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siggyo's review against another edition
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Moderate: Racial slurs, Alcohol, Racism, Sexual content, Homophobia, and Grief
Minor: Vomit and Death of parent
donttellmomwhatimreading's review against another edition
3.5
Hunter’s life is a mess. He’s on his first North American tour with his bandmates/friends, recently out of a relationship with his best friend’s twin brother, and said ex just leaked text about their sex life. So having the whole world know details about his sex life isn’t great, but the label trying to market him as “a bottom” means a look that doesn’t feel like himself and constant questions about being queer. Kaivan Is the drummer for their opener and being with him feels great, he’s determined not to make the same mistakes from his prior relationship, unfortunately he’s 17 and has an immense amount of pressure on him that he refuses to share.
Content Warnings
Graphic: Homophobia, Racism, and Xenophobia
Minor: Adult/minor relationship, Vomit, Death of parent, Sexual content, Alcohol, Body shaming, Bullying, and Fatphobia
davidbythebay's review
challenging
emotional
funny
inspiring
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
As with Abid Khorram's Darius duology, this book has LGBTQ+ characters. Ans as in the Darius duology we get a Persian (Irani). But thats kind of where the similarities end. Well, one more is the fantastic writing style and tone of the piece, but subject matter ends with those two similarities.
Our main POV throughout the narrative chapters is a gay boy in a boy band, Hunter. We do get emails, texts, interviews, and other things from various people showing other perspectives. The main focus, however, is Hunter. Hunter is dealing with being a celebrity at only 17 years old. His every move is to maintain a particular image. Things go off the rails, on the rails, and all around the rails.
This is more adult in its content. There is talk of sex and there is a lot of more adult themes of becoming a beacon of good in the world. A bit of mental health discussion. But nothing like in the Darius duology, which I loved and read both last year.
Of great note is the FANTASTIC use of the LGBTQ+ spectrum! There is a nonbinary drag performer and activist who sort of briefly mentors Hunter. There is a young gay country music star. The spectrum of gender identities and sexual orientations are present here, even in passing characters in the bands meet and greets with fans. And that is what brings a huge smile to my face.
Romance is not a big focus here. The focus is living your life authentically by your rules, not the rules of others. Hunter talks about how his record label dresses him to appeal to the public for ticket sales by "meeting their expectations" of what a gay person dresses like. Then when the scandal hits, they rework him to be that particular subsect of the gay community's stereotypical posterchild. Heck! The band is making a documentary and the filmmaker actually asks Hunter yo act more gay, and especially more feminine gay. It's these harmful microaggressions and stereotypes that persist. It was wonderful seeing them called out.
I loved this book. My one drawback is this: I wanted more. I don't mean simply that I could have continued in this story. Yes, I could. What I really mean is there were a few things introduced that just scream for more time. The nonbinary drag performer and activist, Masha Patriarki, is one of them. The story of Kaivan (the Irani gay boy from the tour's opening band) is another. The ending left me with questions. I'll leave it at that. I think this would do well with a sequel or a companion short story collection. I want to know about Hunter and Kaivan! This is all in the description. I just want more. And I want more of the other boys.
This cast was diverse. The boy band Kiss & Tell is 5 Canadian friends, each with different backgrounds. And Khorram treats race with the same reverence as gender identity and sexual orientation.
Because I was left a little with a "that's it?" Feeling at the end - and I do mean a little feeling of that - I can only give this a 4.5 stars. It is a fantastic novel. Abid Khorram's a favorite author of mine, to be sure. Each of the three novels I've read have just been handled so wonderfully and written beautifully. I absolutely recommend this to anyone, especially if you are seeking some LGBTQ+ content that includes some representation beyond the white gay/lesbian representation books often see. I will read everything Abid Khorram writes.
Our main POV throughout the narrative chapters is a gay boy in a boy band, Hunter. We do get emails, texts, interviews, and other things from various people showing other perspectives. The main focus, however, is Hunter. Hunter is dealing with being a celebrity at only 17 years old. His every move is to maintain a particular image. Things go off the rails, on the rails, and all around the rails.
This is more adult in its content. There is talk of sex and there is a lot of more adult themes of becoming a beacon of good in the world. A bit of mental health discussion. But nothing like in the Darius duology, which I loved and read both last year.
Of great note is the FANTASTIC use of the LGBTQ+ spectrum! There is a nonbinary drag performer and activist who sort of briefly mentors Hunter. There is a young gay country music star. The spectrum of gender identities and sexual orientations are present here, even in passing characters in the bands meet and greets with fans. And that is what brings a huge smile to my face.
Romance is not a big focus here. The focus is living your life authentically by your rules, not the rules of others. Hunter talks about how his record label dresses him to appeal to the public for ticket sales by "meeting their expectations" of what a gay person dresses like. Then when the scandal hits, they rework him to be that particular subsect of the gay community's stereotypical posterchild. Heck! The band is making a documentary and the filmmaker actually asks Hunter yo act more gay, and especially more feminine gay. It's these harmful microaggressions and stereotypes that persist. It was wonderful seeing them called out.
I loved this book. My one drawback is this: I wanted more. I don't mean simply that I could have continued in this story. Yes, I could. What I really mean is there were a few things introduced that just scream for more time. The nonbinary drag performer and activist, Masha Patriarki, is one of them. The story of Kaivan (the Irani gay boy from the tour's opening band) is another. The ending left me with questions. I'll leave it at that. I think this would do well with a sequel or a companion short story collection. I want to know about Hunter and Kaivan! This is all in the description. I just want more. And I want more of the other boys.
This cast was diverse. The boy band Kiss & Tell is 5 Canadian friends, each with different backgrounds. And Khorram treats race with the same reverence as gender identity and sexual orientation.
Because I was left a little with a "that's it?" Feeling at the end - and I do mean a little feeling of that - I can only give this a 4.5 stars. It is a fantastic novel. Abid Khorram's a favorite author of mine, to be sure. Each of the three novels I've read have just been handled so wonderfully and written beautifully. I absolutely recommend this to anyone, especially if you are seeking some LGBTQ+ content that includes some representation beyond the white gay/lesbian representation books often see. I will read everything Abid Khorram writes.
Content Warnings
Moderate: Transphobia, Homophobia, Sexual content, Racism, and Panic attacks/disorders
Minor: Alcohol, Death of parent, and Vomit
rey_therese07's review against another edition
emotional
funny
lighthearted
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Racism and Homophobia
Moderate: Alcohol and Injury/Injury detail
Minor: Sexual content, Vomit, and Sexual harassment
perpetualpages's review
adventurous
emotional
funny
hopeful
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
CWs: experiences of homophobia and some homophobic/sexual slurs; references to racism; descriptions of online harassment and some sexual harassment; mentions of parental death; brief mentions of fatphobia, graphic sports injury, and vomit; instances of underage drinking; and some mild sexual content
On the surface, Kiss & Tell promises a simple and straightforward story about a queer boy bander trying to navigate the spotlight, but in true Adib Khorram fashion, it's also so much more! While this is a very different story from Adib's previous books, it has that same level of thoughtfulness and heart at its center.
On the one hand, this is a super fun, fast-paced story about a mega-popular boy band blazing across North America on one of their biggest tours, but it's also asking a lot of deeper questions about the cisheteronormativity of the boy band market and what it means to be "visibly queer" online and on stage.
As a white cis gay boy, Hunter definitely holds a lot of privilege, and the fact that he's able to be out as a gay man with his label and have it be a non-issue is definitely part of that. However, he's still having to deal with people dehumanizing him and reducing him to nothing more than just a label, and he also finds himself being continuously forced into this "token gay boy" box. Whether it's the way he's told to dress, the kinds of press junkets he's allowed to do, or the content he's allowed to post, every aspect of his expression is carefully controlled by the people around him. There's a compelling contradiction between Hunter having an immense platform that comes with an incredible amount of power and also not having a lot of freedom to choose for himself as a result.
I really appreciate how this story makes the reader think about who boy bands are marketed towards and why. Generally speaking, the majority of boy bands are marketed towards younger audiences, and primarily cishet audiences, and they occupy a very strange liminal space where they're expected to be "wholesome" and "virginal" but also attractive and suggestive enough to be "desirable" to their audience. By those standards, Hunter already finds himself at a disadvantage of sorts, because his target audience (young cishet girls) can't romantically project themselves onto him. So his label feels that he has to make up for that quote-unquote "deficit" by really leaning into the stereotypical "twink" styles and mannerisms and molding himself into this perfect, wholesome queer role model for young people.
That dilemma further opens up the question of what it even means to *be* a role model, and how that concept in itself can be even more limiting in some ways. Especially as a queer boy, Hunter finds his every action to be put under a microscope, and he finds it harder to make himself seem "perfect" and "wholesome" when he's constantly being confronted by the misconception that sexuality and queerness is solely about the act of sex, when it's not. When his toxic ex drunkenly releases screenshots of Hunter's private conversations, that onslaught of commentary becomes even more pressing.
I truly appreciate how Adib Khorram has crafted a sex positive story about a young queer man who's constantly being forced to grapple with the conception that he's either "not gay enough" or "too gay." Especially in a world where queer men are often seen as hypersexual, which is then seen as "shameful" (even though there's nothing inherently bad or wrong about sex), this story makes a powerful statement about embracing those parts of yourself that are deemed "imperfect" and being unafraid to to claim all those messy sides of yourself that don't neatly fit into any box. Being openly queer as a public figure is often a matter of Damned If You Do, Damned If You Don't. Every action you take is extrapolated and interpreted as a representation of the entire queer community at large when it shouldn't be, and Hunter having to fight against that feels incredibly realistic.
On a lighter note, I also enjoy how this story puts a different spin on the "fake dating" trope. While Hunter and Kaivan are technically dating for real and by their own choice, it still feels like a front at times since the label is intentionally playing it up for press. So you kind of get the best of both worlds, where you get to see this very soft, genuine romantic connection unfold over the course of the story, but there's also your typical "fake dating shenanigans" with all these public-facing dates put on for the fans.
Another highlight is the way the story makes use of multi-media interludes between chapters, where you get to see the snippets from various press junkets or interviews, transcripts from Kiss & Tell's documentary, as well as excerpts of blog posts and think pieces. I love the way those pieces of media are able to indirectly build out the "world" of the story and reveal more about the characters from an outside perspective, and it's even interesting to see how the events of the story are being spun by the press for online consumption. It was also nice to have media inserts that were not just interviews, because those added to the larger commentary of how being a queer boy bander complicates the cisheteronormative narrative popularized in the mainstream.
There were two tiny things that kept this from being a five-star book, for me personally. The first is that I wish Hunter's bandmates were a little bit more prominent in the story. Besides Hunter, the rest of Kiss & Tell is made up of more ethnically diverse pop stars—who are Vietnamese-, Brazilian-, and Indian-Canadian—and I wish we could have more directly seen the kinds of pressures that *they* face. There's a small discussion of that towards the end, when Hunter's bandmates sort of call him out for assuming that his queerness is a "bigger burden" than the racism they face online, but I think getting to see those experiences or discussions play out would have made that land even better.
My second tiny note is that I found myself wanting a bit more from the romantic relationship between Hunter and Kaivan. Throughout the story, it's made clear that Kaivan has somewhat of a superiority complex when it comes to the success of boy bands versus the success of traditional bands, some of which is definitely warranted when you consider the vast disparity between them. However, that leads him to saying some controversial things in his interviews where he openly questions the talent-level, creativity, and integrity of boy banders. When that eventually comes to light, it ends up feeling somewhat glossed over. I think there were more conversations to be had between Hunter and Kaivan to meaningfully reconcile those differences in order for me to feel fully on board with their relationship by the end. Even so, overall I did enjoy the romantic element.
As always, I remain absolutely floored by Adib Khorram's ability to craft a deeply meaningful and thoughtful story that's also able to balance humor, romance, and fun. As I said up top, even though this seems like a simple story on the surface, it proves to be so much more and offers the reader a foothold to better grasp deeper questions about societal expectations and self-expression. As with all of Adib's books, I enjoyed this so much, and I absolutely cannot wait to see what he writes next. No matter what it is, I will definitely be reading it!
On the surface, Kiss & Tell promises a simple and straightforward story about a queer boy bander trying to navigate the spotlight, but in true Adib Khorram fashion, it's also so much more! While this is a very different story from Adib's previous books, it has that same level of thoughtfulness and heart at its center.
On the one hand, this is a super fun, fast-paced story about a mega-popular boy band blazing across North America on one of their biggest tours, but it's also asking a lot of deeper questions about the cisheteronormativity of the boy band market and what it means to be "visibly queer" online and on stage.
As a white cis gay boy, Hunter definitely holds a lot of privilege, and the fact that he's able to be out as a gay man with his label and have it be a non-issue is definitely part of that. However, he's still having to deal with people dehumanizing him and reducing him to nothing more than just a label, and he also finds himself being continuously forced into this "token gay boy" box. Whether it's the way he's told to dress, the kinds of press junkets he's allowed to do, or the content he's allowed to post, every aspect of his expression is carefully controlled by the people around him. There's a compelling contradiction between Hunter having an immense platform that comes with an incredible amount of power and also not having a lot of freedom to choose for himself as a result.
I really appreciate how this story makes the reader think about who boy bands are marketed towards and why. Generally speaking, the majority of boy bands are marketed towards younger audiences, and primarily cishet audiences, and they occupy a very strange liminal space where they're expected to be "wholesome" and "virginal" but also attractive and suggestive enough to be "desirable" to their audience. By those standards, Hunter already finds himself at a disadvantage of sorts, because his target audience (young cishet girls) can't romantically project themselves onto him. So his label feels that he has to make up for that quote-unquote "deficit" by really leaning into the stereotypical "twink" styles and mannerisms and molding himself into this perfect, wholesome queer role model for young people.
That dilemma further opens up the question of what it even means to *be* a role model, and how that concept in itself can be even more limiting in some ways. Especially as a queer boy, Hunter finds his every action to be put under a microscope, and he finds it harder to make himself seem "perfect" and "wholesome" when he's constantly being confronted by the misconception that sexuality and queerness is solely about the act of sex, when it's not. When his toxic ex drunkenly releases screenshots of Hunter's private conversations, that onslaught of commentary becomes even more pressing.
I truly appreciate how Adib Khorram has crafted a sex positive story about a young queer man who's constantly being forced to grapple with the conception that he's either "not gay enough" or "too gay." Especially in a world where queer men are often seen as hypersexual, which is then seen as "shameful" (even though there's nothing inherently bad or wrong about sex), this story makes a powerful statement about embracing those parts of yourself that are deemed "imperfect" and being unafraid to to claim all those messy sides of yourself that don't neatly fit into any box. Being openly queer as a public figure is often a matter of Damned If You Do, Damned If You Don't. Every action you take is extrapolated and interpreted as a representation of the entire queer community at large when it shouldn't be, and Hunter having to fight against that feels incredibly realistic.
On a lighter note, I also enjoy how this story puts a different spin on the "fake dating" trope. While Hunter and Kaivan are technically dating for real and by their own choice, it still feels like a front at times since the label is intentionally playing it up for press. So you kind of get the best of both worlds, where you get to see this very soft, genuine romantic connection unfold over the course of the story, but there's also your typical "fake dating shenanigans" with all these public-facing dates put on for the fans.
Another highlight is the way the story makes use of multi-media interludes between chapters, where you get to see the snippets from various press junkets or interviews, transcripts from Kiss & Tell's documentary, as well as excerpts of blog posts and think pieces. I love the way those pieces of media are able to indirectly build out the "world" of the story and reveal more about the characters from an outside perspective, and it's even interesting to see how the events of the story are being spun by the press for online consumption. It was also nice to have media inserts that were not just interviews, because those added to the larger commentary of how being a queer boy bander complicates the cisheteronormative narrative popularized in the mainstream.
There were two tiny things that kept this from being a five-star book, for me personally. The first is that I wish Hunter's bandmates were a little bit more prominent in the story. Besides Hunter, the rest of Kiss & Tell is made up of more ethnically diverse pop stars—who are Vietnamese-, Brazilian-, and Indian-Canadian—and I wish we could have more directly seen the kinds of pressures that *they* face. There's a small discussion of that towards the end, when Hunter's bandmates sort of call him out for assuming that his queerness is a "bigger burden" than the racism they face online, but I think getting to see those experiences or discussions play out would have made that land even better.
My second tiny note is that I found myself wanting a bit more from the romantic relationship between Hunter and Kaivan. Throughout the story, it's made clear that Kaivan has somewhat of a superiority complex when it comes to the success of boy bands versus the success of traditional bands, some of which is definitely warranted when you consider the vast disparity between them. However, that leads him to saying some controversial things in his interviews where he openly questions the talent-level, creativity, and integrity of boy banders. When that eventually comes to light, it ends up feeling somewhat glossed over. I think there were more conversations to be had between Hunter and Kaivan to meaningfully reconcile those differences in order for me to feel fully on board with their relationship by the end. Even so, overall I did enjoy the romantic element.
As always, I remain absolutely floored by Adib Khorram's ability to craft a deeply meaningful and thoughtful story that's also able to balance humor, romance, and fun. As I said up top, even though this seems like a simple story on the surface, it proves to be so much more and offers the reader a foothold to better grasp deeper questions about societal expectations and self-expression. As with all of Adib's books, I enjoyed this so much, and I absolutely cannot wait to see what he writes next. No matter what it is, I will definitely be reading it!
Content Warnings
Moderate: Homophobia, Sexual harassment, and Injury/Injury detail
Minor: Racism, Death of parent, Fatphobia, Vomit, and Sexual content
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