[Fair warning: This review contains some (major) spoilers that I will tag as such.]
This is a story told in fragments, with ever-changing perspectives. Perhaps, it starts with Athene’s birth from Zeus’ head; or perhaps, it starts with mortal Medusa being raised by her Gorgon sisters. Or maybe, everything begins with Danaë, punished for giving birth to Perseus and saved by the brother of a cruel king …
I have adored Natalie Haynes’ writing ever since I read A Thousand Ships, so I went into this with the expectation that I would like it. In some ways, I was not disappointed.
The prose is really beautiful. Especially some of the more reflective chapters are almost poetic, and it fits them well.
It is interesting to see the many different perspectives covered in this retelling. There are not only characters like Medusa, but also perspectives I never would have thought of, like Medusa’s snakes. As a consequence, there are at times challenges to the preceding narrative, which is very thoughtful and fascinating to read. My favorite example is the chapter discussing whether Perseus’ »heroic deed« was actually necessary.
With these changes in perspective comes a brutal honesty – as a reader, you cannot ignore the harm done by various figures, since you either get to see it from the harmed party’s perspective or you at least know enough of their thoughts and feelings to guess how they view it. But it also shows how interwoven different mythological stories are, and how one event is the result of different characters’ actions stemming from very different motivations. For example, Perseus alone has many different reasons to rescue Andromeda; Poseidon has his own reasons for sending a monster in the first place and Ceto specifically; the Gorgoneion has her reasons to not close her eyes … And they all stem from very different stories going on in the background, seemingly without any connection to each other.
But to be honest, I did not nearly enjoy this book as much as I hoped to.
At any given point, there are multiple things going on, and for the most part, everything feels very disconnected from everything else – which, to be fair, might be the intended effect. I still feel like there are numerous problems with this kind of storytelling in Stone Blind. First of all, not all chapters/perspectives feel important. For example, the early »Stone« chapters feel like their only purpose is to confuse the readers, and the later ones feel like part of a strategy to avoid actually describing key moments of the story like Perseus attacking Medusa. Which brings me to my second point – I do not like how important things are often only alluded to. One prominent example is, as I said, Perseus’ attack. For a book this intent on asking who the real monster is, simply not showing the act that should make Perseus monstrous in the eyes of the reader does not seem wise. Although that might make me part of the »problem« – after all, why should I have to see it to understand that it is cruel and wrong? Last, but not least, the scene changes tend to kill the tension whenever a chapter manages to build some up, which is not very often. Good examples are the chapters about Andromeda – whenever I started to feel for her and to be eager to know what would happen next, the chapter usually ended, which felt unsatisfying every time. This makes the book almost boring to read.
Some of the included events (and their timing) also feel a little random. An example is the story of Erichthonios and Cecrops’ daughters. It is nice to see one of Ovid’s metamorphoses, but it is also unnecessary, since this episode does not inform Erichthonios’ later decision in any way.
Another problem I have are (some of) the characters. Most of them feel a bit flat, which might be a result of the changing perspectives – there is not much time to get to know each of them, and every time a character starts to feel tangible, their chapter ends and the reader is thrown into the perspective of a totally different character, having to get used to their view(s). I think the one to feel the least like a real character, much less a real person, is Perseus. To me, he feels more like an angry rant about bad qualities he could have that make uncritical hero-worshipping unreasonable, which is fine – it just makes him seem pretty one-dimensional, too.
There is also the matter of the ending, which is very strange and unsatisfying to me. I just do not understand why Athene should petrify herself, or where this idea comes from. I have never seen anything about this in any Greek or Latin text, nor have I ever read about it in secondary literature about mythology. I do not even understand the logistics of it – I suppose the vague mention of how much time has passed since Perseus’ marriage to Andromeda could imply that things like the Trojan War and the events of the Odyssey have already happened by the time Athene looks at the Gorgoneion, but I am not completely sure about it, and it just feels strange to basically »kill off« such a central figure to so many famous stories without a real explanation to how all these other stories work without her (or how they have already happened before her »death«).
So … yeah. I like the writing and the fundamental idea(s) of this book. However, I do not think the execution works particularly well, and I am unsure whether I will ever reread it.