Reviews with content warning for Sexual assault - Station Eleven

Reviews tagging 'Sexual assault'

Station Eleven by Emily St. John Mandel

38 reviews

builtonbooks's review against another edition

challenging dark emotional reflective sad medium-paced

Plot- or character-driven? A mix
Loveable characters? Yes

4.25

I read this on Easter weekend, a break from my cultural industries masters program, this somehow made more invested in my program. As a museum practitioner the scenes at the Museum of Civilization moved me so much. I binge read it from Good Friday to Black Saturday 2024 and somehow, as a lapsed Catholic, the timing felt right.

Beautiful uncompromising writing with moments that gave me goosebumps. Reading this in 2024, year 4 post COVID-19 was a wild ride, and I'm glad I waited till now to read it. It also made me miss home, family, and the light and heat of my country.

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fimjishwick's review against another edition

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dark hopeful medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? It's complicated

3.0

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mypoormeatball's review against another edition

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emotional hopeful inspiring reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

This is a truly special book. I read it for the first time in 2018 and am re-reading it for the first time. I was curious to see how it hit after the pandemic, especially since I have recommended it for years as one of the most influential and favorite novels I have ever read. It is human and beautiful.

Here is the spirit of this novel to me:
Imagine, on plain and warm day, a cherished adult mentor, in their old age, clutches you to their chest in a moment you’re vulnerable — a child, you’re grappling with the kind of profound disappointment and fear of growing up kids can’t always put into words — and as they hold you every memory of their own life and childhood and that of everyone they’ve ever loved, known in passing, and never met flashes before their eyes and they understand and love you and themselves and everyone on earth better than they could ever put into words. And then they rub you on the head and give you a snack and you feel a little better. They watch you play outside while they sit in a porch chair and think about how you both will be grow forever and ever and ever, warmth squeezing the air out of their heart and lungs.

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zillareaper's review against another edition

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adventurous emotional hopeful reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

I was surprised how much I liked this book. I’m leaving a review several days from finishing it and the more I reflect, the better I thought it was. It’s a relatively slow book, but I didn’t feel like I was dragging through, but instead just enjoying it at its own pace. And then watching the horrible storytelling of the HBO series after reading, it made me realize how well-webbed this book was.

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jemima_b's review against another edition

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emotional reflective medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

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pacifickat's review against another edition

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dark emotional mysterious reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

*Long Review Ahead...Reader Be Warned*

This book sits between genres: a mix of end-of-the-world sci-fi, literary fiction, and an odd collection of character-driven stories around a few pivotal events, told and re-told from a variety of perspectives. This is a book of frame narratives, questioning which stories and moments define other stories and moments in meaningful ways. It is structured more like a network of coral making up a reef rather than a linear A-to-B journey.

A lot of disappointed reviewers seemed to want this book to be more than it was, the plot to follow a traditional post-apocalyptic road narrative, with characters fighting for survival in a dystopian landscape punctuated by violent encounters. However, Mandel seems to resist these expected devices, focusing instead on how humans are connected across time and space, nature and technology, and generations. The pandemic in this story demarcates a divide between past and present, a clear before and after. But, is existence more than our perceived notion of time and oir relationship to pivotal moments in history? Does a web of interconnectivity carry through all existence even when we cannot perceive it, even when the world seemingly ends? What is this reality we’re living in? Is it patterned beforehand, or only when looked at it in retrospect, like a forest ecosystem growing organically together? Can meaning and beauty miraculously arise out of mundanity and messiness? Is being briefly and beautifully alive and part of a cosmic whole enough of a miracle in itself? Do we make stories, or do the stories make us? What exists because of us, and what exists outside of us?

It’s complicated.

This story dodges traditional plot structure, and instead provides nonchronological glimpses of the lives of individuals trying to find the answer to what can make existence sufficient, whether it be love, career, art, travel, memory, playing a part, rescuing others, religious fanaticism, joining a cause, controlling a narrative, collecting objects, or collecting stories. I will outline a couple major themes I found compelling, but I think this book by nature opens up a Pandora’s box of possibly reader takeaways.

1. “Survival is insufficient” but existence is beautiful, sometimes breathtakingly so.

The interwoven storylines are occasionally punctuated by rhapsodic descriptions of moonlight on water, flowers and trees, slant sunlight, an impossibly blue sky, a paperweight that looks like trapped storm clouds, an illustration of the undersea. Likewise, technological wonders such as the internet, air travel, electric lights, refrigeration, television, and worldwide shipping networks go underappreciated before the flu, yet supply curious wonder in a post-pandemic world filled with the artifacts of their once-existence. Generally, it is these non-human elements which supply miraculous beauty and wonder in spite of the mundanity and distraction of human life, the messiness of human behavior, the horror of human violence.

2. There is an interconnected, overlapping web of individuals and events across time and realities – linking pre-pandemic lives to the post-pandemic world, and a graphic novel storyline that bleeds into both.

Everything is interconnected, the natural world and human-operated technologies, yet these marvelous (and tenuous) webs exist under the radar of most. The reader has the privilege to be the one who can see how everything touches, even as those living within the connections are unable to perceive them, except on rare occasions when the curtain of awareness is drawn upward.

This seeming magic encircles and envelops conscious existence, but goes unnoticed by the humans navigating the complexities of the pre-pandemic modern world, or fighting to survive in post-pandemic reality. A repeated element of looking upward to the sky when faced with death carries throughout, perhaps searching for sufficient meaning or beauty when survival is not guaranteed and everything finally falls still. Is this akin to the sublime moment the actress dissolves into Titania on stage, her stained wedding gown becoming the adornment of a magical fairy queen?

3. The idea that “everything happens for a reason” is not the same as “everything is connected" or "the miracle of existence somehow adds up to more than the sum of its parts.”

One idea impoverishes, the other gives way to impossible wonder. One seeks to explain individual experiences, the other accepts the impossibility of grasping all the strands, and revels in the piece of reality we get to live within, and sometimes consciously perceive. The idea that “everything happens for a reason” runs against the grain of this story.

This assumption leads to a mother-son combo having excuses for regrettable behaviors, an inability to cope with present realities, benign and malicious expressions of naivete, disconnection from others due to a sense of being “chosen” or set apart from the rest for a separate purpose, and a disturbing god complex. It’s self-important, it’s controlling, and ultimately it flies in the face of the interconnectedness and beauty the reader glimpses through the cracks in each narrative.

4. Suggestions of alternate realities and universes.

A conversation about physics and a multiverse, a few mentions of ghosts and the dead following the living, and a nonlinear storyline seem to suggest that time is not as concrete as the reader and the characters might assume. What do these mean in terms of possibilities? How much are we unable to perceive? Is the web that connects existence unbound by time? Is any of this ultimately knowable? I hope her other related novels tap into this a bit more.

I'm giving this one 4 stars because I am genuinely still thinking about it and probably will continue to mull over the story for quite a while. One star down because at points the story did drag and could be a bit frustrating (where are my troupe of actors and why am I hearing about this dead actor and his ex-wives again?). All in all, a solid read.

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krispyyk's review against another edition

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adventurous funny reflective sad fast-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.0

Lots of stuff going on under the same theme - what makes life meaningful

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parfait52's review against another edition

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challenging dark emotional reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.75

It took me several months to get through this book, which is saying something because it's fairly short. Every time I picked it up, I was interested enough. Once I put it down, though, I didn't feel the need to pick it back up. This book doesn't really have a plot so much as it has a story. And once you figure out how the story is forming and the author is doing, it's very easy to know where it's going to go. At times, I found the writing to be beautiful and profound. I found the concept fascinating, but the execution was stifling at points. There were several parts of the book that I personally found very boring and wanted to get past immediately. Overall, not a bad read. There are just books I've enjoyed more.

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clementine9's review against another edition

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adventurous dark hopeful tense slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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amsswim's review against another edition

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adventurous emotional hopeful inspiring reflective sad tense

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I loved this book, wow. This is the 20th book I have read this year and my favorite one so far. A multiperspective book on a fast acting pandemic with time jumps before and after this apocalypse. That basic intro into the book alone would've had me by the chokehold, I knew it had to do with a post-apocalyptic society but nothing more. It was the little moments for me though, that really made this. WHile the plot overall I found very interesting, the environment and motivations were all very realistic to me which made the small moments in this world all the more meaningful. I must read from me!

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