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torturedreadersdept's review
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Abandonment, Body horror, Colonisation, Murder, Sexism, Violence, Death, Death of parent, Fire/Fire injury, Grief, Injury/Injury detail, Misogyny, Animal death, Blood, and War
Minor: Child death and Pregnancy
caitlynt's review
adventurous
hopeful
inspiring
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: War, Death of parent, and Death
Moderate: Misogyny
Minor: Domestic abuse and Violence
lanid's review
adventurous
emotional
reflective
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Minor: Religious bigotry, Death of parent, Grief, Gore, Misogyny, and Fire/Fire injury
onmalsshelf's review
DNF @ 44%
Thank you to NetGalley and Redhook for an eGalley in exchange for an honest review.
Note: Prior to reading this, I had close to zero knowledge of the story of Ramayana (also apologies if I did not reference that correctly).
Before finally DNFing this at 44%, I had gone searching in low rating reviews to see if anyone else felt that the writing was both stiff and clunky here. Which I did find several other reviewers agreeing on that. What I also found, was those who are practicing Hindu or Indian bringing detailed issues to light regarding this retelling of the story of Ramayana.
While the writing here is what made me want to put this down, I also could not ignore what own voice readers were bringing up. Please take a look at those reviews.
The writing and tone just did not work for me here as well as the pacing. It moved so slow and somehow moved even slower after Kaikeyi moved to her husband's kingdom. Plus, while I realize that this retelling is from the perspective of Kaikeyi, I would have liked to see development and backstory of the other side characters here for more dimension.
In the end, this felt like a chore to try continue on with, even with the audiobook which I did end up picking up from the library. Glad to mark off a book of the month pick as well.
TL;DR: Don't recommend. This felt like a slog to get through and I'm unsure why it's nominated for Book of the Month's book of the year for 2022. I recommend finding reviews of own voice reviewers.
If anyone could point me towards a better retelling, I would love to take a look at that.
Thank you to NetGalley and Redhook for an eGalley in exchange for an honest review.
Note: Prior to reading this, I had close to zero knowledge of the story of Ramayana (also apologies if I did not reference that correctly).
Before finally DNFing this at 44%, I had gone searching in low rating reviews to see if anyone else felt that the writing was both stiff and clunky here. Which I did find several other reviewers agreeing on that. What I also found, was those who are practicing Hindu or Indian bringing detailed issues to light regarding this retelling of the story of Ramayana.
While the writing here is what made me want to put this down, I also could not ignore what own voice readers were bringing up. Please take a look at those reviews.
The writing and tone just did not work for me here as well as the pacing. It moved so slow and somehow moved even slower after Kaikeyi moved to her husband's kingdom. Plus, while I realize that this retelling is from the perspective of Kaikeyi, I would have liked to see development and backstory of the other side characters here for more dimension.
In the end, this felt like a chore to try continue on with, even with the audiobook which I did end up picking up from the library. Glad to mark off a book of the month pick as well.
TL;DR: Don't recommend. This felt like a slog to get through and I'm unsure why it's nominated for Book of the Month's book of the year for 2022. I recommend finding reviews of own voice reviewers.
If anyone could point me towards a better retelling, I would love to take a look at that.
Content Warnings
Moderate: Adult/minor relationship, Death of parent, War, Infertility, and Misogyny
leahrosiee's review against another edition
adventurous
inspiring
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Classism, Gaslighting, Sexism, Grief, Misogyny, and Religious bigotry
Moderate: Fire/Fire injury, Violence, Death of parent, and Infertility
Minor: War, Sexual content, Physical abuse, and Pregnancy
just_one_more_paige's review
adventurous
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
I love a good retelling, so I'm here for the overall boom in feminist classic mythology retellings. The Witch's Heart and The Silence of the Girls are both great, and of course Circe is an all-time favorite of mine. So I was super excited to delve into this feminist retelling of a non-Western epic, the Ramayana.
The titular protagonist, Kaikeyi, is, in essence, Rama's (step)mother. In the original epic, the story focuses on Rama's exile to the forest at Kaikeyi's urging, and his battle with Ravana after he kidnaps Rama's wife, Sita, and his eventual crowning as king. Patel takes this original story as the scaffold, but turns the focus to Kaikeyi, building her characterization and the unfolding of events that explain why she urged Rama's exile. We follow Kaikeyi through her youth, as she realizes that, as a woman, she has nowhere near the power and position of the men in her world, and that despite all her prayers to the gods (as urged by society and tradition), they seem to have forsaken her. And yet, Kaikeyi makes a life with what she can, forging forward with a bit of magic, a bit of manipulation, a bit of secret training with her twin brother, and a whole lot of effort to create a better world for herself and the women of her nation. When the will/plan of the gods for the human world clashes with her own, threatening her family, her status, her relationships, her life's work, she must make an impossible choice between averting war (saving her homeland and her new land) or preserving the public legacy of her years of diplomacy and advocacy (and her familial ties).
Well, I loved this retelling. Kaikeyi became such a fleshed out and fully developed character in Patel's hands. I loved reading about her youth, both the difficult parts of finding her own ways without a mother or the gods to guide and help her, and the sweet and fun parts, like her relationships with her brothers, especially her twin. This is one of the only books I have read that goes into the art of charioteering (the Nevernight trilogy is the only other one I can think of), and I was fascinated reading about it. Plus, I am a sucker for a lady in battle, historically (I was weirdly obsessed with Joan of Arc as a kid, and loved Tamora Pierce's Alanna series), so the entire "Kaikeyi winning over Dasharath and Ayodhya through her horse/weapons prowess" really hit the spot for me. As Kaikeyi got older, I really enjoyed reading about her mind-opening about how she could help the women of her nation. There was some great insight into how being raised in one way (within a powerful family/court life) can limit one in the ways a person thinks about potential for change or how to make it happen, but with a little looking outside oneself, there are many creative and roundabout ways to affect change. As for her role as a mother, it was well-written, but not as much the highlight for me personally. I was much more into the ways she found to influence and act as a diplomat and use her small magic to create connections. And finally, I was so here for the ace spectrum coding on Kaikeyi’s character; it was smooth and natural and just....felt so right.
The writing itself was perfect for the genre, that sort of the folklore-y narrative voice that feels like classic fairy-tale story-telling. It's narrated by Kaikeyi herself, sort of looking back on everything after it all played out, so there is some fairly heavy-handed foreshadowing, with (short) reflections on what decisions could have been different or moments might have been altered to change the way things happened (just as a heads up, in case you, like myself, are not the biggest fan of that stylistic device). There were a couple other common plot devices that were recognizable, but well used, like the dangers of open-ended promises/boons as repayment/gift/in recognition. Also, and you can see it coming from a mile away but can't look away from it, the inevitable finale due to Kaikeyi keeping secrets (because she is a woman and grew up with little power/support/trust) leading to making decisions for the best possible outcome...but the lack of confiding in others about her knowledge plays a major part in her downfall of status/trust with those closest to her (because they didn’t understand her reasoning for having to make the decisions in the first place and felt taken advantage of and strong armed). That was a long description, but I was trying to convey the vibe while staying vague. The point is, it's a pattern I've definitely read before, but the confluence of situations/events built to Kaikeyi's tragedy in a wonderful way. Finally, I want to mention that the magic/gods aspects were in great balance to the rest of the novel (plot and character development - which were well-balanced and paced in their own right - and feminist themes); present, but never overpowering.
This was a cinematic, adventurous and spectacular retelling. The female gaze and centering was spot on and, as it always is, so refreshing. I always go into these retellings hoping for a happier story, even though I know that the women in these classics are tragic characters, the ones that suffered. So though these retellings are their perspectives, they are not happier for it, just given their own voice to tell it. Regardless, the forceful (though subtle within the plot itself, as necessary) feminism of historical, "powerful" women, was reminscient of Signe Pike's Langoureth (The Lost Queen and The Forgotten Kingdom) in all the best ways (I personally love that vibe/style). All in all, I just really enjoyed this reading experience and definitely recommend this book.
“I could not stop thinking about Ahalya, doomed to remain a stone statue in a forest, slowly eroding while her husband continued to wander the world. If a woman crafted by the gods themselves could be consigned to this fate, what hope was there for a woman born of a woman?”
“I had long thought of Ahalya as the foremost example of how a man might devastate a woman, but as I saw more of the world, I was realizing there were many ways to ruin a person's life. Most women were not cursed by their husbands, but they suffered all the same.”
“In helping another woman, I had in fact helped myself.” (love love love)
“I did not wish to bring a daughter into this world of men, into a world that would silence her thoughts before she could even speak them. I wondered how many women had felt this same fear, deep in their bones. [...] I had to build a world where [...] her opinion could be valued…”
“If the gods had already ordained my evil deeds, then I had nothing to lose by defying them now. So, I would defy them.”
“It is not weak to avoid war [...] It is the strongest thing you could do, to avoid unnecessary bloodshed.”
“'Then why do I feel wicked?' / 'Because those who are good question themselves. Because those who are good always wonder if there was a better way, a way that could have helped more and hurt less. That feeling is why you are good.'”
“Before this story was Rama’s, it was mine.”
Content Warnings
Graphic: Injury/Injury detail, Religious bigotry, Death, Death of parent, Sexism, Classism, Infertility, Blood, Misogyny, Violence, and War
Moderate: Murder, Pregnancy, Bullying, and Fire/Fire injury
Minor: Domestic abuse
mali33102's review
adventurous
challenging
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
The premise of this book was really intriguing. I felt like, overall, it was well-done, however, I found it difficult to want to pick up at times. I definitely believe that I would have enjoyed the book more had I read it more quickly. However, it was a solid realistic fantasy set in a culture that I have not read about before!
Content Warnings
Graphic: Sexism
Moderate: Death of parent, War, and Death
niyou's review against another edition
emotional
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Kaikeyi was such a wonderful, complex character. I experienced the story and reactions alongside her: love, foreboding, (out)rage and joy. This book will stay with me for a long time.
Content Warnings
Graphic: Death of parent, War, Religious bigotry, Misogyny, and Fire/Fire injury
bluejayreads's review against another edition
emotional
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I have to start out by saying that I have not read the Ramayana, although it is on my list of things to read eventually. So I had zero context going into this. But I do know I love reading books in interesting settings (ancient India certainly fits that bill) and usually enjoy vilified characters getting to tell their side of the story, especially when said character is a warrior queen fighting against society and the gods themselves to make her mark. I didn’t know if I was going to get an anti-hero or a heroine whose story got told only by her enemies, but I was excited to find out.
Kaikeyi herself was a fantastic character. As a woman, her purpose in life was to be married off; as a princess, she learned a lot about politics and diplomacy; as a stubborn sister, she convinced her brother to teach her to fight and drive a war chariot. She is also on-page aro-ace, making the eventual marriage an even worse prospect. And she also has a magic that lets her influence others’ thoughts and feelings, which adds an extra dimension to the politics. She wants equality for herself and other women, and she will use all the tools available to fight for it.
There is a lot of politics and diplomacy in this book. Normally that’s something I don’t enjoy, but Kaikeyi’s magic and its uses in getting her way made it tolerable and sometimes even enjoyable. I also love reading about characters who are good at what they do, and Kaikeyi is very, very good at what she does. I’m sure some of it is the magic, but she’s also had a lot of practice and is determined to make life better and more equal for women. Somehow even the fully political parts never crossed the line into dull.
I very nearly did not finish this book, and that is not at all the book’s fault. I’ve been under a lot of stress related to an unnecessarily complicated and frustrating move, and apparently my emotions are a little raw. As the book moved towards the end and things kept getting worse and worse as the climax approached, I nearly stopped – not because I didn’t want to see how it ended, but because I couldn’t handle the emotional intensity. I assumed it would have a sad, tragic, likely violent ending (again, have not read the Ramayana, but “vilified queens” rarely have happy endings in any mythology) and I liked Kaikeyi too much to want to watch that happen.
But I pushed through and I survived (and the ending wasn’t nearly as tragic as I expected). And I am very glad I stuck it out. Even without the context of knowing the Ramayana, Kaikeyi is a great book. I suspect that it would be even more interesting and engaging to someone who knows the original myths of the queen who is reimagined in these pages.
Content Warnings
Graphic: Misogyny, Sexism, Grief, Abandonment, and Death
Moderate: Blood, Gore, Death of parent, War, and Violence
Minor: Domestic abuse, Pregnancy, Animal death, Infertility, and Religious bigotry
Forced marriage, sexual content with dubious consent (mentions)savvyrosereads's review
adventurous
hopeful
inspiring
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Rating: 5/5 stars
A feminist retelling inspired by the Ramayana, Kaikeyi tells the story of Radnyi (Queen) Kaikeyi of Kosala and her journey through magic, motherhood, and the destruction (and salvation) of her family and kingdom.
“It was a child, freer than her mother had been.”
I adored this book! I love a feminist retelling, but it’s no secret that many of them have a tendency to be slow and a bit boring in sections. Not so here—Kaikeyi is action-packed and engaging from the very beginning, and Kaikeyi herself is a delight of a character who I was rooting for the whole way through. So much happens in this book that it isn’t easy to summarize (or even review), but I laughed, cried, and was thoroughly enthralled by the story and all the side characters (especially Kaushalya and Lakshmana, my faves).
I will also add that even though I went into this with pretty minimal knowledge of the Ramayana/any source myths, I never felt confused about the world or the events taking place. In fact, while I’m sure those who grew up with these myths will also enjoy the book, I think I was even more enchanted because everything was new to me—so if you’re intimidated by this book for those reasons, don’t be!
Bottom line: if you enjoy mythology and retellings, you absolutely have to read this one.
Recommended to anyone, but especially if you like: feminist retellings; Hindu epics; fantasy meets mythology.
CW: War/violence/injury/death; death of parent; abandonment; discussions of infertility; discussions of child death.
A feminist retelling inspired by the Ramayana, Kaikeyi tells the story of Radnyi (Queen) Kaikeyi of Kosala and her journey through magic, motherhood, and the destruction (and salvation) of her family and kingdom.
“It was a child, freer than her mother had been.”
I adored this book! I love a feminist retelling, but it’s no secret that many of them have a tendency to be slow and a bit boring in sections. Not so here—Kaikeyi is action-packed and engaging from the very beginning, and Kaikeyi herself is a delight of a character who I was rooting for the whole way through. So much happens in this book that it isn’t easy to summarize (or even review), but I laughed, cried, and was thoroughly enthralled by the story and all the side characters (especially Kaushalya and Lakshmana, my faves).
I will also add that even though I went into this with pretty minimal knowledge of the Ramayana/any source myths, I never felt confused about the world or the events taking place. In fact, while I’m sure those who grew up with these myths will also enjoy the book, I think I was even more enchanted because everything was new to me—so if you’re intimidated by this book for those reasons, don’t be!
Bottom line: if you enjoy mythology and retellings, you absolutely have to read this one.
Recommended to anyone, but especially if you like: feminist retellings; Hindu epics; fantasy meets mythology.
CW: War/violence/injury/death; death of parent; abandonment; discussions of infertility; discussions of child death.
Content Warnings
Graphic: Misogyny and Sexism
Moderate: Abandonment, Classism, Death of parent, Grief, Injury/Injury detail, Pregnancy, War, Death, Fire/Fire injury, and Violence
Minor: Infertility and Infidelity