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thecolouryes's review against another edition
adventurous
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Icing on the top of a romp of a period fantasy romance. I feel like this series was invented for me. I don't really know what to say other than if you enjoy the period, and you like a nice fantasy plot in your romance, you absolutely need to try this series out. I couldn't help reading this book all in one day, and now my only problem is that there's no more of it to read!
Content Warnings
Graphic: Sexual content
Moderate: Cursing, Classism, Death, Suicide, and Gore
Minor: Sexism, Self harm, Gun violence, and Mental illness
hailstorm3812's review against another edition
adventurous
funny
hopeful
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I think this book got caught up in the amount of plot ground to cover that it tended to lose sight of the romance. The two genres tended to feel very distant in a way that they other books didn't. I liked both the plot and the romance but I think it could have felt more relevant. I do think it did a good job of tying everything up in the end, which so many series struggle with, while also leaving it open to the possibility of another series. Also three times is a pattern and the bonding of every couple over erotica is so funny. I love the way romance authors tell on themselves.
Content Warnings
Graphic: Classism and Grief
Moderate: Violence
Minor: Racism, Death of parent, Police brutality, Ableism, Murder, Homophobia, Injury/Injury detail, Sexism, and Child death
ladythana's review against another edition
adventurous
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Sexual content and Grief
Moderate: Bullying, Death, Police brutality, Classism, Suicide, Murder, Blood, and Toxic relationship
Minor: Mental illness, Injury/Injury detail, Torture, Rape, Pregnancy, and Emotional abuse
pitsikakku's review against another edition
adventurous
emotional
funny
hopeful
lighthearted
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
Content Warnings
Graphic: Injury/Injury detail and Sexual content
Moderate: Classism, Violence, Grief, and Misogyny
purrson's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This was a satisfying conclusion to the trilogy. I really enjoyed Jack & Alan’s perspectives (although Robin is my favorite protagonist). The opening chapter is a punch in the gut, and helps explain so much of Jack’s character, his past cruelty, and his unexpected to Maud. Jack & Alan’s chemistry & romance was interesting and fun, and I appreciated how we got a sense of Jack’s chemistry with the other characters. The villains are truly villainous in this—especially once you're filled in on what happened to Elsie, who’s been mentioned throughout the trilogy. I really hated them. I wasn’t sure how this would end, magic-wise, but the way Marske does it is really fun. I’m going to miss these characters and I wish we could get more stories about them—I kind of want to know what Edwin is like more happy and confident and how things work with where the book leaves them. I’d read a spinoff about Maude & Violet’s adventures too, and one about Oliver. The world building is really well done, and I hope Marske revisits it.
Content Warnings
Graphic: Classism and Grief
Moderate: Blood, Sexual content, Violence, and Murder
Minor: Suicide
booksthatburn's review against another edition
adventurous
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Finishing out the trilogy, A POWER UNBOUND finally provides answers as to why Lord Hawthorn (Jack) lost his magic and his sister all those years ago. It wraps up the mysteries around the Last Contract, and while it doesn't contain any wholly new storylines, that's much less crucial for the end of a series. The way it approaches Jack and Alan's relationship it almost sufficient to stand on its own if necessary, though several delightful aspects (such as their first meeting and Alan's selling of pornography) are show in A RESTLESS TRUTH. Most aspects of Alan's life are introduced for the first time, as well as the specifics of Jack's. It's a strange balance that lets many details feel completely new even though the main characters and their current situation were set up in first two books. I've been hoping Jack would be a protagonist since he was first introduced as Lord Hawthorne in A MARVELLOUS LIGHT, so I was absolutely delighted to get my wish at last. They're very different narrators from any of the others, somehow continuing the pattern of one person having magic and the other not, but in a way I wasn't expecting.
The first chapter cements George as not only the detestable and power-hungry person shown into the earlier books, but truly vicious and uncaring in pursuit of his aims. There's something extra terrible in the way he destroyed Elsie and Jack's lives and then was so concerned with hiding what he'd done that he laid a secret-bind on both of them and didn't give a shit what became of them afterwards. Now, with a trail of the dead in George's wake, Jack and his strange new group of friends have one last chance to stop him once and for all.
Much of the magical worldbuilding was set up in the first two books, but there's a focus on class dynamics which is made possible by Alan's perspective when juxtaposed with the richer and titled members of the group. For all the Blythe's money troubles, they're on a vastly different scale than whether Alan's family will starve due to accident or injury. That perspective helps make obvious that the Last Contract was meant to accomplish something it's no longer really doing, and enables the group to come up with new solutions as things spin wildly out of control.
A POWER UNBOUND is (somehow) even sexier that A MARVELLOUS LIGHT and A RESTLESS TRUTH, or maybe this is just a sign that my tastes run closer to Alan's than any of the previous protagonists. Good sex scenes provide character development in addition to titillation. Great sex scenes are so seamlessly a part of character development that to skip them would be to miss something crucial, fervent, and deeply personal about the characters involved. Jack and Alan's relationship is one of playing with power dynamics and trusting that the other person won't cross any lines, that fantasies made flesh are a wonderful kind of vulnerability, and that consent can be withdrawn mid-scene. They get the thrill of fighting without being in true danger, though it takes a while for Alan to be sure enough of Lord Hawthorne that he can accept this vulnerability with Jack. For his part, Jack is enjoying the extra level of intimacy which comes from having unknowingly read Alan's work for years, now able to use that knowledge erotically and to devastating effect.
A POWER UNBOUND is a satisfying ending to a great trilogy. The epilogue is a perfect snapshot of everyone, I cackled at Alan's attempt at an interview after the big event. I'm eager for whatever Freya Marske writes next.
The first chapter cements George as not only the detestable and power-hungry person shown into the earlier books, but truly vicious and uncaring in pursuit of his aims. There's something extra terrible in the way he destroyed Elsie and Jack's lives and then was so concerned with hiding what he'd done that he laid a secret-bind on both of them and didn't give a shit what became of them afterwards. Now, with a trail of the dead in George's wake, Jack and his strange new group of friends have one last chance to stop him once and for all.
Much of the magical worldbuilding was set up in the first two books, but there's a focus on class dynamics which is made possible by Alan's perspective when juxtaposed with the richer and titled members of the group. For all the Blythe's money troubles, they're on a vastly different scale than whether Alan's family will starve due to accident or injury. That perspective helps make obvious that the Last Contract was meant to accomplish something it's no longer really doing, and enables the group to come up with new solutions as things spin wildly out of control.
A POWER UNBOUND is (somehow) even sexier that A MARVELLOUS LIGHT and A RESTLESS TRUTH, or maybe this is just a sign that my tastes run closer to Alan's than any of the previous protagonists. Good sex scenes provide character development in addition to titillation. Great sex scenes are so seamlessly a part of character development that to skip them would be to miss something crucial, fervent, and deeply personal about the characters involved. Jack and Alan's relationship is one of playing with power dynamics and trusting that the other person won't cross any lines, that fantasies made flesh are a wonderful kind of vulnerability, and that consent can be withdrawn mid-scene. They get the thrill of fighting without being in true danger, though it takes a while for Alan to be sure enough of Lord Hawthorne that he can accept this vulnerability with Jack. For his part, Jack is enjoying the extra level of intimacy which comes from having unknowingly read Alan's work for years, now able to use that knowledge erotically and to devastating effect.
A POWER UNBOUND is a satisfying ending to a great trilogy. The epilogue is a perfect snapshot of everyone, I cackled at Alan's attempt at an interview after the big event. I'm eager for whatever Freya Marske writes next.
Content Warnings
Graphic: Classism, Blood, Death, Sexual content, Violence, Murder, and Cursing
Moderate: Sexism, Suicide, Pregnancy, Injury/Injury detail, and Torture
Minor: Rape, Gore, Vomit, Gun violence, Grief, Sexism, Racism, Infidelity, and War
aileron's review against another edition
adventurous
emotional
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Violence, Classism, Death, Gun violence, Grief, Murder, and Suicide
Moderate: Confinement, Gore, Suicidal thoughts, Blood, Injury/Injury detail, Sexism, and Bullying
Minor: Sexual assault, Death of parent, War, and Fire/Fire injury
ninjamuse's review against another edition
emotional
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Moderate: Classism
Minor: Death, Homophobia, Suicide, and Fire/Fire injury
linzomatic's review against another edition
adventurous
emotional
inspiring
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Content Warnings
Graphic: Sexual content and Classism
jencolumb0's review against another edition
adventurous
dark
emotional
funny
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
I was really excited to read Jack’s story but found it hard to stan him and Alan, which made this book a less-gripping read than the first two. I understood why it had to be the person in Alan’s role to advance the social commentary the author wanted to weave in (and think the kink elements woven in are a clear way to explore those dynamics with some heat) but he and Jack always *felt* half a step off from one another even if the plain meaning of the words didn’t reflect it. Somehow, there managed to be a lack of chemistry between two thoroughly fictional people who worked well in theory. I have yet to put my finger on why, exactly, but it is what stopped me from giving this book a full five stars.
Anyway, this is not a book you can step into without reading the first two so, um, don’t. Know that it is bloodier than the first two but delivers a satisfying resolution across the board . . . which makes it worth reading even if it’s not as easy to gobble up as the first two. I’m looking forward to reading what Marske takes on next.
Anyway, this is not a book you can step into without reading the first two so, um, don’t. Know that it is bloodier than the first two but delivers a satisfying resolution across the board . . . which makes it worth reading even if it’s not as easy to gobble up as the first two. I’m looking forward to reading what Marske takes on next.
Content Warnings
Graphic: Classism, Sexual content, Death, Murder, Blood, and Injury/Injury detail
Moderate: Suicide, Bullying, and Pregnancy
Minor: Death of parent, Gun violence, and Police brutality