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dark
emotional
mysterious
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
Content Warnings
Moderate: Death, Blood, Murder
Minor: Misogyny, Suicide, Grief
adventurous
dark
emotional
inspiring
mysterious
sad
fast-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
I loved 95% of this book, and will be coming back to it in the future.
One of the things I especially liked was that the lesbian relationship was incredibly obvious, but none of the characters seemed to have much a problem with it, despite the cultural attitudes of the time this book was published.
I only wish it were longer and gave more detail on the time they spent together, though I do understand this is intended to be read as a letter to the reader.
The only bit I don't like is the implications around the "vision" that starts the book.Laura, the narrator, is 6 at the time this vision happens, which involves the (by that point) 150+ year old Carmilla being very intimate with her. Carmilla does later say that for her side of the vision, she saw Laura as an 18 year old not a 6 year old, but it still weirded me out to think about it.
One of the things I especially liked was that the lesbian relationship was incredibly obvious, but none of the characters seemed to have much a problem with it, despite the cultural attitudes of the time this book was published.
I only wish it were longer and gave more detail on the time they spent together, though I do understand this is intended to be read as a letter to the reader.
The only bit I don't like is the implications around the "vision" that starts the book.
Content Warnings
Graphic: Adult/minor relationship, Child death, Death, Gore, Misogyny, Panic attacks/disorders, Sexual assault, Suicide, Blood, Grief, Cannibalism, Death of parent, Murder, Abandonment, Classism, Pandemic/Epidemic
dark
mysterious
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
No
Content Warnings
Graphic: Death, Blood
Moderate: Violence
Minor: Misogyny, Suicide
challenging
dark
mysterious
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Body horror, Death, Blood, Murder
Moderate: Gore, Homophobia, Misogyny, Racism, Antisemitism, Lesbophobia
Minor: Slavery, Suicide
Content Warnings
Graphic: Misogyny, Racism, Xenophobia
dark
mysterious
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
A classic tale, older than time.
We all know Dracula, his real life niece Bathory ,and their reigns of terror. But what if there was someone else waiting in the dark? Camilla is charming, beautiful and witty but something dark is lingering behind her sparkling eyes. Meet Laura, a lonely young woman who wants nothing more than companionship and follow her tale of terror!
We all know Dracula, his real life niece Bathory ,and their reigns of terror. But what if there was someone else waiting in the dark? Camilla is charming, beautiful and witty but something dark is lingering behind her sparkling eyes. Meet Laura, a lonely young woman who wants nothing more than companionship and follow her tale of terror!
Content Warnings
Graphic: Body horror, Child death, Death, Blood, Gaslighting
Minor: Bullying, Chronic illness, Confinement, Eating disorder, Emotional abuse, Homophobia, Mental illness, Misogyny, Toxic relationship, Lesbophobia, Classism
dark
mysterious
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
“Certainly LeFanu needed a monster; he could not imagine lesbian desire otherwise,” says Carmen Maria Machado in a perfectly normal interview.
Having read The Gilda Stories and Fledgling, I was immediately excited to find a queer vampire story pre-dating Dracula. This gothic novel reads much more like a condemnation of deviant desires than an exploration of sexuality and the supernatural as in the case of its more modern counterparts. Yet, I think Carmilla is nonetheless an important piece of vampire and lesbian literary history.
It was slow and tortuous, ridiculously campy, and almost erotic. Though it was not as scary or suspenseful as I had hoped, I had fun!
And did you know Marcia Maren, like Mircalla, is an anagram? Once I realized — after some research, of course — I found an even greater appreciation for Carmen Maria Machado’s introduction and how she twisted LeFanu’s self-serving fiction into her own.
Now I can’t wait to dive deeper into author interviews and fan re-tellings (such as the web series). I love a queer reclamation of a cult classic!
Having read The Gilda Stories and Fledgling, I was immediately excited to find a queer vampire story pre-dating Dracula. This gothic novel reads much more like a condemnation of deviant desires than an exploration of sexuality and the supernatural as in the case of its more modern counterparts. Yet, I think Carmilla is nonetheless an important piece of vampire and lesbian literary history.
It was slow and tortuous, ridiculously campy, and almost erotic. Though it was not as scary or suspenseful as I had hoped, I had fun!
Now I can’t wait to dive deeper into author interviews and fan re-tellings (such as the web series). I love a queer reclamation of a cult classic!
Content Warnings
Graphic: Death, Blood, Grief
Minor: Misogyny, Racism
dark
mysterious
medium-paced
Plot or Character Driven:
A mix
Edit: upon re read, I’ve lowered my rating to a 3 (was a 4). I think I was mostly excited about the vibes the first time I read it. Still liked it though.
I guess I’m eating my words about not liking the writing style of classics, huh?
I loved the writing style of this book. It was atmospheric and gothic, I loved the setting of the castle and the grassy hills and the ruins of the old town. I pictured fog over everything anytime they were outside. Now I wanna have a picnic at old castle ruins in the fog with a pretty vampire. (Sadly that doesn’t happen in this book but it could’ve). This might be my favorite classic I’ve read so far… it’s at least tied with Dracula, but I think it tops it. It actually got pretty creepy at times.
Was also a little surprised how explicitly sapphic it was, given when it was written. I was expecting it to just be homoerotic in the way that classics sometimes are, or overtly homophobic. I think it’s safe to assume that the combination of sapphic elements and vampirism was very intentional.. automatically villainizing lesbianism by portraying it as a ‘virus’ that you can ‘catch’, something that’s evil and scary… But reading it it isn’t actually explicitly homophobic. It’s all subtext. It could easily be read through a more modern lens, removing that subtext.
I guess I’m eating my words about not liking the writing style of classics, huh?
I loved the writing style of this book. It was atmospheric and gothic, I loved the setting of the castle and the grassy hills and the ruins of the old town. I pictured fog over everything anytime they were outside. Now I wanna have a picnic at old castle ruins in the fog with a pretty vampire. (Sadly that doesn’t happen in this book but it could’ve). This might be my favorite classic I’ve read so far… it’s at least tied with Dracula, but I think it tops it. It actually got pretty creepy at times.
Was also a little surprised how explicitly sapphic it was, given when it was written. I was expecting it to just be homoerotic in the way that classics sometimes are, or overtly homophobic. I think it’s safe to assume that the combination of sapphic elements and vampirism was very intentional.. automatically villainizing lesbianism by portraying it as a ‘virus’ that you can ‘catch’, something that’s evil and scary… But reading it it isn’t actually explicitly homophobic. It’s all subtext. It could easily be read through a more modern lens, removing that subtext.
My only complaints:
•The racism. It’s only in one or two scenes, but it’s pretty bad in one scene especially.
•How naive Laura was, especially at the very end. She was supposed to be 19, right? How did she not connect the dots after the general’s story??? 😆
•It ended a bit abruptly
•And lastly, I just wish we got more pretty atmospheric descriptions of the ruins. I was waiting the whole book for them to go there and when they did we didn’t get much :/ I would’ve liked more atmospheric descriptions in general, but at least we got some.
Overall, I’m really happy I liked this! I was starting to worry that classics just weren’t for me. Hopefully there are still more out there that I’ll love.
“Thus fortified I might take my rest in peace. But dreams come through stone walls, light up dark rooms, or darken light ones, and their persons make their exits and their entrances as they please, and laugh at locksmiths.”
“Thus fortified I might take my rest in peace. But dreams come through stone walls, light up dark rooms, or darken light ones, and their persons make their exits and their entrances as they please, and laugh at locksmiths.”
Content Warnings
Graphic: Death, Violence, Blood
Moderate: Child death, Emotional abuse, Misogyny, Physical abuse, Racism, Terminal illness, Toxic relationship, Lesbophobia, Gaslighting, Toxic friendship
Minor: Ableism, Sexual content, Suicide, Death of parent
Religious themes, beheading, cremation, sleep paralysis (not really but the descriptions are similar)
dark
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
Content Warnings
Moderate: Ableism, Child death, Death, Toxic relationship, Blood, Murder, Gaslighting, Injury/Injury detail
Minor: Incest, Misogyny, Racism, Sexual assault, Sexual content, Medical content, Lesbophobia, Classism
challenging
dark
mysterious
slow-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Dreamy and extremely gothic. Some of the luster and horror has been lost with modern knowledge and tropes, but fascinatingly compassionate to even its monsters.
Content Warnings
Graphic: Homophobia, Racism, Murder, Lesbophobia, Toxic friendship
Moderate: Chronic illness, Misogyny, Pedophilia, Violence, Blood, Abandonment
Minor: Death, Grief, Alcohol