Reviews tagging 'Grief'

Pedro Páramo by Juan Rulfo

7 reviews

tof's review against another edition

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dark emotional sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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eliss02's review against another edition

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challenging dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.0

I've read this book for an university exam so it was a "forced" read. It was definitely an EXPERIENCE 

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vita_ayala's review against another edition

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challenging dark emotional mysterious reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

Moody and contemplative, as a good ghost story should be.

The format is almost dream-like, which is onteresting to read and adds to the tension I think.

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malustedile's review against another edition

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dark mysterious medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

5.0


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morning_sky's review against another edition

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challenging dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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ohlhauc's review against another edition

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challenging dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes
The premise starts with Juan Preciado going to the town of Comala as a promise to his recently deceased mother in an attempt to find his father but what he finds is a ghost town. Not just a town that is abandoned but a town that is literally filled with the ghosts and spirits of the people who lived there. What follows is Juan hearing these different ghost voices talking about what happened in the town, and who his father was.

This was an absolutely disorienting read and yet so memorable, visceral, and inescapable. I couldn't put it down. It is a book that needs to be read by anyone with an interest in ghost stories, magic realism, spirit worlds, town collapse, boss stories, classics, post-revolutionary stories, or Mexican literature.

What you need to know, though, is to just go with the flow. Read it without trying to figure out who all the characters are or trying to piece together the timeline of what's happening. While there are strings in the plot to tie moments together, the story jumps between different timelines and different voices, and it's not always clear who's speaking. The author left gaps and asks the reader to actively engage with the text and fill in the rest of the story as they see fit. Usually I'm not a huge fan of that style but here it works. The author gives you just enough to feel bonded with the characters and to want to find out why Comala is a ghost town, but the exercise in your own imagination makes each read and re-read a new and exciting experience. This is definitely a book to re-read, each time learning things you missed or finding new ways to understand what happened.

You will be confused at points but embrace it. You will be frustrated at some of the characters but embrace it. You will feel creeped out and torn and stomped on but embrace it. 

This is a classic and deservedly so. I recommend it without reservation.

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aegagrus's review against another edition

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3.25

[re-read for class, not a full review] 

Rulfo's sparse prose and magical realism are gripping and compelling, but a substantial part of their appeal is in their ambiguity. Once the story develops to a point at which the reader understands the rules of the world in which we're operating, the novel loses steam, in part because it is no longer as ambiguous. At heart this is a collection of stories and memories lived by different people at different times, and some are more compelling than others.  Fr. Rentería is particularly compelling and interesting, in part because his story implicates the broader themes drawing the novel together in a quite nuanced way. Other stories and characters feel somewhat more peripheral. 

 

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