was fantastically well done- 5 stars on its own.
Much like my experience with A Carribean Mystery, parts of it were quite racist and orientalist- in this case to the Maori. However, despite being 30 years older, it also seems strikingly progressive in some regards here... Dr. Te Pokiha more or less complains about cultural appropriation to Alleyn's listening ear, a concept so many refuse to entertain even today. He even points out the white New Zealanders' common practice of giving their children Maori name for aesthetic reasons, which impressed me given that this is precisely what happened with Ngaio's own name!
Rude treatment of a tiki by the English in the presence of Dr Te Pokiha was squarely condemned, as was the bigotry and use of racial slur from a white character.
However, Alleyn's own thoughts are jarring to read pretty much every place the word "savage" is used.
This is the first book I've read from Ngaio Marsh. I did notice she's quite a bit wordier than Christie in general when it comes to descriptions.
Much like my experience with A Carribean Mystery, parts of it were quite racist and orientalist- in this case to the Maori. However, despite being 30 years older, it also seems strikingly progressive in some regards here... Dr. Te Pokiha more or less complains about cultural appropriation to Alleyn's listening ear, a concept so many refuse to entertain even today. He even points out the white New Zealanders' common practice of giving their children Maori name for aesthetic reasons, which impressed me given that this is precisely what happened with Ngaio's own name!
Rude treatment of a tiki by the English in the presence of Dr Te Pokiha was squarely condemned, as was the bigotry and use of racial slur from a white character.
However, Alleyn's own thoughts are jarring to read pretty much every place the word "savage" is used.
This is the first book I've read from Ngaio Marsh. I did notice she's quite a bit wordier than Christie in general when it comes to descriptions.
Content Warnings
Graphic: Racial slurs
kate_can's review against another edition
adventurous
lighthearted
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? N/A
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Inspector Roderick Alleyn is on holiday in New Zealand when he gets caught up with a theatre group and a murder, involving a mistimed opening of a jeroboam of champagne. This combines Ngaio Marsh’s interests perfectly, allowing her to give her chapters such titles as Prologue in a Train, Intermezzo, Duologue, and Business with Props. Written in 1937, it is dated in language and attitude, although it was doubtless considered progressive at the time.
Detectives, witnesses and suspects have a lot in common with actors as they rehearse stories, play parts and deliver lines, whereas Alleyn is straightforward and direct with a self-deprecating sense of humour. When he lists the suspects, their possible motives and alibis, he draws up a chart which is included in the chapter Entr’acte to assist the reader as much as himself – naturally, everybody has one.
There is snobbery towards people’s age, size, class and accent, although most prejudice, however, occurs towards the Maori people, as exemplified through the character of Dr Rangi Te Pokiha. A considerably hateful comedian describes Te Pokiha as “the black quack” and “the light-brown medico”, and when Te Pokiha retaliates (he has also been called silly, obviously wrong, and a liar), we are told, “The whites of his eyes seemed to become more noticeable and his heavy brows came together… [His] warm voice thickened. His lips coarsened into a sort of snarl. He showed his teeth like a dog… the odd twenty per cent of pure savage.” One suspect asserts, “There is no colour bar in this country,” but people still use the expression ‘a white man’ to denote a person of good character. Alleyn describes the country and the people with an anthropological aspect that is offensive to modern readers.
The plot is well-crafted, some of the characterisation and theatrical tropes are fun, and the Kiwi setting is original, but the inherent racism, sexism and body-shaming are problematic. Crime novels may remain popular, but fortunately times have changed.
Content Warnings
Moderate: Body shaming, Racism, Sexism, and Racial slurs
felicitydisco's review against another edition
mysterious
relaxing
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
A fun 1930s theater mystery, but caveat: it takes place in New Zealand and the Maori are discussed in a way that reads as very racist now (though was fairly progressive for the time).
Content Warnings
Minor: Racism and Racial slurs
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