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baileyanabella's review against another edition
challenging
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
4.75
This book was dreadfully slow. There is so much preliminary world building and exposition that has to happen before the real bulk of the story can take place, and I probably would have DNF'd it for how slow the pacing was if it hadn't made the WPfF shortlist.
That said, though, I am glad that I didn't. This is one of the most heartbreaking books I have ever read, but it is so important that narratives like these exist. Sashi being a young girl, just a handful of years younger than myself for a majority of the book, I strongly empathized with her thoughts and actions as she did the best she could in impossibly difficult situations.
War is devastating, for anyone and everyone involved. There is no winner, even when the fighting is over. And this story shows you exactly that.
That said, though, I am glad that I didn't. This is one of the most heartbreaking books I have ever read, but it is so important that narratives like these exist. Sashi being a young girl, just a handful of years younger than myself for a majority of the book, I strongly empathized with her thoughts and actions as she did the best she could in impossibly difficult situations.
War is devastating, for anyone and everyone involved. There is no winner, even when the fighting is over. And this story shows you exactly that.
Content Warnings
Graphic: Police brutality, War, Mass/school shootings, Death, and Genocide
Moderate: Fire/Fire injury, Rape, Sexual violence, Animal death, and Grief
hannahbailey's review against another edition
challenging
dark
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
This was an intense and evocative look into the Sri Lankan civil war from the perspective of one woman, whose life and family were torn apart by it.
The narrative takes a journalistic approach to storytelling, to the point that I felt I was reading a factual eye-witness account of the horrors of the past. Despite the first-person POV, the narrative is pointedly lacking in human emotion and reaction. The recounting of events is direct, so no facts or details are hidden or sugarcoated to protect the reader. This makes for a heavy read as things go from bad to worse, with little reprieve. These aren’t criticisms — in fact, I felt it was a deliberate and powerful choice to convey the story in this way. The narrator experiences unspeakable losses within her own family and witnesses many more atrocities of war. The only way she can tell the truth — which is her aim from the beginning — is to remove much of the heightened emotion she must be feeling.
There is less dialogue than I would expect to find in a novel, but the nature of the plot allows for it. I’m not sure this narrative style is necessarily for me, but it’s refreshing to read something different. I learned a lot about Sri Lanka’s recent history and politics which I found really interesting. The novel spans about 30 years, but follows the narrator and the decisions made by those around her, rather than taking a wider lens to the world at the time. It was particularly poignant then when the author brings in the United Nations towards the end of the novel — after so much ‘avoidable’ conflict and death, the UN’s ambivalence towards civilians’ lives was the final nail in the coffin of what was a horrific and drawn-out war. I was shocked to discover the conflict was still going on in 2009. An informative read if your history education was as white-washed and colonised as mine.
If you enjoyed this, you may enjoy Moth by Melody Razak for similar tone of voice and the depiction of war through one family's experience.
Thank you to NetGalley for the free e-arc in exchange for an honest review
TW: war, death, murder, child death, rape, violence, sexual violence, fire, blood/gore, injury detail, kidnapping, torture, genocide, grief, suicide, animal
The narrative takes a journalistic approach to storytelling, to the point that I felt I was reading a factual eye-witness account of the horrors of the past. Despite the first-person POV, the narrative is pointedly lacking in human emotion and reaction. The recounting of events is direct, so no facts or details are hidden or sugarcoated to protect the reader. This makes for a heavy read as things go from bad to worse, with little reprieve. These aren’t criticisms — in fact, I felt it was a deliberate and powerful choice to convey the story in this way. The narrator experiences unspeakable losses within her own family and witnesses many more atrocities of war. The only way she can tell the truth — which is her aim from the beginning — is to remove much of the heightened emotion she must be feeling.
There is less dialogue than I would expect to find in a novel, but the nature of the plot allows for it. I’m not sure this narrative style is necessarily for me, but it’s refreshing to read something different. I learned a lot about Sri Lanka’s recent history and politics which I found really interesting. The novel spans about 30 years, but follows the narrator and the decisions made by those around her, rather than taking a wider lens to the world at the time. It was particularly poignant then when the author brings in the United Nations towards the end of the novel — after so much ‘avoidable’ conflict and death, the UN’s ambivalence towards civilians’ lives was the final nail in the coffin of what was a horrific and drawn-out war. I was shocked to discover the conflict was still going on in 2009. An informative read if your history education was as white-washed and colonised as mine.
If you enjoyed this, you may enjoy Moth by Melody Razak for similar tone of voice and the depiction of war through one family's experience.
Thank you to NetGalley for the free e-arc in exchange for an honest review
TW: war, death, murder, child death, rape, violence, sexual violence, fire, blood/gore, injury detail, kidnapping, torture, genocide, grief, suicide, animal
Content Warnings
Graphic: Death, Child death, Murder, Torture, Classism, Fire/Fire injury, Grief, Kidnapping, Confinement, Colonisation, Injury/Injury detail, War, Rape, Sexual violence, Violence, Xenophobia, Genocide, Suicide, Animal death, Blood, and Gore
atsundarsingh's review against another edition
adventurous
challenging
dark
emotional
hopeful
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I couldn't put this down. It was incandescent. It was searing. It made my heart physically ache, and made me do a thousand searches for nonfiction follow-ups. I am 100% going to read Ganeshananthan's previous book. the writing for this just completely gripped me, and once I got going in earnest, it just snowballed.
The family of the novel's protagonist Sashi is complex, and the book spends the entire time slowly unwinding the moral complexity of strongly held beliefs, and unravelling the word 'terrorist'. I was struck by the way Ganeshananthan made the entire cast of characters possible to understand, and you could see consistency of character even as motivation and ideologies changed. Truly can't wait to insist that everyone read this in 2023 and beyond.
*Thanks to Random House, NetGalley for the ARC. Book release: 3 Jan 2023*
The family of the novel's protagonist Sashi is complex, and the book spends the entire time slowly unwinding the moral complexity of strongly held beliefs, and unravelling the word 'terrorist'. I was struck by the way Ganeshananthan made the entire cast of characters possible to understand, and you could see consistency of character even as motivation and ideologies changed. Truly can't wait to insist that everyone read this in 2023 and beyond.
*Thanks to Random House, NetGalley for the ARC. Book release: 3 Jan 2023*
Content Warnings
Graphic: Kidnapping, Rape, Fire/Fire injury, Injury/Injury detail, Animal death, Genocide, Violence, Torture, Death, Sexual violence, Blood, Hate crime, War, Medical content, Grief, Medical trauma, Murder, and Police brutality
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