Reviews tagging 'Sexual content'

Stone Blind by Natalie Haynes

15 reviews

challenging dark reflective slow-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

[Fair warning: This review contains some (major) spoilers that I will tag as such.] 

This is a story told in fragments, with ever-changing perspectives. Perhaps, it starts with Athene’s birth from Zeus’ head; or perhaps, it starts with mortal Medusa being raised by her Gorgon sisters. Or maybe, everything begins with Danaë, punished for giving birth to Perseus and saved by the brother of a cruel king … 

I have adored Natalie Haynes’ writing ever since I read A Thousand Ships, so I went into this with the expectation that I would like it. In some ways, I was not disappointed. 
The prose is really beautiful. Especially some of the more reflective chapters are almost poetic, and it fits them well. 
It is interesting to see the many different perspectives covered in this retelling.
There are not only characters like Medusa, but also perspectives I never would have thought of, like Medusa’s snakes.
As a consequence, there are at times challenges to the preceding narrative, which is very thoughtful and fascinating to read.
My favorite example is the chapter discussing whether Perseus’ »heroic deed« was actually necessary.
 
With these changes in perspective comes a brutal honesty – as a reader, you cannot ignore the harm done by various figures, since you either get to see it from the harmed party’s perspective or you at least know enough of their thoughts and feelings to guess how they view it. But it also shows how interwoven different mythological stories are, and how one event is the result of different characters’ actions stemming from very different motivations.
For example, Perseus alone has many different reasons to rescue Andromeda; Poseidon has his own reasons for sending a monster in the first place and Ceto specifically; the Gorgoneion has her reasons to not close her eyes … And they all stem from very different stories going on in the background, seemingly without any connection to each other.
 

But to be honest, I did not nearly enjoy this book as much as I hoped to. 
At any given point, there are multiple things going on, and for the most part, everything feels very disconnected from everything else – which, to be fair, might be the intended effect. I still feel like there are numerous problems with this kind of storytelling in Stone Blind. First of all, not all chapters/perspectives feel important. For example, the early »Stone« chapters feel like their only purpose is to confuse the readers, and the later ones feel like part of a strategy to avoid actually describing key moments of the story
like Perseus attacking Medusa
. Which brings me to my second point – I do not like how important things are often only alluded to.
One prominent example is, as I said, Perseus’ attack. For a book this intent on asking who the real monster is, simply not showing the act that should make Perseus monstrous in the eyes of the reader does not seem wise. Although that might make me part of the »problem« – after all, why should I have to see it to understand that it is cruel and wrong?
Last, but not least, the scene changes tend to kill the tension whenever a chapter manages to build some up, which is not very often.
Good examples are the chapters about Andromeda – whenever I started to feel for her and to be eager to know what would happen next, the chapter usually ended, which felt unsatisfying every time.
This makes the book almost boring to read. 
Some of the included events (and their timing) also feel a little random.
An example is the story of Erichthonios and Cecrops’ daughters. It is nice to see one of Ovid’s metamorphoses, but it is also unnecessary, since this episode does not inform Erichthonios’ later decision in any way.
 
Another problem I have are (some of) the characters. Most of them feel a bit flat, which might be a result of the changing perspectives – there is not much time to get to know each of them, and every time a character starts to feel tangible, their chapter ends and the reader is thrown into the perspective of a totally different character, having to get used to their view(s). I think the one to feel the least like a real character, much less a real person, is Perseus. To me, he feels more like an angry rant about bad qualities he could have that make uncritical hero-worshipping unreasonable, which is fine – it just makes him seem pretty one-dimensional, too. 
There is also the matter of the ending, which is very strange and unsatisfying to me.
I just do not understand why Athene should petrify herself, or where this idea comes from. I have never seen anything about this in any Greek or Latin text, nor have I ever read about it in secondary literature about mythology. I do not even understand the logistics of it – I suppose the vague mention of how much time has passed since Perseus’ marriage to Andromeda could imply that things like the Trojan War and the events of the Odyssey have already happened by the time Athene looks at the Gorgoneion, but I am not completely sure about it, and it just feels strange to basically »kill off« such a central figure to so many famous stories without a real explanation to how all these other stories work without her (or how they have already happened before her »death«).
 

So … yeah. I like the writing and the fundamental idea(s) of this book. However, I do not think the execution works particularly well, and I am unsure whether I will ever reread it. 

Expand filter menu Content Warnings
adventurous challenging dark informative sad tense medium-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

I want to preface this by saying that I am a major Medusa fan (if you can say that), but I truly really loved this book. 

The switching between many perspectives
(including her snakes and also some olive trees)
, made this ancient story still feel very fresh and interesting. 

The author also took a holistic approach and investigated all the surrounding myths that all contributed to Medusa and Perceus. Haynes obviously deeply cares about the content of her stories and I can't wait to read more.

Expand filter menu Content Warnings
adventurous challenging dark reflective sad slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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adventurous dark emotional funny mysterious reflective sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes

This was a great take on the story of Medusa and her sisters and how the various tales of the various Greek myths intertwined with her own, tragic story. I loved the authors interpretation and delicate care of Medusa’s story and she narrates the book herself! Though several parts are beyond tragic, she adds lightheartedness and levity to the situations. 


Expand filter menu Content Warnings
adventurous challenging dark emotional funny informative reflective sad tense fast-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

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emotional funny medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

I enjoyed this book for what it was, which was the myth of Medusa from start to end …. but it includes EVERYBODY, not just Medusas story. So it’s like truly a retelling of the whole myth straightforward, not just from Medusa’s POV but everyone’s.

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dark emotional inspiring reflective sad slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

I really loved this book! I loved the twist in the stories, and of course I came for Medusa, which did not disappoint. I would definitely recommend this book looking for a quick read about Greek mythology with a feminist twist.

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I felt like it wasn’t really a book about Medusa, and I found most of the chapters were too short to give any sort of character development, leaving the writing quite flat. And although Natalie Haynes is praised for her ability to change the mood in every other page, I don’t think it is an attribute that I favoured thought this book. Mainly because I was never able to settle into a comfortable length of reading, where I was really engrossed in the book and what was happening. 

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dark emotional sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: No

I think you have to know about and love Greek myths for this book to be a book that you would really enjoy. A lot of the time I didn’t know what was going on and I think that’s because I don’t know a lot of Greek myths and the history. It was interesting to get these different perspectives but it’s almost too many perspectives and I got lost sometimes. But I really did enjoy when it all came together in the end and you got to see what really happened from the perspective of all these different people. The ending was the best part for sure

Expand filter menu Content Warnings
adventurous dark emotional reflective sad medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

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