Reviews tagging 'Cancer'

Maeve Fly by C.J. Leede

4 reviews

wyrd_word_witch's review against another edition

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medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

To describe 'Maeve Fly' as 'American Psycho' from the female perspective would feel asinine and even, lazy. 
CJ Leede excels in presenting her own unique vision of a female Sociopath who you may feel guilty for loving in Maeve. 
Maeve Fly echoes the unspoken voices of us Weird Girls who may have been told that our tastes are too extreme, too exotic, too dark, and she has a bloody good time while doing so. 
If Patrick Bateman's form took on the shape of a Disney Princess who loves Halloween then this may illustrate the allure of Leede's central Protagonist. 
I fell in love with Maeve despite her flaws and I found myself simultaneously laughing and weeping in the breadth of a single paragraph. 
CJ Leede is a fierce new voice in Horror Lit and her ability to blend humour with depraved horror screams "I'm the next big thing!" 
Cruel yet beautifully heartbreaking. 

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arcillaf's review against another edition

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dark funny lighthearted fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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fangirljeanne's review

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

I don’t know what it says about me that I was sad that this didn’t have a happy ending, but it is what it is.

This is a great horror novel, beautifully grotesque and emotionally raw to an uncomfortable degree. It’s very much more lit fic than in tone and execution than horror or splatter punk, though it absolutely holds its own in both genres. The experience of being a woman, especially one who doesn’t fit the unattainable hypocrisy of socially acceptable feminine ideals, is a horrific mind-bending experience.

Maeve is not unique in her weird or messiness, take out the overt violence and this would be like many other women’s lit narrative about the trauma of living under patriarchy. But here, in the framing of a horror novel this narrative feels more authentic, more autonomous compared to the passive victimhood of a lot of white women’s navel gazing fiction, at least until the end. Maeve felt like she was going to give the cliche narrative of the weird girl, the creepy girl, the femme fatale a newer better ending. One where she embraces that aspects of herself that fear of society tells her to suppress and hate. While she escapes the typical fate of “fallen women” of literature, she is still punished for refusing to conform to society. That’s the only aspect of the story I disliked. It felt like a step back after so many subversive strides forward.

I get it, this is a horror novel. Heartbreak is an important aspect of that genre. But I would also argue that few things are quite as frightening to patriarchy as a villainous woman getting everything she wants including love and acceptance. 

Highly recommended to fans of graphic horror and dark humor. If you love the movie May (2002) this book might be for you too. 

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autumnleafgirl's review against another edition

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dark funny tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25

Release Date: June 6, 2023
Genre: Extreme Horror
Themes: Quarter life crisis, killer women, extreme gore, slasher, the entertainment biz

The titular Maeve Fly is a 27-year-old on the brink of her quarter-life crisis: Her coworker and best friend is on the edge of stardom, her kindred-spirit grandmother is dying, and someone is leaving strange dolls at Maeve's favorite haunts in Hollywood. In the days leading up to Halloween night, we watch as Maeve slowly - and then all at once - loses the tight grip that holds her life together and gives into the extreme violence that sleeps fitfully within her.

Here's the thing, though: Maeve might be depressed, disgusting, and deranged but she's also somehow, some way, kind of likeable. Her morbid investment in every little thing in her quickly collapsing world, from the wellbeing of her grandmother's cat to the theme park princess job she unironically loves, is tenderized by her snide humor and endless supply of Halloween music trivia. She's not detached or unemotional - if anything, her big feelings about everything seem to be the thing she hates about herself the most. And frankly, all of that just makes what she does to express those feelings even more squirm- inducing to read about.

While only around 250 pages, this novel still manages to pack a very greasy, gorey punch with Maeve's explicitly visceral descent into madness. Gross from beginning to end with a significant portion of the book essentially a montage of graphic violence, this book isn't for the faint of heart, the faint of stomach, or the early horror reader. Instead, it's perfect for readers who thought Mona Awad's "Bunny" or Ottessa Moshfegh's "Eileen" didn't go far enough and should have been set in the glam and grime of LA. Think long and hard, then wait two hours after eating before dipping your toe in this pool.

The verdict: As nauseated as I still am an hour after finishing up this book, there's an excellent chance that Maeve Fly will top my horror list at the end of the year. I know exactly the horror fiend friends I'll recommend it to, and for those looking to fill a hypersexual murderess-shaped hole in their shelf, Maeve Fly will honestly soar.

Huge thanks to NetGalley and Tor Nightfire for sending an ARC in exchange for an honest review.

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