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donttellmomwhatimreading's review against another edition
3.5
Hunter’s life is a mess. He’s on his first North American tour with his bandmates/friends, recently out of a relationship with his best friend’s twin brother, and said ex just leaked text about their sex life. So having the whole world know details about his sex life isn’t great, but the label trying to market him as “a bottom” means a look that doesn’t feel like himself and constant questions about being queer. Kaivan Is the drummer for their opener and being with him feels great, he’s determined not to make the same mistakes from his prior relationship, unfortunately he’s 17 and has an immense amount of pressure on him that he refuses to share.
Content Warnings
Graphic: Homophobia, Racism, and Xenophobia
Minor: Adult/minor relationship, Vomit, Death of parent, Sexual content, Alcohol, Body shaming, Bullying, and Fatphobia
evelynyle_88's review against another edition
challenging
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Toxic relationship, Homophobia, and Racism
Moderate: Sexual content, Sexual harassment, and Alcohol
Minor: Death of parent, Fatphobia, and Adult/minor relationship
parasolcrafter's review
emotional
lighthearted
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
0.5
this book SUCKED you guys dont even know how glad i am to be finished with it. my god.
the characters are underdeveloped and some hinge solely on stereotypes, a couple are barely there (like why were owen and especially ian there so scarcely??? makes no sense!!!) despite the fact that the book focuses on a boy band who are all, seemingly, best friends, and overall none of them are all that likeable. hunter is a self-obsessed boy who seems to think the world revolves around the fact that hes a bottom (did the author think if he didnt mention the fact that hunter is a bottom in every chapter that we'd forget??? made me so mad. shut up about it.), kaivan is okay but has almost no personality, aidan is the stereotypical bitter ex, and ashton is just...there. nothing of note really happens in the book either...? like it doesnt break any ground. doesnt do anything new. doesnt really pose any questions about society. it was all so shallow
the characters are underdeveloped and some hinge solely on stereotypes, a couple are barely there (like why were owen and especially ian there so scarcely??? makes no sense!!!) despite the fact that the book focuses on a boy band who are all, seemingly, best friends, and overall none of them are all that likeable. hunter is a self-obsessed boy who seems to think the world revolves around the fact that hes a bottom (did the author think if he didnt mention the fact that hunter is a bottom in every chapter that we'd forget??? made me so mad. shut up about it.), kaivan is okay but has almost no personality, aidan is the stereotypical bitter ex, and ashton is just...there. nothing of note really happens in the book either...? like it doesnt break any ground. doesnt do anything new. doesnt really pose any questions about society. it was all so shallow
Content Warnings
Graphic: Emotional abuse, Homophobia, Toxic relationship, Sexual content, Alcohol, Body shaming, Classism, Cultural appropriation, and Racism
Minor: Fatphobia and Death of parent
this_momma_is_booked's review
emotional
funny
lighthearted
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I don't remember a whole lot about this book seeing as I read it months ago, so here's what I do remember based on a conversation I had with my friend about it immediately after:
- It was cute, but I struggled throughout the entire book with something that irked me and I couldn't quite put my finger on what it was.
- I think part of the reason I didn't love this book is that everything felt very surface level. We didn't really dig deep into the feelings or situations present.
- It was never really explained why Hunter was into Kaivan, other than he was the only other gay guy in the vicinity. He was defensive the entire book about it NOT being a rebound when it so clearly was.
- The book just...ended. Like, there was no closure or explanation about everything that happened. It just ended.
- Hunter experienced a literal breakdown and the story glossed over it like, "he had a lot of bottled up emotions." Like what he experienced is entirely normal and a healthy part of growing up.
- The author himself is Iranian-American but the book is written from the perspective of the white guy in the relationship. Now, I'm not saying that just because the author is of this particular identity he has to write from the perspective of the other POC in the relationship - but there were so many instances of veiled racism in the text that were simply not explored BECAUSE it was from Hunter's perspective. I feel this is a missed opportunity.
- Basically this read as very surface-level One Direction fanfiction.
If this is the kind of story you're looking to read, I would suggest reading If This Gets Out instead.
Content Warnings
Graphic: Homophobia, Racism, and Toxic relationship
Moderate: Sexual harassment and Alcohol
Minor: Death of parent and Fatphobia
wrensandroses's review
emotional
funny
hopeful
inspiring
lighthearted
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Outing, Panic attacks/disorders, Sexual content, Alcohol, Homophobia, and Sexual harassment
Moderate: Racism, Xenophobia, Bullying, Cultural appropriation, and Body shaming
Minor: Death of parent, Adult/minor relationship, and Fatphobia
betweentheshelves's review
emotional
lighthearted
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
While very different in style from Khorram's previous books, there's still the same heart and emotion pulsing behind this story. Apparently I've been on kind of a boy band kick lately, and I'm happy to say this book didn't disappoint. From the beginning, I didn't want to put this book down!
One of the things that works so well for this book is the news articles, blog posts, email chains, and text conversations between chapters. Not only does it help provide context for Kiss and Tell's success as a band, but it also provides the reader with what's happening in the broader pop culture elements of their world. We also get character growth in these articles, and they're just so clever.
And the characters! If there's one thing that Khorram excels at it's writing characters. Yes, Hunter is messy and a bit self-centered and a boy who thinks he has to take everything on by himself. The dynamic he has with Kaivan evolves and it's quite adorable, honestly. They had great chemistry as a couple.
Underneath the boy band drama of the book, Khorram also touches on important issues, like society's expectations for gay people in the spotlight, racism in the music industry, and the tolls of a public persona. While I do wish that some of the race stuff was explored a little more, Hunter does grow a lot in this aspect. By the end, I do feel like he realizes he has privilege in ways that his band members do not.
I do wish that there were maybe like 30 more pages in the story? I just wanted a bit more resolution at the end, to see a little more after all that goes down with Hunter and the band. Plus, I wanted to see Hunter and Kaivan's relationship expand a little more there at the end.
All in all, this is a fantastic addition to Khorram's already fantastic books, and I can't wait to see what he does next!
One of the things that works so well for this book is the news articles, blog posts, email chains, and text conversations between chapters. Not only does it help provide context for Kiss and Tell's success as a band, but it also provides the reader with what's happening in the broader pop culture elements of their world. We also get character growth in these articles, and they're just so clever.
And the characters! If there's one thing that Khorram excels at it's writing characters. Yes, Hunter is messy and a bit self-centered and a boy who thinks he has to take everything on by himself. The dynamic he has with Kaivan evolves and it's quite adorable, honestly. They had great chemistry as a couple.
Underneath the boy band drama of the book, Khorram also touches on important issues, like society's expectations for gay people in the spotlight, racism in the music industry, and the tolls of a public persona. While I do wish that some of the race stuff was explored a little more, Hunter does grow a lot in this aspect. By the end, I do feel like he realizes he has privilege in ways that his band members do not.
I do wish that there were maybe like 30 more pages in the story? I just wanted a bit more resolution at the end, to see a little more after all that goes down with Hunter and the band. Plus, I wanted to see Hunter and Kaivan's relationship expand a little more there at the end.
All in all, this is a fantastic addition to Khorram's already fantastic books, and I can't wait to see what he does next!
Content Warnings
Graphic: Homophobia, Body shaming, and Racism
Moderate: Sexual harassment, Alcohol, and Sexual content
Minor: Death of parent, Car accident, and Fatphobia
kayladaila's review
emotional
funny
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Adult/minor relationship, Injury/Injury detail, Racial slurs, Xenophobia, Dysphoria, Homophobia, and Alcohol
Minor: Bullying, Sexual harassment, Fatphobia, Cultural appropriation, Car accident, Abandonment, Death of parent, Hate crime, and Racial slurs
perpetualpages's review
adventurous
emotional
funny
hopeful
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
CWs: experiences of homophobia and some homophobic/sexual slurs; references to racism; descriptions of online harassment and some sexual harassment; mentions of parental death; brief mentions of fatphobia, graphic sports injury, and vomit; instances of underage drinking; and some mild sexual content
On the surface, Kiss & Tell promises a simple and straightforward story about a queer boy bander trying to navigate the spotlight, but in true Adib Khorram fashion, it's also so much more! While this is a very different story from Adib's previous books, it has that same level of thoughtfulness and heart at its center.
On the one hand, this is a super fun, fast-paced story about a mega-popular boy band blazing across North America on one of their biggest tours, but it's also asking a lot of deeper questions about the cisheteronormativity of the boy band market and what it means to be "visibly queer" online and on stage.
As a white cis gay boy, Hunter definitely holds a lot of privilege, and the fact that he's able to be out as a gay man with his label and have it be a non-issue is definitely part of that. However, he's still having to deal with people dehumanizing him and reducing him to nothing more than just a label, and he also finds himself being continuously forced into this "token gay boy" box. Whether it's the way he's told to dress, the kinds of press junkets he's allowed to do, or the content he's allowed to post, every aspect of his expression is carefully controlled by the people around him. There's a compelling contradiction between Hunter having an immense platform that comes with an incredible amount of power and also not having a lot of freedom to choose for himself as a result.
I really appreciate how this story makes the reader think about who boy bands are marketed towards and why. Generally speaking, the majority of boy bands are marketed towards younger audiences, and primarily cishet audiences, and they occupy a very strange liminal space where they're expected to be "wholesome" and "virginal" but also attractive and suggestive enough to be "desirable" to their audience. By those standards, Hunter already finds himself at a disadvantage of sorts, because his target audience (young cishet girls) can't romantically project themselves onto him. So his label feels that he has to make up for that quote-unquote "deficit" by really leaning into the stereotypical "twink" styles and mannerisms and molding himself into this perfect, wholesome queer role model for young people.
That dilemma further opens up the question of what it even means to *be* a role model, and how that concept in itself can be even more limiting in some ways. Especially as a queer boy, Hunter finds his every action to be put under a microscope, and he finds it harder to make himself seem "perfect" and "wholesome" when he's constantly being confronted by the misconception that sexuality and queerness is solely about the act of sex, when it's not. When his toxic ex drunkenly releases screenshots of Hunter's private conversations, that onslaught of commentary becomes even more pressing.
I truly appreciate how Adib Khorram has crafted a sex positive story about a young queer man who's constantly being forced to grapple with the conception that he's either "not gay enough" or "too gay." Especially in a world where queer men are often seen as hypersexual, which is then seen as "shameful" (even though there's nothing inherently bad or wrong about sex), this story makes a powerful statement about embracing those parts of yourself that are deemed "imperfect" and being unafraid to to claim all those messy sides of yourself that don't neatly fit into any box. Being openly queer as a public figure is often a matter of Damned If You Do, Damned If You Don't. Every action you take is extrapolated and interpreted as a representation of the entire queer community at large when it shouldn't be, and Hunter having to fight against that feels incredibly realistic.
On a lighter note, I also enjoy how this story puts a different spin on the "fake dating" trope. While Hunter and Kaivan are technically dating for real and by their own choice, it still feels like a front at times since the label is intentionally playing it up for press. So you kind of get the best of both worlds, where you get to see this very soft, genuine romantic connection unfold over the course of the story, but there's also your typical "fake dating shenanigans" with all these public-facing dates put on for the fans.
Another highlight is the way the story makes use of multi-media interludes between chapters, where you get to see the snippets from various press junkets or interviews, transcripts from Kiss & Tell's documentary, as well as excerpts of blog posts and think pieces. I love the way those pieces of media are able to indirectly build out the "world" of the story and reveal more about the characters from an outside perspective, and it's even interesting to see how the events of the story are being spun by the press for online consumption. It was also nice to have media inserts that were not just interviews, because those added to the larger commentary of how being a queer boy bander complicates the cisheteronormative narrative popularized in the mainstream.
There were two tiny things that kept this from being a five-star book, for me personally. The first is that I wish Hunter's bandmates were a little bit more prominent in the story. Besides Hunter, the rest of Kiss & Tell is made up of more ethnically diverse pop stars—who are Vietnamese-, Brazilian-, and Indian-Canadian—and I wish we could have more directly seen the kinds of pressures that *they* face. There's a small discussion of that towards the end, when Hunter's bandmates sort of call him out for assuming that his queerness is a "bigger burden" than the racism they face online, but I think getting to see those experiences or discussions play out would have made that land even better.
My second tiny note is that I found myself wanting a bit more from the romantic relationship between Hunter and Kaivan. Throughout the story, it's made clear that Kaivan has somewhat of a superiority complex when it comes to the success of boy bands versus the success of traditional bands, some of which is definitely warranted when you consider the vast disparity between them. However, that leads him to saying some controversial things in his interviews where he openly questions the talent-level, creativity, and integrity of boy banders. When that eventually comes to light, it ends up feeling somewhat glossed over. I think there were more conversations to be had between Hunter and Kaivan to meaningfully reconcile those differences in order for me to feel fully on board with their relationship by the end. Even so, overall I did enjoy the romantic element.
As always, I remain absolutely floored by Adib Khorram's ability to craft a deeply meaningful and thoughtful story that's also able to balance humor, romance, and fun. As I said up top, even though this seems like a simple story on the surface, it proves to be so much more and offers the reader a foothold to better grasp deeper questions about societal expectations and self-expression. As with all of Adib's books, I enjoyed this so much, and I absolutely cannot wait to see what he writes next. No matter what it is, I will definitely be reading it!
On the surface, Kiss & Tell promises a simple and straightforward story about a queer boy bander trying to navigate the spotlight, but in true Adib Khorram fashion, it's also so much more! While this is a very different story from Adib's previous books, it has that same level of thoughtfulness and heart at its center.
On the one hand, this is a super fun, fast-paced story about a mega-popular boy band blazing across North America on one of their biggest tours, but it's also asking a lot of deeper questions about the cisheteronormativity of the boy band market and what it means to be "visibly queer" online and on stage.
As a white cis gay boy, Hunter definitely holds a lot of privilege, and the fact that he's able to be out as a gay man with his label and have it be a non-issue is definitely part of that. However, he's still having to deal with people dehumanizing him and reducing him to nothing more than just a label, and he also finds himself being continuously forced into this "token gay boy" box. Whether it's the way he's told to dress, the kinds of press junkets he's allowed to do, or the content he's allowed to post, every aspect of his expression is carefully controlled by the people around him. There's a compelling contradiction between Hunter having an immense platform that comes with an incredible amount of power and also not having a lot of freedom to choose for himself as a result.
I really appreciate how this story makes the reader think about who boy bands are marketed towards and why. Generally speaking, the majority of boy bands are marketed towards younger audiences, and primarily cishet audiences, and they occupy a very strange liminal space where they're expected to be "wholesome" and "virginal" but also attractive and suggestive enough to be "desirable" to their audience. By those standards, Hunter already finds himself at a disadvantage of sorts, because his target audience (young cishet girls) can't romantically project themselves onto him. So his label feels that he has to make up for that quote-unquote "deficit" by really leaning into the stereotypical "twink" styles and mannerisms and molding himself into this perfect, wholesome queer role model for young people.
That dilemma further opens up the question of what it even means to *be* a role model, and how that concept in itself can be even more limiting in some ways. Especially as a queer boy, Hunter finds his every action to be put under a microscope, and he finds it harder to make himself seem "perfect" and "wholesome" when he's constantly being confronted by the misconception that sexuality and queerness is solely about the act of sex, when it's not. When his toxic ex drunkenly releases screenshots of Hunter's private conversations, that onslaught of commentary becomes even more pressing.
I truly appreciate how Adib Khorram has crafted a sex positive story about a young queer man who's constantly being forced to grapple with the conception that he's either "not gay enough" or "too gay." Especially in a world where queer men are often seen as hypersexual, which is then seen as "shameful" (even though there's nothing inherently bad or wrong about sex), this story makes a powerful statement about embracing those parts of yourself that are deemed "imperfect" and being unafraid to to claim all those messy sides of yourself that don't neatly fit into any box. Being openly queer as a public figure is often a matter of Damned If You Do, Damned If You Don't. Every action you take is extrapolated and interpreted as a representation of the entire queer community at large when it shouldn't be, and Hunter having to fight against that feels incredibly realistic.
On a lighter note, I also enjoy how this story puts a different spin on the "fake dating" trope. While Hunter and Kaivan are technically dating for real and by their own choice, it still feels like a front at times since the label is intentionally playing it up for press. So you kind of get the best of both worlds, where you get to see this very soft, genuine romantic connection unfold over the course of the story, but there's also your typical "fake dating shenanigans" with all these public-facing dates put on for the fans.
Another highlight is the way the story makes use of multi-media interludes between chapters, where you get to see the snippets from various press junkets or interviews, transcripts from Kiss & Tell's documentary, as well as excerpts of blog posts and think pieces. I love the way those pieces of media are able to indirectly build out the "world" of the story and reveal more about the characters from an outside perspective, and it's even interesting to see how the events of the story are being spun by the press for online consumption. It was also nice to have media inserts that were not just interviews, because those added to the larger commentary of how being a queer boy bander complicates the cisheteronormative narrative popularized in the mainstream.
There were two tiny things that kept this from being a five-star book, for me personally. The first is that I wish Hunter's bandmates were a little bit more prominent in the story. Besides Hunter, the rest of Kiss & Tell is made up of more ethnically diverse pop stars—who are Vietnamese-, Brazilian-, and Indian-Canadian—and I wish we could have more directly seen the kinds of pressures that *they* face. There's a small discussion of that towards the end, when Hunter's bandmates sort of call him out for assuming that his queerness is a "bigger burden" than the racism they face online, but I think getting to see those experiences or discussions play out would have made that land even better.
My second tiny note is that I found myself wanting a bit more from the romantic relationship between Hunter and Kaivan. Throughout the story, it's made clear that Kaivan has somewhat of a superiority complex when it comes to the success of boy bands versus the success of traditional bands, some of which is definitely warranted when you consider the vast disparity between them. However, that leads him to saying some controversial things in his interviews where he openly questions the talent-level, creativity, and integrity of boy banders. When that eventually comes to light, it ends up feeling somewhat glossed over. I think there were more conversations to be had between Hunter and Kaivan to meaningfully reconcile those differences in order for me to feel fully on board with their relationship by the end. Even so, overall I did enjoy the romantic element.
As always, I remain absolutely floored by Adib Khorram's ability to craft a deeply meaningful and thoughtful story that's also able to balance humor, romance, and fun. As I said up top, even though this seems like a simple story on the surface, it proves to be so much more and offers the reader a foothold to better grasp deeper questions about societal expectations and self-expression. As with all of Adib's books, I enjoyed this so much, and I absolutely cannot wait to see what he writes next. No matter what it is, I will definitely be reading it!
Content Warnings
Moderate: Homophobia, Sexual harassment, and Injury/Injury detail
Minor: Racism, Death of parent, Fatphobia, Vomit, and Sexual content
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