Scan barcode
slascano's review
dark
emotional
inspiring
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book really surprised me. I thought it would be filled with sex because of the plot description. I was ready to stop reading it because I wasn’t looking for that but it was a very small part of it. Insight into a 20 something black woman who is searching for her identity and self worth. Really good book that leaves you valuing all the characters and their role in influencing the plot.
Content Warnings
Moderate: Abortion, Infidelity, Addiction, Emotional abuse, Miscarriage, Drug abuse, Physical abuse, Medical content, and Misogyny
The triggers are not explicit or graphic just presentnovella42's review
challenging
dark
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I noticed this book at my library because of its gorgeous cover, and I took it home because I am polyamorous and the blurb mentioned "an open marriage—with rules."
I just need to say... Please don't take this book's depiction of non-monogamy as representative of how to do an ethically open marriage. Holy hell. I feel at a loss to list all the ways Edie and Eric and Rebecca torture each other needlessly. It's a fascinating train wreck to watch, and I found myself looking at my own polycule with renewed gratitude and affection. Leilani doesn't let any of the characters off the hook, and if a lot of their behaviors seem inexplicable to you, well, you won't be alone.
As to the book itself, I appreciated the lyrical, almost psychadelic writing. (If you don't like pose poetry or stream-of-consciousness writing, maybe pass on this one.) Leilani revels in dark Millennial existential dread that kept shocking laughter out of me. She's fantastic at descriptive phrases that catch you off-guard with their originality. I marveled at some of them, their poetic pacing and expansive assumptions, so much I started collecting a list:
"I am suspended in a lurid hypnagogic loop."
"It is impossible to see another black woman on her way up, impossible to see that meticulous, polyglottal origami and not, as a black woman yourself, fall a little bit in love."
"A sudden and swiftly contained conniption."
"Hooked into peripheral intuition."
"The city's breakneck, multilingual carousel."
"Some inconceivable boss-level of concentrated loneliness."
"The bike lanes in Manhattan already terrifying at 11:00 a.m., filled with delivery boys and girls who jet into traffic with fried rice and no reason to live, along with the sentient abdominals who do this for fun."
"The lawn buzzed and alkaline, the vinegar in the wine and carnage in the dew, everywhere the perfume of things that want to live."
I can't imagine what it's like to narrate this as an audiobook, because the rhythm of the words is beautiful and also relentless. Leilani is skilled at pulling you deep into the bewildering internal labyrinth of mental illness and immersive, uncomfortable experiences.
If you carry any traumas, I recommend browsing the full list of content tags. I almost couldn't make it through the scenes with gore and body horror, though Edie's dissociative skills and the eye of an artist made it slightly more bearable. I'm glad I got it in hardcopy instead of audio, so I could skim over difficult dark passages. There were lots of those. I'm not sure why I kept reading, except that I was fascinated. It was hard to look away.
One last thing, a recommendation for anyone who likes disco. I genuinely think one reason I enjoyed this book as much as I did was that in the first 15 pages, Edie references her connection to Idris Muhammad's 1977 song "Could Heaven Ever Be Like This." On a whim, I made a Spotify station out of it and I have to say, it complimented the book and let me surrender to the undertow.
Beautiful writing about broken people living a surreal, twisted story.
I just need to say... Please don't take this book's depiction of non-monogamy as representative of how to do an ethically open marriage. Holy hell. I feel at a loss to list all the ways Edie and Eric and Rebecca torture each other needlessly. It's a fascinating train wreck to watch, and I found myself looking at my own polycule with renewed gratitude and affection. Leilani doesn't let any of the characters off the hook, and if a lot of their behaviors seem inexplicable to you, well, you won't be alone.
As to the book itself, I appreciated the lyrical, almost psychadelic writing. (If you don't like pose poetry or stream-of-consciousness writing, maybe pass on this one.) Leilani revels in dark Millennial existential dread that kept shocking laughter out of me. She's fantastic at descriptive phrases that catch you off-guard with their originality. I marveled at some of them, their poetic pacing and expansive assumptions, so much I started collecting a list:
"I am suspended in a lurid hypnagogic loop."
"It is impossible to see another black woman on her way up, impossible to see that meticulous, polyglottal origami and not, as a black woman yourself, fall a little bit in love."
"A sudden and swiftly contained conniption."
"Hooked into peripheral intuition."
"The city's breakneck, multilingual carousel."
"Some inconceivable boss-level of concentrated loneliness."
"The bike lanes in Manhattan already terrifying at 11:00 a.m., filled with delivery boys and girls who jet into traffic with fried rice and no reason to live, along with the sentient abdominals who do this for fun."
"The lawn buzzed and alkaline, the vinegar in the wine and carnage in the dew, everywhere the perfume of things that want to live."
I can't imagine what it's like to narrate this as an audiobook, because the rhythm of the words is beautiful and also relentless. Leilani is skilled at pulling you deep into the bewildering internal labyrinth of mental illness and immersive, uncomfortable experiences.
If you carry any traumas, I recommend browsing the full list of content tags. I almost couldn't make it through the scenes with gore and body horror, though Edie's dissociative skills and the eye of an artist made it slightly more bearable. I'm glad I got it in hardcopy instead of audio, so I could skim over difficult dark passages. There were lots of those. I'm not sure why I kept reading, except that I was fascinated. It was hard to look away.
One last thing, a recommendation for anyone who likes disco. I genuinely think one reason I enjoyed this book as much as I did was that in the first 15 pages, Edie references her connection to Idris Muhammad's 1977 song "Could Heaven Ever Be Like This." On a whim, I made a Spotify station out of it and I have to say, it complimented the book and let me surrender to the undertow.
Beautiful writing about broken people living a surreal, twisted story.
Content Warnings
Graphic: Medical trauma, Physical abuse, Sexual content, Dysphoria, Gore, Mental illness, Panic attacks/disorders, Abortion, Addiction, Animal death, Alcohol, Alcoholism, Death, Infidelity, Injury/Injury detail, Racism, Cursing, Death of parent, Drug use, Chronic illness, Eating disorder, Emotional abuse, Blood, Body horror, Body shaming, Medical content, Miscarriage, Police brutality, Violence, Racial slurs, Schizophrenia/Psychosis , Suicidal thoughts, and Toxic relationship
Moderate: Car accident, Gun violence, and Vomit
Minor: Rape, Cancer, Abandonment, Excrement, and Stalking
bookedbykiki's review against another edition
adventurous
dark
emotional
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Personal, introspective, and uncomfortable is how I would describe this novel. Edie is so hyper aware of her flaws it can be frustrating.
Edie’s relationships with the men in her life are toxic, demeaning, and lack emotional intimacy or depth. Being so insecure, it was interesting to see what different men brought out in her, or maybe it’s more that they cultivated it in her.
Edie, Eric, and Rebecca are seemingly trying to hurt and using each other for personal gain. The ending was unexpected and leaved me wanting more, but I don’t think in a bad way. The plot seems to take more of a back seat to the characters flaws and interpersonal relationships.
I really want to take time to highlight the writing style, it’s fluid like an continuous stream of consciousness. There’s a sense of existential dread but frustration with the character often making choices that were guaranteed to have painful and messy consequences.
Content Warnings
Graphic: Abortion
Moderate: Addiction and Violence
dee_hzz's review
challenging
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Alcoholism, Medical content, Abortion, Alcohol, Police brutality, Racism, Sexual content, Addiction, Miscarriage, and Violence
caughtbetweenpages's review
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
What an absolute masterclass of a novel. I am gobsmacked that this is a DEBUT. Before even getting into the content of Luster, I cannot overstate Leilani's mastery of language and the writing craft. She's sparing with her word count but it never feels as though she's leaving out any important descriptions or moments; every sentence counts, and most of them hold a poeticism (albeit, often a bleak one, though one that the Russian Greats would be proud to call their own) that makes them stick with you even after you shut the book.
Edie's struggle to discover herself and "come of age" without yet understanding what her identity is or what she wants it to be feels inevitable given the culmination of factors surrounding her life. Her attempts to find herself in men, in her art, in jobs she's told she's too Black or too promiscuous or not XYZ enough to be part of, are heartbreaking. She is so, desperately lonely. And then, her internal musings about the absurdity of applying to a million dead end jobs to make rent, or about how older men are not necessarily deep so much as they've just lived more life, pull a painful laugh out of you even if you don't want to be amused. If a reader in your life says they they like stories about messy, damaged female leads, put Luster in their hands.
My favorite relationships of this book are between Edie and Rebecca and Edie and Akila. There's a complex dynamic with Rebecca where, while Edie might seem to have some power over Rebecca being the woman that R's husband is having an affair with, Rebecca is by far the one holding Edie's life in her hands. The scene whereRebecca takes Edie to the punk show and they both get beaten up some in the pit Rebecca is clearly in control, having chosen to go there herself and being prepared for the violence of the moment, whereas Edie is very much drifting and only there because... well, how can she say no to Rebecca, given that Rebecca could make her homeless in an instant? As she does later in the book, when she finds out Edie is pregnant! It's a petty assertion of control, as many of Rebecca's actions are. And yet, Edie is drawn to that in some way, seeking the approval of this older woman whose life is comparatively easy and put together and resilient even to the point of being able to invite her husband's affair partner into her home. And yet! It's clear that Rebecca sees herself as the one who is put upon, the one who is the victim, despite having such control. It's a fascinating dynamic.
And then there's Akila and Edie. In many ways, Akila is who Edie must have been like as a kid--incredibly nerdy, passionate, artistic--and in other ways, she's who Edie is now--lost, a stranger in her own home. Lonely. Black in a context that is deeply unfriendly to Blackness. It was so touching to see Edie nurture Akila, not only protecting her from the racism of the police and her tutor and helping her take care of her natural hair in a way that Akila's (White, Adoptive) parents don't know how to, but in encouraging her art and storytelling and engaging with her on her interests. I think they very much needed each other, and it made it all the worse when Edie got kicked out of the house and had to leave Akila and Akila knew about it, and was so matter-of-fact.
This was a difficult book to read, emotionally speaking. But so well worth it.
Edie's struggle to discover herself and "come of age" without yet understanding what her identity is or what she wants it to be feels inevitable given the culmination of factors surrounding her life. Her attempts to find herself in men, in her art, in jobs she's told she's too Black or too promiscuous or not XYZ enough to be part of, are heartbreaking. She is so, desperately lonely. And then, her internal musings about the absurdity of applying to a million dead end jobs to make rent, or about how older men are not necessarily deep so much as they've just lived more life, pull a painful laugh out of you even if you don't want to be amused. If a reader in your life says they they like stories about messy, damaged female leads, put Luster in their hands.
My favorite relationships of this book are between Edie and Rebecca and Edie and Akila. There's a complex dynamic with Rebecca where, while Edie might seem to have some power over Rebecca being the woman that R's husband is having an affair with, Rebecca is by far the one holding Edie's life in her hands. The scene where
And then there's Akila and Edie. In many ways, Akila is who Edie must have been like as a kid--incredibly nerdy, passionate, artistic--and in other ways, she's who Edie is now--lost, a stranger in her own home. Lonely. Black in a context that is deeply unfriendly to Blackness. It was so touching to see Edie nurture Akila, not only protecting her from the racism of the police and her tutor and helping her take care of her natural hair in a way that Akila's (White, Adoptive) parents don't know how to, but in encouraging her art and storytelling and engaging with her on her interests. I think they very much needed each other, and it made it all the worse when
This was a difficult book to read, emotionally speaking. But so well worth it.
Content Warnings
Graphic: Sexual content, Toxic relationship, Police brutality, Racism, and Infidelity
Moderate: Sexual violence
Minor: Addiction and Drug abuse
sarafinley's review against another edition
dark
emotional
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Domestic abuse, Suicidal thoughts, Miscarriage, Police brutality, and Racism
Moderate: Drug use, Addiction, Abortion, Racial slurs, Alcoholism, and Death of parent
tenderbench's review
adventurous
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Medical content
Moderate: Abortion, Blood, Miscarriage, and Police brutality
Minor: Addiction, Eating disorder, Grief, Drug use, Domestic abuse, and Infertility
devemaya's review
challenging
dark
emotional
funny
lighthearted
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Miscarriage, Addiction, and Police brutality
vrcreads's review
dark
emotional
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Medical content, Racism, Grief, Physical abuse, Pregnancy, Suicide, Blood, Sexual content, Miscarriage, Police brutality, and Suicidal thoughts
Moderate: Death of parent, Addiction, Toxic relationship, Mental illness, Alcoholism, Drug use, Abandonment, and Alcohol
Minor: Animal death, Car accident, Adult/minor relationship, Racial slurs, Gun violence, Injury/Injury detail, and Vomit
writtenontheflyleaves's review against another edition
dark
emotional
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Luster by Raven Leilani 🏠
🌟🌟🌟🌟
🏠 The plot: Edie is just scraping by. She's coasting in a dead-end job at an all-white office, having unfulfilling encounters with men, and she's barely doing the thing she really loves, painting. Starting an affair with an older man soon takes an unexpected turn as she moves in with his family: his (kind of intense) wife and adopted black daughter.
I went into this read knowing that it has a divisive main character, and I can kind of see why. Edie's narration is depressive and one-note for much of the novel, especially in the first half, and she is wilfully self-destructive in her relationships. Reading it directly after another book with a mentally struggling main character, I did find it very heavy reading at times.
However, as the novel unfolded I thought the style of narration was very clever, and I found that the connection I formed to Edie was more interesting because of her more complex motives. Particularly as she developed a friendship with her lover's adoptive daughter - and tried to teach her things that her white parents had neglected to - I thought the way she opened up to the reader was really powerful.
To be honest, I suspect a lot of the discomfort around this book - mainly, it has to be said, from white reviewers - comes from the fact that Edie is scathing of white spaces and the behaviour demanded from her to assimilate into them. The book also draws a clear connection between this generalised hostility and police violence. It's a really powerful novel, especially for a debut(!!) so don't let the "unlikeable narrator" label from many reviews put you off!
🏠 Read it if you liked My Year of Rest and Relaxation or if you like unflinching portrayals of difficult relationships, grief, racism, and depression.
🚫 Avoid it if you're avoiding scenes of police violence, sexual violence, and workplace discrimination.
🌟🌟🌟🌟
🏠 The plot: Edie is just scraping by. She's coasting in a dead-end job at an all-white office, having unfulfilling encounters with men, and she's barely doing the thing she really loves, painting. Starting an affair with an older man soon takes an unexpected turn as she moves in with his family: his (kind of intense) wife and adopted black daughter.
I went into this read knowing that it has a divisive main character, and I can kind of see why. Edie's narration is depressive and one-note for much of the novel, especially in the first half, and she is wilfully self-destructive in her relationships. Reading it directly after another book with a mentally struggling main character, I did find it very heavy reading at times.
However, as the novel unfolded I thought the style of narration was very clever, and I found that the connection I formed to Edie was more interesting because of her more complex motives. Particularly as she developed a friendship with her lover's adoptive daughter - and tried to teach her things that her white parents had neglected to - I thought the way she opened up to the reader was really powerful.
To be honest, I suspect a lot of the discomfort around this book - mainly, it has to be said, from white reviewers - comes from the fact that Edie is scathing of white spaces and the behaviour demanded from her to assimilate into them. The book also draws a clear connection between this generalised hostility and police violence. It's a really powerful novel, especially for a debut(!!) so don't let the "unlikeable narrator" label from many reviews put you off!
🏠 Read it if you liked My Year of Rest and Relaxation or if you like unflinching portrayals of difficult relationships, grief, racism, and depression.
🚫 Avoid it if you're avoiding scenes of police violence, sexual violence, and workplace discrimination.
Content Warnings
Graphic: Miscarriage, Police brutality, Racism, and Sexual content
Moderate: Racial slurs, Death of parent, and Mental illness
Minor: Drug abuse, Drug use, Alcoholism, and Addiction