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emotional
reflective
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
emotional
funny
hopeful
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
emotional
mysterious
slow-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
emotional
reflective
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
A family saga that feels both sprawling and intimate, a portrait of war-time England, and a wonderfully moving depiction of loss and love. Each and every one of these characters is so richly developed, all the way down to the youngest children, and Howard is a master at third-person POV. I felt like I knew and sympathized with every character deeply. I was also really struck by how precisely it captures the ordinariness of living in extraordinary times and the resilience we're capable of. Despite its length, the pages practically flew by.
emotional
funny
hopeful
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Elizabeth Jane Howard has created the most charming cast of characters here (except Edward whom I hate) and weaves beautifully between each's perspective. This is such a female-focused family saga, with the women by far taking up most of the page time. Howard presents such a rich portrait of womanhood across every stage that for a woman makes for simply wonderful, though often heavy, reading.
Only a couple of minor complaints — I was pretty put off by Louise for most of this. I think Howard affords her way too much page time and tries to make up for it with how much Polly and Clary complain about her elsewhere. But I do appreciate (even if I don't necessarily feel fully comfortable with) her portrayal of Louise's romantic relationships so far. A man would never believe that a woman could hold herself at a distance from anything more than sexual interest and attraction.
My only other issue was the ongoing lack of communication between Hugh and Sybil. While it might have been somewhat sweet in this previous book, it really reached some highly concerning heights here, and I am just so over it.
However, overall, this was such a lovely reading experience, and I really feel like I have my footing, my favorites, and my least favorites (Edward) within the series now. Looking forward to the next one!
Graphic: Death, Incest, Infidelity, Dementia
Moderate: Adult/minor relationship, Cancer, Miscarriage, Sexual content, Forced institutionalization, War
Minor: Ableism, Rape, Medical content, Abortion, Pregnancy
emotional
funny
hopeful
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
challenging
emotional
reflective
sad
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
N/A
Flaws of characters a main focus:
Yes
Leer esta saga es para mí lo más parecido a hacer algo que sabes que no te sienta bien, pero que no puedes dejar de hacer, como un atracón de comida grasienta de noche que luego lamentas a las 3 de la mañana pero, caramba, qué rico estaba en su momento.
Porque joder si es dura de leer. Las tramas que rodean a Edward resultan vomitivas, en este libro aún más que en el primero, las de Hugh y Sybil son dolorosísimas y de Rupert, Clary y Zoë mejor ya ni hablo.
Lo que decía: es una historia que no puedes parar de leer aún a costa de tu salud mental, porque esta es una saga familiar de personajes sufrientes que, para bien o para mal, te arrastran con ellos. En este momento de mi vida, diría que más para mal que para bien, así que ya continuaré cuando me vea con fuerzas.
Porque joder si es dura de leer. Las tramas que rodean a Edward resultan vomitivas, en este libro aún más que en el primero, las de Hugh y Sybil son dolorosísimas y de Rupert, Clary y Zoë mejor ya ni hablo.
Lo que decía: es una historia que no puedes parar de leer aún a costa de tu salud mental, porque esta es una saga familiar de personajes sufrientes que, para bien o para mal, te arrastran con ellos. En este momento de mi vida, diría que más para mal que para bien, así que ya continuaré cuando me vea con fuerzas.
emotional
reflective
relaxing
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
No
emotional
lighthearted
reflective
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated