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unfxckwhittable's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Characters: 4.0
Plot: 5.0
Theme: 4.0
Cover: 5.0
This was an emotional roller coaster of a coming of age story in paradise. Bromfield captured my attention in the very first chapter and kept it until the end. She forced me to reflect on how my westernized perspective received all of the characters. How ironic that I read this book during summer when I visited my family in the rural parts of the Philippines, so I could literally see the Jamaican natives reality and it added another layer for me to connect with the book. I hated sooo many characters that were so central to Tilla’s growth. All I can say is Go Tilla! She frustrated me throughout most of the book but when she finally burst into a vocal young woman I was so proud. I loved this book, although faced with so much and trauma, it was a beautiful story of self discovery.
Content Warnings
Graphic: Abandonment, Death of parent, Religious bigotry, and Sexual violence
hannahslit's review
challenging
emotional
hopeful
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
4.0
Hurricane Summer by Asha Bromfield is a brilliant, blistering debut.
Seventeen year old Canadian teen Tilla and her nine year old sister Mia have been sent to stay with their father in the countryside of Jamaica for the summer. Tilla expects she may have to confront how she feels about the father that is largely absent from herself, her mother and her sister’s lives, but she isn’t prepared for what awaits her in country: people that view her as a privileged foreigner and a multitude of secrets that her presence threatens to expose.
First love, friendship and exploring the land (Bromfield gives readers gorgeous descriptions of Manchester, Jamaica) are amongst the more tender parts of this novel, however it is a story that reckons with a lot of trauma.
Described as a coming of age story that examines the transition from girlhood to a young woman and the complicated relationship between a young woman and her absent father, Hurricane Summer also tackles colourism, sexism, misogyny, infidelity, domestic abuse, incest, abortion, sexual assault, immigration, abandonment, grief, poverty, class, privilege and more.
Not all of the issues are adequately covered, however I admire the authors attempt to raise awareness to these serious issues to a young adult audience.
The patois is accurate and Bromfield captures the easy humour of Jamaicans very well. Tilla’s story is quite an extreme depiction of reactions to people ‘from foreign’, though I do feel Bromfield shows what it feels like to be the butt of a joke everyone appears to be in on.
Andres death was unfortunate as he was the only consistently kind character and didn’t get to experience a different kind of life away from the hostility he was exposed to. There could have been a different way to show readers Tilla’s growth without killing him.
An unexpected standout for me was a moment between Tilla and her father where she confronts him about him abandoning their family in Canada. It was a sad yet necessary conversation that was more melancholy for its lack of resolution.
I wanted Tilla to stand up for herself earlier than she did, but I can appreciate that she’s a teenager in a new surrounding without much allies. Toward the end, the book becomes more dramatic and poetic in terms of language which is quite a departure from the tone of the rest of the book, which I don’t think totally works.
Much like a hurricane, this story is powerful and sweeps readers along for an emotional ride.
Hurricane Summer is a coming of age story that I will be thinking about for a long time. I am glad to have read it.
Seventeen year old Canadian teen Tilla and her nine year old sister Mia have been sent to stay with their father in the countryside of Jamaica for the summer. Tilla expects she may have to confront how she feels about the father that is largely absent from herself, her mother and her sister’s lives, but she isn’t prepared for what awaits her in country: people that view her as a privileged foreigner and a multitude of secrets that her presence threatens to expose.
First love, friendship and exploring the land (Bromfield gives readers gorgeous descriptions of Manchester, Jamaica) are amongst the more tender parts of this novel, however it is a story that reckons with a lot of trauma.
Described as a coming of age story that examines the transition from girlhood to a young woman and the complicated relationship between a young woman and her absent father, Hurricane Summer also tackles colourism, sexism, misogyny, infidelity, domestic abuse, incest, abortion, sexual assault, immigration, abandonment, grief, poverty, class, privilege and more.
Not all of the issues are adequately covered, however I admire the authors attempt to raise awareness to these serious issues to a young adult audience.
The patois is accurate and Bromfield captures the easy humour of Jamaicans very well. Tilla’s story is quite an extreme depiction of reactions to people ‘from foreign’, though I do feel Bromfield shows what it feels like to be the butt of a joke everyone appears to be in on.
An unexpected standout for me was a moment between Tilla and her father where she confronts him about him abandoning their family in Canada. It was a sad yet necessary conversation that was more melancholy for its lack of resolution.
I wanted Tilla to stand up for herself earlier than she did, but I can appreciate that she’s a teenager in a new surrounding without much allies. Toward the end, the book becomes more dramatic and poetic in terms of language which is quite a departure from the tone of the rest of the book, which I don’t think totally works.
Much like a hurricane, this story is powerful and sweeps readers along for an emotional ride.
Hurricane Summer is a coming of age story that I will be thinking about for a long time. I am glad to have read it.
Content Warnings
Graphic: Abandonment, Religious bigotry, Violence, Domestic abuse, Rape, Emotional abuse, Gaslighting, Grief, Child abuse, Misogyny, Sexism, and Sexual assault
Minor: Death of parent, Cancer, Abortion, and Terminal illness
courtneyfalling's review
dark
emotional
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.0
This was definitely a powerful premise and sometimes stunning story and character portrayal, but I honestly felt uncomfortable and on edge through most of my time reading because of how little Tilla challenged what was happening to her... like wow I had a lot of secondhand hate for characters around her, but without relating to Tilla as much, it felt consuming! (I do think this might be impacted by how much this book activated my own teenage experiences, fears, and traumas, so like, definitely check the CWs on this!)
A few main frustrations:
A few main frustrations:
- Tilla does not read as 18, she reads as like 15 :/. I couldn't get over how much younger her perspective felt than what we were supposed to believe throughout basically every chapter. And to a lesser extent, Mia doesn't read as 9, she reads as 11-12 with some of the comments she makes. She's not really believable, just a device for Tilla.
This book shows a pretty graphic sexual assault on page then refuses to openly name it as sexual assault in Tilla's thought process, let alone out loud to other characters, and given the victim-blaming and internalized slut-shaming that follows, I really think this book needed to address it as sexual assault. It feels incomplete and potentially really damaging, especially given this is YA with what is supposed to be a clear-cut moral and main character we relate to/like. I hated Andre's death being used as Tilla's final moment of self-understanding. It's shitty to use the darkest-skinned character's death as merely a plot device and moment of redemption for other characters after spending the whole rest of the book challenging the colorism that exact character faces. I didn't feel like Tilla should "forgive" her father. I just didn't. She hadn't processed enough yet, her father hadn't taken any accountability, so much will still happen when Tilla returns to Canada and talks to her mother, and honestly, her father doesn't deserve any forgiveness. Tilla can absolutely live her life and live it well without ever forgiving her father and I don't like how this book simplifies surviving an estranged parent-kid relationship into all this burden, still, onto Tilla. Like her father can rot for all I care and she can never speak to him again? And I didn’t understand her not forgiving Hessan in comparison OR telling him he should be with Diana because he can still go on to date neither girl and discover other relationships he's fully invested in instead? Maybe the bigger issue is that I didn’t like how uncritically pro-Christian this book ended up. It was way too trite and undeserved for the characters. And trauma isn't something that just "makes you stronger" and that constant messaging is wildly irresponsible.
Content Warnings
Graphic: Abandonment, Bullying, Child death, Domestic abuse, Infidelity, Misogyny, Religious bigotry, Sexual assault, Sexual violence, and Toxic friendship
Moderate: Blood, Cursing, Grief, Injury/Injury detail, and Sexual content
Minor: Ableism, Abortion, Alcohol, and Cancer
Colorism (graphic)
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