Reviews tagging 'Murder'

Song of the Forever Rains by E.J. Mellow

3 reviews

kagata's review against another edition

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adventurous challenging dark emotional funny inspiring mysterious reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

This book! This book is so beautifully written it is a pleasure to read. The story, the characters, you fall in love with them almost immediately. I loved this book and it is this kind of book you immediately want to go back and read it again. Read it, you will love it I’m sure! 
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escapismforlife's review

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adventurous dark emotional funny hopeful reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

I loved the world and the sisters, Arabessa, Niya,and Larkyra.  The Basette sisters dynamic is special. Their magic and how they use it is what makes their relationship in their seceret and public  life unique,  for lack of a better term. 

This first book was very much centered  on a different  kingdom of Lachlan. One that the youngest sister Larkyrya made lighter. By following her heart to fall in love on a mission with Darius the lord despite what she's been raised to do in the Thief Kingdom. Which is a creepy yet cool setting compared to Jabari. 

I love their relationship  and how it occurred  despite  the  conflict  taking a back burner. 

Anyways, the plot of the where the series is headed made me continue  onto the next book. It was wrapped up nice enough but left a lot open where you have to continue on. 
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allisonwonderlandreads's review

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adventurous dark hopeful medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.0

In this fantasy romance, the world-building is superficial, and the story is light. The three daughters of the Thief King wield powerful, sometimes deadly, musical magic. The youngest, Larkyra, has a powerful voice. She must constantly control her magic lest any strong emotion come through in speech or song to hurt others. The sisters go on missions for their father, partially to protect his interests and also for some do-gooder reasons (think Charlie's Angels). Larkyra embarks on her first solo mission to discover how a potent magical drug is being smuggled out of the Thief Kingdom.

So what did I like? There's a magical being who contains both a brother and sister. They converse internally and have a gender-fluid exterior to reflect who is in the lead at that time. I loved the way this character played with gender. I liked the spin on fantasy/paranormal romance tropes that here we have a woman who is dangerous and powerful and an essentially clueless man who needs her help. And usually, we would expect the reverse to be true. I was also a major fan of the fashion. When Lark was appalled at herself for not packing clothes to properly suit the ambiance of her destination, I knew she was my kind of person. Finally, the sisterly banter is A+. They can't stop, won't stop no matter who else is around.

Unfortunately, my issues with the book ran deeper. At the very start, Larkyra undergoes a family tradition of giving up her magic and aristocratic privilege for a month leading up to her nineteenth birthday. My problem here is how performative it is. Yes, it's probably good that the three sisters don't just live in a curated bubble, but what does throwing them into the slums accomplish on behalf of other people, really? They still know it will be over in a month and that they'll have access to food, medicine, and a roof over their heads then. Lark even admits that she thinks her father would have saved her if she got in enough danger. Which, good. But also that makes the whole experience very surface-level. And at the end, Lark is meant to have learned powerful life lessons but isn't expected to put them to use in a way that would help balance the scales. I suppose she gets to pocket her newfound street smarts and pat herself on the back for now understanding that the scales even exist. While it was a relief to avoid toxic masculinity on a pedestal in this book, there is still an uncomfy vibe of high-handed paternalism from our aristocratic characters. The lower classes are meant to receive charity and benevolent leadership, passive while their betters volley power plays at one another. Also, I was frustrated that in trying to give that veneer of edginess, torture is presented as a sometimes appropriate means to an end. 
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