Reviews tagging 'Sexual assault'

NOS4A2: Nosferatu by Joe Hill

60 reviews

sberry225's review against another edition

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dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes

3.75

This book was like a fever dream. Joe Hill has an amazing ability to transport you to the past and present with the intricate descriptions and details. I feel while this book got off to a slower start, it really takes the time to build the characters and then the climax hits and you're fully invested. The villains were HORRIFYING as well. Check trigger warnings!

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isabel_roy's review against another edition

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adventurous dark emotional funny medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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brookey8888's review against another edition

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dark funny mysterious tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75

This was good, but a little too long that I felt some parts dragged. I thought the concept was interesting, but I do personally wish that it was as supernatural as it was. This didn’t really creep me out and there was only like two or three kind of gross moments ( mostly relating to Bing). A lot of the characters were actually really funny. I also didn’t really love the ending to be honest. 

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kaytrain71's review against another edition

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 DNF'd at 40%. I cannot do this. This book was so horrendous it was physically affecting me. I could not figure out why I was in a bad mood and its because I've been listening to this fuckin book. Its over 700 pages/20+ hours of audio time and I have had enough. It's not horror, its not sci-fi, its some kind of splatterpunk gore bullshit with characters so unlikable you hope they all croak and they are not worth the fact that 50% of the book is repetitive exposition. .....Also I found out like 5 minutes ago that this author is SK's son. Which explains so many of the references. OOF. 

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louiepotterbook's review against another edition

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I was too stressed and looked up what happened which made me angry 

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scvalentine's review against another edition

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

I listened as an audiobook and highly recommend it as the reader is great at distinguishing characters and making some sound super creepy.

As a young girl, Vic escapes the tension of her family one night on her brand new bicycle, but it doesn’t just take her down the road, it takes her over a bridge that doesn’t exist to places where she finds lost things. At the same time, a chemical plant worker named Bing, is found by a man named Charlie Manx who drives a 1930s Rolls Royce. Manx offers him a job he has been dreaming of for years, one that is the worst nightmare of most people.

Vic and Manx cross paths and it ends in his arrest and her trauma. As she grows up, she’s haunted by what she has seen. But everything gets even worse when Vic has her own son and mysteriously, Manx dies in prison. 

It’s hard to give a good description without giving stuff away, but if you’re looking for a creepy and disturbing book about the crossover between internal and external worlds, I recommend this. I did think the first half had some slow parts, but once I got halfway, it flew by. Lots of trigger warnings for this, so look those up before reading if you need to.

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lbracs's review against another edition

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dark mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

If you asked me what I thought of this book or what rating it would receive for the first 60%, I probs would have given it 2 stars - not because it’s bad, just because I wasn’t into it. But once the plot got real good about 2/3 in I definitely got more invested and more ravenously read the back half. It was a pretty disturbing and graphic book in parts, definitely didn’t pull punches and sometimes it felt gratuitous, but I don’t know. Won’t be a repeat read, but I’m ok that I read it.

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joshkiba13's review against another edition

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dark emotional funny mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

"[E]veryone ha[s] his own world inside, each as real as the communal world shared by all but impossible for others to access . . . It sounded like delusion until you remembered that people made the imaginary real all the time . . . Fantasy was always only a reality waiting to be switched on." -Joe Hill, NOS4A2

Who knew Christmas could be so creepy?? I'm honestly left quite stunned by this book. Its creep factor was dialed up to 11-- by far the creepiest story I've ever read. And at the same time it had such heart to it.

I felt that the story was utterly unique. The opening passages are frightening and foreboding, and I love how we jumped back in time from that point and resumed there later on.

Charlie Manx was a scary bad guy for sure, but his right-hand man, Bing Partridge (aka the Gas Mask Man) was even creepier in my opinion. The first chapters where we're introduced to Bing were among the most off-putting sections of the novel.

I loooved our protagonist Vic McQueen. We follow her from childhood and into adulthood. She is probably the most nuanced and heavily flawed character I've read of. In the Author's Note following the audiobook, Joe Hill explained his dislike for stories where the heroes are double-do-gooders, or something like that, and how he sought to write realistic and flawed "good guys." He absolutely succeeded in my opinion, with Vic and the cast of side characters like Maggie Leigh and Lou Carmody. We are able to cheer them on as they succeed in things, and mourn as they make awful (but real) decisions.

I loved how absolutely off the concept of Christmas became as the book developed--kind of like if The Nightmare Before Christmas was rated R. Beyond the horrifying effects of Charlie Manx's powers, even something as simple as hearing Christmas music beyond the bounds of winter (a common occurrence during the story) became scary. I loved this line: "There was something awful about Christmas music when it was nearly summer. It was like a clown in the rain, with his makeup running."

Hill's dialogue was snappy and clever; his prose and descriptions were unique and often (positively) unconventional. And I absolutely loved his takes on imagination and the mind, as seen in the snippet I opened with, as well as this one:
 "Everyone lives in two worlds . . . There's the real world . . . But everyone also lives in the world inside their own head: An in-scape, a world of thought . . . Creative people . . . spend a lot of their time hanging out in their thought-world. Strong creatives though can use a knife to cut the stitches between the two worlds, can bring them together."

The book can definitely get a little out there in some places, but I honestly think the weird served to its benefit. The only part that made me wince in a truly uncomfortable way was Hill referencing a few real-life tragedies to serve a scene where a character was becoming demented. I love a good corruption arc (such as in "Apt Pupil" by Stephen King), but I found the allusions to real tragedies a tad distasteful. Didn't ruin it for me at all, just something I didn't care for.

Overall one of the best audiobooks I've listened to, I absolutely have to hand it to Kate Mulgrew for knocking it OUT of the park with her narration. Manx's voice was gritty and cold, Bing's was off-putting and creepily child-like, and she did Maggie Leigh's stutter so well. Her children voices were well done too, and successfully creepy when necessary. Above all I have to appreciate how when a character was yelling, she yelled and didn't just whisper-yell like some narrators do. 

Solid book and sooolid audio 👌 

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aposthuma's review against another edition

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dark emotional mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

This book is SO GOOD. It has everything: romance, coming of age, fantasy elements, and a whole lot of pure horror. It starts strong and the pace just doesn't let up, culminating in a wonderfully satisfying ending. 

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nekotin's review against another edition

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