Reviews with content warning for Toxic relationship - Plain Bad Heroines

"She'd pass a flooring place and imagine her life selling carpet. She'd pass a beauty salon and imagine her life doing hair. Mostly she tried to imagine contentment: the state of being content. She didn't think it was something she'd ever been before, so it was difficult for her to accurately imagine how it might feel. But she did try."

I loved this! The last 600 page novel I read was Dune and in some ways that felt like such a slog in comparison to this. I occasionally had issues - pauses that lasted too long, issues with the pacing - especially when the beginning and middle felt like they were building to something that wasn't quite carried to fruition by the culmination of Alex and Libby's plot and the modern Hollywood plot. The tone at the start was also interesting to adjust to, with a very camp Gothic element - often an interesting shift when the narrator themselves is a bit of an all-knowing, anonymous character (and frequently reminds the reader of this).

That said, all of these are minor quibbles in an otherwise fun and absorbing take on queer horror. Danforth has a brilliant grasp on when to employ terror and when to employ horror. The novel has lots of potential themes but ultimately seems to be about the dangers of spectacle, not unlike my other horror favourite of this year, Jordan Peele's Nope. I also loved Harper, Audrey and Merritt's characters, who are all complex and three-dimensional. Merritt was especially interesting and accurate as a survivor of bereavement by suicide, and someone who came to writing and success young and is now floundering in her 20s.

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challenging dark emotional mysterious sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

3.25

Overall Thoughts:

⁕ Danforth's ability to flesh out characters is strong, but comes at the cost of a painfully slow narrative. Even though I appreciated the depth of the contemporary characters (Meritt, Audrey, and Harper), it took FOREVER for them to be united and on the set of Brookhants. Once there, only a minimal amount time was spent in the spooky gothic setting that I picked the book up for in the first place.

⁕ I was disappointed with the weak connection between the contemporary storyline and the historic one. There was so much potential for a paranormal overlap (or, at the least, a metaphorical one), but after hundreds of pages of build-up, both storylines diverged and went their separate ways? It was infuriating!

⁕ This book did have its moments. The unreliable, self-aware narrator gives major Lemony-Snicket-tells-ghost-story-vibes, and when the action did move forward I was gripped by it. I just wish these features of the book had been more consistent.

⁕ SPOILER: I hate that the entirety of the horror elements in this book are rooted in the sexual assault of a woman that's not even really introduced until the last 100 pages or so. Way to use random, gendered acts of violence as a plot device (*read that last sentence as sarcasm*)!

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