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kriti's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Injury/Injury detail, War, Racial slurs, Racism, Sexism, Death, Misogyny, Grief, Classism, Death of parent, and Violence
Moderate: Homophobia, Torture, and Slavery
Minor: Body shaming and Pandemic/Epidemic
vaguely_pink's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Sexism, Murder, Child death, Death, Death of parent, War, and Violence
Moderate: Child abuse, Dysphoria, Grief, Misogyny, Fire/Fire injury, Sexual content, Homophobia, Colonisation, and Blood
Minor: Fire/Fire injury, Animal death, Slavery, Suicide, Alcohol, Cursing, Pandemic/Epidemic, Abandonment, Ableism, Animal cruelty, Eating disorder, Infidelity, and Body horror
andtheywereroommates's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Murder, War, Violence, Homophobia, Torture, Blood, Misogyny, Death, Physical abuse, Dysphoria, Ableism, and Grief
Moderate: Racism, Alcohol, Sexual harassment, Sexual content, Child death, Animal cruelty, Fire/Fire injury, Mental illness, and Death of parent
death, mutilation, trauma, tourture, death of a perant/offscreen death of a child, animal death, violence, abelism, war, PTSD, even more death, misogyny, homophobia- internal and external,bashsbooks's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Blood, Murder, Xenophobia, Ableism, Violence, War, Homophobia, Transphobia, Body shaming, Injury/Injury detail, Misogyny, Sexism, Classism, Death, and Toxic friendship
Moderate: Child death, Alcohol, Animal death, Domestic abuse, Death of parent, Child abuse, and Fire/Fire injury
Minor: Excrement and Vomit
gabefish's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual content, War, Violence, and Misogyny
Moderate: Homophobia
All misogyny and homophobia is time period specific and at times deeply related to internal character struggles.percys_panda_pillow_pet's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
I have heard a lot about this book online. I know it's fairly popular and heralded as a Sapphic masterpiece. It is definitely good, that's for certain. I don't feel like it was too over-hyped, though the Sapphic elements were not what expected. However, I still loved the Sapphic relationship and the dynamics between the two characters. It was interesting to see how they balanced each other.
I really really enjoyed the worldbuilding and characters, both were big strengths for the novel and what drew me in the most. Though sometimes I felt lost in the different cultures portrayed, it wasn't a constant feeling and the writing emphasized the important themes and points that meant that total understanding wasn't entirely necessary.
Zhu's POV was my favorite part of the book. While Ouyang had interesting sections as well, especially as we got to know his character and motivations, I'm a total sucker for "chosen one" tropes and Zhu is very similar to that in the way she chases her fate. Because of this, I definitely felt like there was a bit of an odd balance to the POVs and pacing, in addition to the fact that the book is overall a slow book. But I didn't mind once I got to the end. The end was so perfect to keep readers on their toes and maintain intrigue for the sequel, which is part of the reason I waited to write this: so that I could read the sequel right away!
Reading this actually made me want to reread similar books, like Wesley Chu's The Art of Prophecy and Sue Lynn Tan's Daughter of the Moon Goddess. Anyways, if you're curious about She Who Became the Sun by Shelley Parker-Chan now that the sequel is out, I definitely think it is worth the read!
Graphic: Death of parent, Injury/Injury detail, Misogyny, Vomit, Homophobia, Transphobia, Sexism, Violence, War, Murder, and Death
Moderate: Xenophobia, Racism, and Animal death
Minor: Sexual harassment and Religious bigotry
heather_harrison's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
“Desire is the cause of all suffering. All Zhu had ever desired was to live. Now she felt the pure strength of that desire inside her, as inseparable as her breath or qi, and knew she would suffer from it. She couldn’t even begin to imagine the awful magnitude of the suffering that would be required to achieve greatness in the chaotic, violent world outside.”
It's Mulan vibes but with more violence, war and treachery, with an element of fantasy. BUT... also a really interesting exploration of destiny, gender identity and gender fluidity. How refreshing to have complex gender-queer relationships in historical fantasy! The prose is great and even the (spicy) scenes are beautifully written.
I did go into this relatively blind, and didn't know that it reimagining of the rise of the founding emperor of the Ming Dynasty. Parker-Chan takes great effort to build the world, and it does feel deeply rooted in history with many examples of grim reality.
We meet a young girl, a peasant of the famine-stricken Central Plains of China, who was fated for nothing (literally). She adopts her brother's identity after he tragically dies, as he was fated for greatness. She decides to take his name, identity and in turn, his greatness, to survive for herself.
Our main character definitely leans more towards to the anti-hero, and will do anything to survive.
There is a lot of confusion with the pronouns for Zhu's character - as they seem to switch between she/her and he/him depending on the situation. For clarity, I'm going to refer to Zhu as they/them. They are resilient and cunning and you can't help but be enamored. I absolutely adored the part one of this novel - as it centred around Zhu’s survival
As the narrative progresses, Zhu and Ouyang’s fate become entwined.
The pacing was a bit uneven, and I did find it a bit of a slog until I reached the final part of the story, that I did feel like a 'missed' parts of this because some seemingly important things are just skimmed over. To make matters worse, a lot of the important parts of the story take place 'off page' so we don't even get to see them.
I do feel that Parker-Chan does a very good job at not portraying either the Mongols or the Red Turbans as inherently good or bad. There are no morally superior war heroes in this tale, only survival. I am looking forward to the second book being released this year, and closing off the duology.
Graphic: Death, Violence, War, Dysphoria, Ableism, and Homophobia
Moderate: Torture
Minor: Death of parent, Pandemic/Epidemic, and Child death
TW: extreme hunger/starvation, Graphic depiction of a person burning to deathtbd24's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Body horror, Genocide, Toxic friendship, Death of parent, Toxic relationship, Injury/Injury detail, Dysphoria, Gore, Homophobia, Sexual violence, War, Death, Misogyny, Murder, Sexual content, Slavery, and Violence
nekoshka's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Violence, War, and Misogyny
Moderate: Child death
Minor: Homophobia
jessiereads98's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
The most compelling part of this story was the character of Ouyang and his relationships. That being said, I would still cut Ouyang’s story from the book entirely. I see how he works as a mirror to Zhu’s character, but him and his story aren’t necessary. This book is too long with too many POVs that are wholly unnecessary and while technically they come into contact occasionally, they really aren’t that relevant to each other. No POV adds anything to the others. The jumps between POVs are also extremely jarring at times. Overall, I found it difficult to care about any character due to a lack of consistent characterization and constant jumps.
There’s no real payoff from the magic here. This is heavy on the military and light on the fantasy to the point where for me it drops to more magical realism than true fantasy. This was really disappointing since it had potential. However, almost every time
I can recognize the writing in this book on its own is objectively, technically very well done. However, it still reads very dry and drags for about 300-350 pages. The ending was good, but it wasn’t worth the rest of the book. This ended up feeling like an excessively elaborate and unnecessary set up for whatever is going to happen in the sequel.
Graphic: Violence, Homophobia, Misogyny, Ableism, War, and Transphobia
Moderate: Death, Death of parent, Blood, Child death, Fire/Fire injury, Grief, and Sexism
Minor: Excrement, Vomit, Animal death, Slavery, Racism, Sexual content, Alcohol, and Colonisation