Reviews tagging 'Infidelity'

Cantik Itu Luka by Eka Kurniawan

14 reviews

thursdd4y's review against another edition

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adventurous challenging dark emotional funny mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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augie_'s review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.0

The story is complex and well-woven but I found the laissez-faire approach to sexual assault and violence very off-putting.  I may be missing some context from the mythology used as inspiration,  but this was definitely a really rough read.

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thechroniclesofsiania's review against another edition

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challenging dark funny mysterious fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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natyourusual_'s review against another edition

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challenging dark sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

This book had so much potential. It started as a 4-5 star prediction given how beautifully it started the exploration of Dewi Ayu's character and the harrowing descriptions of the conflicts in Indonesia from the colonial period through WW2. I knew going in that the book was filled with heavy and triggering content and was doing okay with it (
this is even after the brutal bestiality of chapter 2 and constand sexual assault by Japanese soldiers in chapter 4
). Here's the problem: the treatment of sexual violence throughout the novel feels off from the beginning. I tried to rationalize it by thinking "it's allegorical" or "the detached tone has to do with the dissociation these women are experiencing during these acts," but it got to the point that I just couldn't ignore the male gaze afflicting this novel anymore. At some point, maybe 30-40% of the way into the book, the women cease to be the focus of the novel and we mostly get the backstories and perspectives of men in the lives of the central women. Even Dewi Ayu becomes more of an object and less of a whole human person (and that's not even starting on her daughters). I found myself getting more and more angry at the sexual violence not because it's an upsetting topic but because it was handled extremely poorly and distastefully (ex.
the implication that Alamanda put "love" into her encounter with Sodancho that finally resulted in a child after the horrific and violent ways in which he raped her constantly,
the way they linger on women's and girls' bodies right before they're assaulted, descriptions of women's bodies by a third person narrator that sexualize young girls and innocence as in "[...] the curves of her beautiful breasts, the kind that only belong to sixteen-year-old girls,"
the grooming of Alamanda by Kliwon and Beauty by Krisan being treated as epic heartbreaking love stories
etc.). I also started to realize the women were only notable in relation to the men they slept with or who their fathers were. We lose much of the nuance from the earlier explorations of Dewi Ayu and suddenly all of the girls are 2D sex objects. I wish that these issues didn't nag at me while reading as much or that I could somehow overlook them since the writing style and much of the other commentary (ex. when discussing colonialism, generational trauma, othering within society, etc.) was phenomenal, but that just isn't possible for me. The glaring issues with the portrayal of women in the novel and the shift in focus to elevate the men (often to the detriment of these women characters) really brought down my enjoyment while reading. 

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agnela's review against another edition

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challenging sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

1.0


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maraudergrl90's review against another edition

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I would not consider myself a prude by any means but this book seemed to be raunchy and gross for seemingly no reason. Just about every taboo subject was thrown in for seemingly no reason. I just couldn't get into it. I got through 10% and just couldn't keep going. 

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joygarcialim's review against another edition

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dark mysterious reflective slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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imaginefishes's review against another edition

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dark funny lighthearted mysterious slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

The story is told non-linearly, with a giant ensemble cast of characters who have someone all been interwoven together into the same family, and yet, the story does not become drab nor difficult to follow. Despite the dark matters (such as rape) described in the book, the tone of writing remains lighthearted and almost cheeky, which makes it for an easy read (though the normalising of violence, sexual or otherwise, towards women may be difficult to stomach at times). The story is entertaining to the end, and seeing all the final pieces fall into place describing the choices of characters from chapters ago was somewhat satisfying, but also mildly disappointing due to the reveal of the central piece.

Overall, this is a story about myth and legend set in a real-life historical timeline, where the Indonesian experience of war, decolonialisation, and post-independence is reflected through a variety of characters symbolising these differing themes. My (brief) learning of Indonesian history in school definitely aided in my following of the timeline, and I would recommend readers familiarise themselves with these topics prior to taking on this book. Besides showcasing the overall population-wide experience, the book also depicts the micro-perspective of Dewi Ayu and the tragic fate of her family, which when combined with the humorous choice of phrases used in the book, somehow allows me as the reader not to feel sympathy for them, but rather, view their demise as consequences of their own actions.

Truly, no character in this story is innocent. Crime, immorality, and violence are the bread and butter of the plot, and there are more than necessary descriptions of fecal matter and death. Though, I did not find these descriptions to be overtly vulgar as this diction fits into the overall tone of the book.

I had no clue what this book would be about when I first read it, but I do not regret picking it up.

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caldridge's review against another edition

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dark funny medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25


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shainalite's review

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challenging dark mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

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