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lilacverses's review against another edition
dark
funny
lighthearted
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.5
I would like to preface this review with (1) my great disappointment that I did not enjoy this book and (2) that my own name is Cordelia, and that will become relevant shortly.
This book should be commended for its bold and wide diversity. Truly imaginative and colorful, this book is perhaps the most inclusive in its characters that I’ve read in a while if ever. However, this book also made me think on at least one occasion how important it is that marginalised perspectives be written by the marginalised, which gave me complicated feelings, since I do think all authors should consider and employ diversity in storytelling as often as possible.
I hated the main character. I did not find them or their voice funny, which this book really was trying to be. I found it similar to bad sitcom humor.
I hated most of the other characters, mostly because the main character whose whole existence is supposed to foil the eleven others, was just as filled with disdain for them as they were for him. Moments of empathy were only found when the veil of archetype/caricature were briefly lifted, but often almost immediately fell back into place. If you’re going to write an ensemble cast, can I suggest making them people? Perhaps not relying on one-note flags to skip the work of characterising? Especially because I could feel reading how much this book wanted to push for its “everyone matters, everyone is human” sentiments, but time and time again characters crueler actions were brushed off as being motivated by nothing but their lack of qualities aside from cruelty. The book seemed in conflict with itself in that regard.
A great way to have dealt with this would’ve been multiple POV, one for each character, sprinkled through our main POV. I’d have loved to see it, the dramatic irony and consequent tension that could have built, on top of really exercising the reader’s own empathy skills throughout! It would have been delicious!
We shant be discussing the worldbuilding. There isn’t much to speak of, anyway.
Generally, I did not enjoy the plot. This I think is not the fault of the book or author. I hate mysteries in books. I hate the way information is revealed, I hate how so often (while specifics remain unknown) I can call exactly where it’s going. However, there was also a big plot twist that made me want to throw my hands up in the air and toss the book entirely. I wish I could say more but out of respect for the pub date and the future readership, I shall say nothing more than “how fucking convenient.”
Really had a hard time with the prose at times. There was a small handful (I think three) really gorgeous lines, like truly beautiful gems of description. These ultimately made me more frustrated because I could taste however briefly the full potential of the author. Could’ve done with a small handful more! Got it, flaunt it, Frances!!! Mostly, thought the mix of “pain in my backside” washed word choice and “fuck this fuck that fuck you” happening really had me confused and frustrated. Also the sexual humor in a literal locked box murder situation was like … “in front of my salad?” But the salad is a mutilated corpse and the fate of an empire.
Finally, I want to briefly discuss the Cordelia. As a character who is not our main character, she is hated, for various reasons, some valid and some less so. As a person called Cordelia, I cannot hide my bias. I wanted to identify with her. And I did, a little. As a Cordelia who, while brunette, generally also identifies as “skinny” and has been called/likened to a “doll” (as our fictional Cordelia has), I just want to say that villainising a character or generally trying to create a sense of audience dislike for a character shouldn’t mean that character is subject to negative comments about their body. I wanted to think this would be something the main character (who is fat) would understand? Especially as he is subject to body comments throughout the book as well? It was just sort of unfortunate to read a book that was so inclusive and about uplifting others and kindness and empathy and then to have the one female character who is explicitly skinny be called “stick” over and over. Yeah, there are worse things to be called, but I’ve only ever been called “stick” and it’s not a compliment! The opposite actually! There are better words and ways to communicate the size and consequent expectations of ability of someone’s body than words like stick. Which the author demonstrated with other slender male characters who got a more favorable opinion from the MC.
All that said, the book is fine. I don’t think I will recommend it with my personal stamp of approval on it, but it’s still better than Fourth Wing, so if you like goofy fun delightfully queer tales with potentially cringey humor, pick this one up! Please read trigger warnings, though!
Thank you to the publisher for providing an advanced reading copy in exchange for an honest review.
This book should be commended for its bold and wide diversity. Truly imaginative and colorful, this book is perhaps the most inclusive in its characters that I’ve read in a while if ever. However, this book also made me think on at least one occasion how important it is that marginalised perspectives be written by the marginalised, which gave me complicated feelings, since I do think all authors should consider and employ diversity in storytelling as often as possible.
I hated the main character. I did not find them or their voice funny, which this book really was trying to be. I found it similar to bad sitcom humor.
I hated most of the other characters, mostly because the main character whose whole existence is supposed to foil the eleven others, was just as filled with disdain for them as they were for him. Moments of empathy were only found when the veil of archetype/caricature were briefly lifted, but often almost immediately fell back into place. If you’re going to write an ensemble cast, can I suggest making them people? Perhaps not relying on one-note flags to skip the work of characterising? Especially because I could feel reading how much this book wanted to push for its “everyone matters, everyone is human” sentiments, but time and time again characters crueler actions were brushed off as being motivated by nothing but their lack of qualities aside from cruelty. The book seemed in conflict with itself in that regard.
A great way to have dealt with this would’ve been multiple POV, one for each character, sprinkled through our main POV. I’d have loved to see it, the dramatic irony and consequent tension that could have built, on top of really exercising the reader’s own empathy skills throughout! It would have been delicious!
We shant be discussing the worldbuilding. There isn’t much to speak of, anyway.
Generally, I did not enjoy the plot. This I think is not the fault of the book or author. I hate mysteries in books. I hate the way information is revealed, I hate how so often (while specifics remain unknown) I can call exactly where it’s going. However, there was also a big plot twist that made me want to throw my hands up in the air and toss the book entirely. I wish I could say more but out of respect for the pub date and the future readership, I shall say nothing more than “how fucking convenient.”
Really had a hard time with the prose at times. There was a small handful (I think three) really gorgeous lines, like truly beautiful gems of description. These ultimately made me more frustrated because I could taste however briefly the full potential of the author. Could’ve done with a small handful more! Got it, flaunt it, Frances!!! Mostly, thought the mix of “pain in my backside” washed word choice and “fuck this fuck that fuck you” happening really had me confused and frustrated. Also the sexual humor in a literal locked box murder situation was like … “in front of my salad?” But the salad is a mutilated corpse and the fate of an empire.
Finally, I want to briefly discuss the Cordelia. As a character who is not our main character, she is hated, for various reasons, some valid and some less so. As a person called Cordelia, I cannot hide my bias. I wanted to identify with her. And I did, a little. As a Cordelia who, while brunette, generally also identifies as “skinny” and has been called/likened to a “doll” (as our fictional Cordelia has), I just want to say that villainising a character or generally trying to create a sense of audience dislike for a character shouldn’t mean that character is subject to negative comments about their body. I wanted to think this would be something the main character (who is fat) would understand? Especially as he is subject to body comments throughout the book as well? It was just sort of unfortunate to read a book that was so inclusive and about uplifting others and kindness and empathy and then to have the one female character who is explicitly skinny be called “stick” over and over. Yeah, there are worse things to be called, but I’ve only ever been called “stick” and it’s not a compliment! The opposite actually! There are better words and ways to communicate the size and consequent expectations of ability of someone’s body than words like stick. Which the author demonstrated with other slender male characters who got a more favorable opinion from the MC.
All that said, the book is fine. I don’t think I will recommend it with my personal stamp of approval on it, but it’s still better than Fourth Wing, so if you like goofy fun delightfully queer tales with potentially cringey humor, pick this one up! Please read trigger warnings, though!
Thank you to the publisher for providing an advanced reading copy in exchange for an honest review.
Content Warnings
Graphic: Death, Suicidal thoughts, and Suicide attempt
Moderate: Body shaming, Ableism, Blood, Bullying, and Violence
Minor: Grief, Injury/Injury detail, and Outing
persephonefoxx's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
We can get murdered tomorrow. Tonight, we party.
It’s giving Danganronpa in the best way possible.
It probably says a lot about me, but I love a fun murder mystery. And God, this book was so fun. An ensemble cast of super powerful teenagers and young adults (and one amazingly insane six-year-old) stuck on a murder cruise? Filled with politics divides, generational disputes, social expectations and pressures, dangerous secrets, and loves worth killing and dying for? A perfect cocktail mystery, magic, and so much murder.
There were multiple times this book had me screaming. As in book closed, turning to my wife, ‘omg omg omg’ screaming. (Let’s just say a certain scene pertaining to secrets and fingers will go down as one of my top ten favourite scenes of all time.) And while I had a pretty solid idea of who was doing the killing by the time we entered the final quarter (thanks to obsessive autistic pattern recognition and a very quickly diminishing suspect pool), there were twists and turns in the final quarter of this book that had me going feral.
And I can’t talk about this book without talking about the oodle and oodles of representation. Causal and expansive queer representation in an incredibly well thought out queer normative fantasy setting. Not to mention the additional disabled, plus sized, POC, and chronically ill representation across the cast of multifaceted weirdos. Plus it gets mad props for including the most accurate line about bisexuality I have ever read: “why do I want women to beat me up and men to gently embrace me?” Same Dee. Same.
TL:DR - This book was so much fun. Dripping with representation in an ensemble cast of well-rounded and loveable (and sometimes hate-able) characters. (Nergüi really is ‘that bitch’ and I love them.) It is a rollercoaster of murder, mystery, romance, magic, and friendship. A story of self-discovery, self-worth, and kindness. I loved this book, and I fear my wife will have to listen to me ramble about it for some time to come.
Content Warnings
Graphic: Grief, Animal death, Murder, Suicidal thoughts, and Suicide attempt
Moderate: Fire/Fire injury, Chronic illness, Injury/Injury detail, and Violence
Minor: Death of parent and Body shaming
moonchild_cos's review against another edition
adventurous
emotional
funny
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Classism, Cursing, Death, Injury/Injury detail, Murder, Suicidal thoughts, and Blood
Moderate: Grief, Death of parent, and Panic attacks/disorders
Minor: Alcohol, Physical abuse, War, Body shaming, Fire/Fire injury, Sexual content, Suicide attempt, and Torture
seleniea's review against another edition
adventurous
dark
funny
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Suicidal thoughts and Blood
Moderate: Suicide attempt, Gore, and Murder
Minor: Body shaming
sarahna's review against another edition
adventurous
emotional
funny
hopeful
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Self harm, Death of parent, Emotional abuse, Murder, Bullying, Chronic illness, Classism, Ableism, Blood, Suicide attempt, Fatphobia, Grief, Injury/Injury detail, Animal cruelty, Child abuse, Body shaming, Confinement, Infidelity, Suicidal thoughts, Terminal illness, Toxic friendship, Violence, and Vomit
guybrushtmp's review against another edition
adventurous
emotional
funny
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
We need more fantasy murder mysteries. This one was great and wasn’t just And then there were none, which I am always on the look out for when publishers put “like Agatha Christie” in the description (seriously it happens a lot). Also it is a diverse murder mystery so A+
I really enjoyed this book. It has really feisty, vivid, unique characters who all feel really well developed and chaotic af. Ganymedes is just an idiot (said in the most loving way possible), a chaotic bisexual, and kind, which I really needed.
The mystery was unique and kept me hooked. I did made some correct guessed (logged with my best friend as per usual), but they were executed in uniquely different ways than I thought which left me laughing and happily intrigued. Well worth the read.
Thanks to Netgalley and the publisher for the ARC.
Content Warnings
Graphic: Injury/Injury detail, Suicidal thoughts, and Murder
Moderate: Panic attacks/disorders
Minor: Body shaming
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