Reviews tagging 'Animal death'

Plain Bad Heroines by Emily M. Danforth

4 reviews

celery's review against another edition

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adventurous dark funny lighthearted mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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sauvageloup's review against another edition

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challenging dark mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0

glad to have read this, because the concept is fresh and interesting, and I need to read more wholly sapphic books. but it tried to do too much and didnt pull it off.
this review on tumblr by flying-elliska has all my thoughts well said:
https://www.tumblr.com/flying-elliska/672822130083233792/and-now-for-sapphic-reads-time-the-sequel-tm?source=share

pros:
- the setting was a fleshed out character in itself and I loved that. the orchard apples, the tower, the orangerie, the beach, etc.
- I liked the story of the original woman, simone, who lived on the land.
- some imagery was definitely creepy and disturbing, especially eating wasps.
- the main characters were interesting, and I liked that they became a poly triad rather than a love triangle.

cons:
- too many characters, too much rambling, too meta, too plotty and just too long.
- I never really got truly creeped out. it just didnt sink deep enough into that and there wasnt enough real danger. the deaths were distant and over fast. didnt feel that sad at any of them.
- more interesting to see more flo and Clara for sure.

a different read for sure and I'm glad I read it, but disappointing and a bit slow too.

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_teoeo's review against another edition

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dark mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes

4.0

I really enjoyed reading this. I loved the voice of the narrator and getting to know the characters. I also liked how everything is connected. You really should annotate while reading to remember the scenes you think might be important and relevant (because they certainly are)! 
But I have to admit that the explanation for everything (most of it?) isn't as satisfying as I hoped. And, ngl, this book didn't have to be 600 pages long. 100-150 pages less would totally do it.

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owenwilsonbaby's review

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dark emotional funny mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.25

"She'd pass a flooring place and imagine her life selling carpet. She'd pass a beauty salon and imagine her life doing hair. Mostly she tried to imagine contentment: the state of being content. She didn't think it was something she'd ever been before, so it was difficult for her to accurately imagine how it might feel. But she did try."

I loved this! The last 600 page novel I read was Dune and in some ways that felt like such a slog in comparison to this. I occasionally had issues - pauses that lasted too long, issues with the pacing - especially when the beginning and middle felt like they were building to something that wasn't quite carried to fruition by the culmination of Alex and Libby's plot and the modern Hollywood plot. The tone at the start was also interesting to adjust to, with a very camp Gothic element - often an interesting shift when the narrator themselves is a bit of an all-knowing, anonymous character (and frequently reminds the reader of this).

That said, all of these are minor quibbles in an otherwise fun and absorbing take on queer horror. Danforth has a brilliant grasp on when to employ terror and when to employ horror. The novel has lots of potential themes but ultimately seems to be about the dangers of spectacle, not unlike my other horror favourite of this year, Jordan Peele's Nope. I also loved Harper, Audrey and Merritt's characters, who are all complex and three-dimensional. Merritt was especially interesting and accurate as a survivor of bereavement by suicide, and someone who came to writing and success young and is now floundering in her 20s. 

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