Reviews tagging 'Alcohol'

Less Than Zero by Bret Easton Ellis

21 reviews

astrono9's review

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dark emotional reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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juliet331's review against another edition

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dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

Il libro è scorrevole, e l'organizzazione dei paragrafi (brevi) ne invoglia la lettura. Tuttavia, non mi ha entusiasmato perché si ripete troppe volte in situazioni identiche con una leggera differenza appena accennata. Anche la noia palpabile , a volte risulta eccessiva nella narrazione e non fa apprezzare altro che passa più in profondità , ma che poi esce prepotentemente nelle ultime 30/40 pagine. I personaggi sono stereotipati e tutti uguali, fotocopie di sé stessi.

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longlegegg's review

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dark reflective sad medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75


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chay_sand's review against another edition

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dark sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0

I am torn. One on hand the prose was really nice, immersing me in California without even ever being there. On the other hand, it can get graphic. And with that descriptive prose that is a strength of the book, it also doesn't allow the reader to hide as things get worse. Better than I expected though, so I guess I liked it.

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ro_lux's review against another edition

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dark emotional sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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minxtte's review

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dark slow-paced
  • Plot- or character-driven? Character
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

3.0


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issyd23's review

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dark emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

Just a more boring version of American Psycho with slightly less rape, violence and torture 2❄️

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idaanette's review against another edition

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dark sad tense medium-paced
  • Loveable characters? No

0.25


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seanamcphie's review

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dark mysterious reflective fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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_bxllxe_'s review

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dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

What would you do if you were young, wealthy, and apathetic? What if sex and drugs weren’t enough anymore? What if the the only things left to entertain you were the worst things? What if you had nothing to lose? 

Bret Easton Ellis is fascinated with these questions, and he explores the answers in this chilling, dystopian LA landscape. 

“I want to go back,” Daniel says, quietly, with effort.
“Where?” I ask, unsure.
There’s a long pause  that kind of freaks me out and Daniel finishes his drink and fingers the sunglasses he’s still wearing and says, “I don’t know. Just back.”

“[…] she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like ‘I think we’ve all lost some sort of feeling.’”

“But you don’t need anything. You have everything,” I tell him.
Rip looks at me. “No. I don’t.”
“What?”
“No, I don’t.”
There’s a pause and then I ask, “Oh, shit, Rip, what don’t you have?”
“I don’t have anything to lose.”

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