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chronicloser's review against another edition
funny
hopeful
informative
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
these are maybe some of the most real characters I’ve ever read. definitely up in the top 10— all of them were so different, even when they were similar; that made it such a fun journey. not to mention, imogen binnie is great at making every bit of word salad into a beautifully plated meal. her stream-of-consciousness writing is one she dips in and out of so effortlessly, and I ate it up big time! when it’s done well, I love it, and this was done more than just well
Content Warnings
Graphic: Alcohol, Suicidal thoughts, Transphobia, and Drug use
Moderate: Dysphoria, Misogyny, Toxic relationship, Toxic friendship, and Sexual content
alisonfaith426's review against another edition
reflective
medium-paced
- Plot- or character-driven? Character
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Toxic friendship, Transphobia, Toxic relationship, Cursing, Drug use, Sexual content, and Medical content
Moderate: Alcohol, Classism, and Gaslighting
dustghosts's review against another edition
challenging
emotional
funny
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
I keep waffling on how I want to rate this book. It’s a work that feels deeply personal, deeply “of its time,” and like the debut work that it is. I think that “the discourse” (which I say sort-of ironically and in finger-quotes, and sort-of not) around trans issues has necessarily changed enormously since this was written and published— in some positive ways, yes, but also as right-wing groups create bogeyman out of trans people for talking points and cultural control.
All this to say: when I speak with my friends, these days, about whatever the online manufactured inter-community discourse of the day is, I often find myself saying something like, “I wish there was a way for this conversation to be happening, but just between trans people.” And all that to say: that’s what this book feels like to me, a book about and for and between trans people, a conversation that centers us and particularly trans women. It’s not that I wouldn’t want cis people to read it, and it’s not as though it wouldn’t be accessible to people who are not trans— but it’s for us. That’s its strength and its greatest charm, and I think that’s why I want to take its flaws with a grain of salt and a baseline of good will.
It’s not a perfect book, and not one where I feel I agree with everything that the narrators do or say or think— but hearing the author herself read it, you feel the willingness to be wrong, a self-deprecating awareness that to tell an individual trans persons story isn’t to endorse every aspect of it. There are beats that resonate down to the very core, and throughlines that feel eerily familiar, and flawed gold veins of selfishness that feel raw and real.
Our main characters are a little to sometimes a lot pathetic and very humanly flawed and variably likeable depending on the day. Our plot meanders and skids and gets knocked off track and never decides to get back on it. Our narration… feels very much like the 2012-2013, first-person forum writing— but I liked listening to it, and the wry sort-of-bashful-sort-of-cocky self awareness of it. There’s a lot of humor and heart here. There’s a lot of frustration, also. I don’t know that I would want to know most of these people; I felt dragged into the spotlight by some of the similarities I felt with them, too. The afterword was one of the best parts— I loved hearing what the author had to say about what the book is about, and her reflections on her own life in regards to the work, and her discussions about the act of crafting it, and what she chose to show and what to leave out.
Anyway, I didn’t love it the whole way through. Anyway, I couldn’t stop listening. Anyway, I love that it exists. As always, mind the content warnings— mine probably won’t cover it all just because I’ve been noodling around the book itself a little too much.
All this to say: when I speak with my friends, these days, about whatever the online manufactured inter-community discourse of the day is, I often find myself saying something like, “I wish there was a way for this conversation to be happening, but just between trans people.” And all that to say: that’s what this book feels like to me, a book about and for and between trans people, a conversation that centers us and particularly trans women. It’s not that I wouldn’t want cis people to read it, and it’s not as though it wouldn’t be accessible to people who are not trans— but it’s for us. That’s its strength and its greatest charm, and I think that’s why I want to take its flaws with a grain of salt and a baseline of good will.
It’s not a perfect book, and not one where I feel I agree with everything that the narrators do or say or think— but hearing the author herself read it, you feel the willingness to be wrong, a self-deprecating awareness that to tell an individual trans persons story isn’t to endorse every aspect of it. There are beats that resonate down to the very core, and throughlines that feel eerily familiar, and flawed gold veins of selfishness that feel raw and real.
Our main characters are a little to sometimes a lot pathetic and very humanly flawed and variably likeable depending on the day. Our plot meanders and skids and gets knocked off track and never decides to get back on it. Our narration… feels very much like the 2012-2013, first-person forum writing— but I liked listening to it, and the wry sort-of-bashful-sort-of-cocky self awareness of it. There’s a lot of humor and heart here. There’s a lot of frustration, also. I don’t know that I would want to know most of these people; I felt dragged into the spotlight by some of the similarities I felt with them, too. The afterword was one of the best parts— I loved hearing what the author had to say about what the book is about, and her reflections on her own life in regards to the work, and her discussions about the act of crafting it, and what she chose to show and what to leave out.
Anyway, I didn’t love it the whole way through. Anyway, I couldn’t stop listening. Anyway, I love that it exists. As always, mind the content warnings— mine probably won’t cover it all just because I’ve been noodling around the book itself a little too much.
Content Warnings
Moderate: Addiction, Alcoholism, Toxic friendship, Transphobia, Sexual content, Toxic relationship, Alcohol, and Drug use
sincetheflood's review against another edition
emotional
funny
informative
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Drug use, Sexual content, Transphobia, Dysphoria, and Alcohol
Moderate: Toxic relationship and Toxic friendship
Minor: Panic attacks/disorders, Medical content, and Vomit
lidia7's review
challenging
inspiring
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Sexual content, Toxic relationship, Alcohol, Cursing, and Drug abuse
Moderate: Dysphoria and Toxic friendship
Minor: Vomit, Deadnaming, Infidelity, Suicidal thoughts, and Medical content
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