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princess_peach's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
This book might be better to read once all three books are published. It's a first-person character book, so everything we know is based on what the main character, Wyatt knows. Wyatt, however, is a witch who was forbidden from learning about his powers and left Asalin, a fae kingdom for the human world. Wyatt is found and brought back to Asalin by his fae prince fiancee, Emyr. As Wyatt learns (or actively resists learning) about Asalin, fae and witch craft, so does the reader. I personally found that very frustrating. I'm hoping that once all three books are out, it will be less frustrating for me to read and I'll enjoy it more.
Content Warnings
Graphic: Death of parent, Dysphoria, Grief, Racism, and Transphobia
Moderate: Abandonment, Bullying, Child abuse, Deadnaming, Suicidal thoughts, Self harm, Panic attacks/disorders, Murder, and Fire/Fire injury
orcamagicka's review against another edition
adventurous
dark
emotional
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
1.5
So much potential, so much disappointment.
I would like to preface by saying that like the MC, I am also a queer trans teenager. Just as it’s important to read Own Voices books, it’s also equally important to read Own Voices reviews.
Starting off the the positives, the amount of diverse representation in the book is commendable. Diversity like this is rare in the fantasy genre, and I’m happy more YA fantasy books are making the effort to include a diverse array of characters in their story. This story includes trans, non-binary, queer relationships, polyamory, disability rep, and BIPOC characters.
However the representation is pretty much the ONLY good thing about this story, and even that isn’t saying much. If anything that’s my best guess why I’m constantly seeing so much hype for this story. Everything else that’s supposed to make a story good amounts to nothing in this book. The writing style and the inclusion of internet lingo and humor ripped directly off of Tumblr and Twitter had me cringing and rolling my eyes every chapter. Not only was it incredibly dated, cringey, and fell flat as humor, it broke my immersion with the *fantasy* world building. I never want to see the words “mcfuckin”, “yeet”, “vibin”, or “I’m just a gay little worm” (I’m NOT even exaggerating on that one) in a novel ever again or I’m going to bang my head into a wall. It turns out the author admitted in an interview he used TikTok as a means of “researching teen humor”. My hot tip for any YA authors, don’t do this.
The characterizations were incredibly weak. The side characters were under developed, had the exact same sense of humor and way of speaking, and were unremarkable. Most of the queer characters just felt like collections of stereotypes plucked off of Tumblr or Twitter, and that’s what their entire personalities and senses of humor revolved around. It seemed that the author was so caught up trying to write DIVERSE characters, he forgot to write diverse CHARACTERS. I’m shocked that this is an “own voices” story considering the poor writing for the queer characters and how they felt more like internet caricatures of queer people. I would honestly use this book as an example of how to NOT write queer characters. The world also felt very unfinished and inconsistent. On one hand it can be argued that this is the first installment of a duology and the characters and world will likely develop more in the sequel. But I’ve read so many series that were able to do so much more with less of a word count just within a first installment. And considering that this book is 422 PAGES long, there is very little excuse for having such bland writing.
The antagonists were some of the worst I’ve seen. The main villain is barely seen nor heard from throughout the story and he has some of the most basic, cliche villain dialogue that had me rolling my eyes. He was literally a rip off of the blue-eyed-blond-haired Neo Nazi villain trope you see in most action movies. And what kind of name is Derek for a fantasy villain??? The twist villain had me confused and beyond annoyed. And again, immediately started spouting off the same cliche lines and “maniacal laughter” you see in every other basic cheesy story once they were revealed to be an antagonist. Antagonists are usually some of my favorite characters in the story since they work to drive the plot and conflict, but these characters were so little seen and so bland that I couldn’t take them nor their threats seriously. Also how on earth was Derek still in position of the Guard despite being an obvious terrorist against the monarchy? That made no sense?
The story lends itself to be a “political allegory” with “radical” views as the author states, yet it completely lacks subtly. The author treats his audience like they’re incompetent and have to have their hand held throughout the entire story. The main character literally explains the parallels between the treatment of witches by the Fae and persecution of queer people in the human world, as if that wasn’t completely obvious. There are also many more spelled out parallels regarding police brutality, social justice movements, and defunding the police that felt very heavy handed. At the end of the book there was an out of the blue scene that basically mirrored the “dismantle the police” movement, which felt very out of place and not even realistic dialogue for one of the characters. And then at the VERY END of the book, after hundreds of pages of trying to sort out the heir situation, suddenly the characters pull a Game of Thrones season 7 and argue for Democracy?? Where was all this at for the first 420 pages?? Both these scenes felt so heavy handed and random and just felt like the author was trying to squeeze in as many social justice messages as he could without bothering to cohesively weave them into the story. Plenty of young adult stories do an excellent job of writing allegories for modern issues in a complex, nuanced way while allowing the readers to understand the issues. This book is not one of them.
I’m usually one to LOVE an “unlikable” character, but Wyatt is beyond one of the most annoying, edgy, and stagnant protagonists I’ve ever read in a story. I honestly felt nothing towards him, he could have dropped dead and I wouldn’t have cared. He’s not smart. He not kind. He’s not brave. He’s not good at magic and he doesn’t even TRY to learn despite constantly COMPLAINING how he can’t control his abilities and that he’s a “monster”. He doesn’t lead. He’s not anything. He contributes nothing to the story except through reacting to plot points thrown in to make the book less boring. And the constant self depreciating monologue and self wallowing pitty party worked against him and only made me agree with his negative self talk even more. I also felt uncomfortable with the way he talked about some of the female characters, especially Briar and all the sexual comments he made about her. And his off handed remark about the lesbian queens left a bad taste in my mouth. Can we please have trans male characters in books without writing them to be borderline misogynists?
The “romance” in between Wyatt and Emyr is some of the weakest I’ve seen. I usually love a good queer enemies-to-lovers story, but I felt absolutely nothing towards the two. Maybe I’m just not a fan of the “fated mates” trope or the fact that most of their romantic chemistry was from when they were children, but I couldn’t feel any excitement towards them. There was way more telling instead of showing when it came to their interactions, mainly consisting of just Wyatt internally moaning about how attractive yet annoying Emyr is anytime he’s on page.
I wanted to like this book so badly. Trans characters are a rarity in fiction, especially in fantasy. I was able to relate to many of Wyatt’s struggles with transphobia, being misgendered and deadnamed, and his dysphoria. But the lesson learned is that just because a story has representation, does not make it a GOOD story.
I would like to preface by saying that like the MC, I am also a queer trans teenager. Just as it’s important to read Own Voices books, it’s also equally important to read Own Voices reviews.
Starting off the the positives, the amount of diverse representation in the book is commendable. Diversity like this is rare in the fantasy genre, and I’m happy more YA fantasy books are making the effort to include a diverse array of characters in their story. This story includes trans, non-binary, queer relationships, polyamory, disability rep, and BIPOC characters.
However the representation is pretty much the ONLY good thing about this story, and even that isn’t saying much. If anything that’s my best guess why I’m constantly seeing so much hype for this story. Everything else that’s supposed to make a story good amounts to nothing in this book. The writing style and the inclusion of internet lingo and humor ripped directly off of Tumblr and Twitter had me cringing and rolling my eyes every chapter. Not only was it incredibly dated, cringey, and fell flat as humor, it broke my immersion with the *fantasy* world building. I never want to see the words “mcfuckin”, “yeet”, “vibin”, or “I’m just a gay little worm” (I’m NOT even exaggerating on that one) in a novel ever again or I’m going to bang my head into a wall. It turns out the author admitted in an interview he used TikTok as a means of “researching teen humor”. My hot tip for any YA authors, don’t do this.
The characterizations were incredibly weak. The side characters were under developed, had the exact same sense of humor and way of speaking, and were unremarkable. Most of the queer characters just felt like collections of stereotypes plucked off of Tumblr or Twitter, and that’s what their entire personalities and senses of humor revolved around. It seemed that the author was so caught up trying to write DIVERSE characters, he forgot to write diverse CHARACTERS. I’m shocked that this is an “own voices” story considering the poor writing for the queer characters and how they felt more like internet caricatures of queer people. I would honestly use this book as an example of how to NOT write queer characters. The world also felt very unfinished and inconsistent. On one hand it can be argued that this is the first installment of a duology and the characters and world will likely develop more in the sequel. But I’ve read so many series that were able to do so much more with less of a word count just within a first installment. And considering that this book is 422 PAGES long, there is very little excuse for having such bland writing.
The antagonists were some of the worst I’ve seen. The main villain is barely seen nor heard from throughout the story and he has some of the most basic, cliche villain dialogue that had me rolling my eyes. He was literally a rip off of the blue-eyed-blond-haired Neo Nazi villain trope you see in most action movies. And what kind of name is Derek for a fantasy villain??? The twist villain had me confused and beyond annoyed. And again, immediately started spouting off the same cliche lines and “maniacal laughter” you see in every other basic cheesy story once they were revealed to be an antagonist. Antagonists are usually some of my favorite characters in the story since they work to drive the plot and conflict, but these characters were so little seen and so bland that I couldn’t take them nor their threats seriously. Also how on earth was Derek still in position of the Guard despite being an obvious terrorist against the monarchy? That made no sense?
The story lends itself to be a “political allegory” with “radical” views as the author states, yet it completely lacks subtly. The author treats his audience like they’re incompetent and have to have their hand held throughout the entire story. The main character literally explains the parallels between the treatment of witches by the Fae and persecution of queer people in the human world, as if that wasn’t completely obvious. There are also many more spelled out parallels regarding police brutality, social justice movements, and defunding the police that felt very heavy handed. At the end of the book there was an out of the blue scene that basically mirrored the “dismantle the police” movement, which felt very out of place and not even realistic dialogue for one of the characters. And then at the VERY END of the book, after hundreds of pages of trying to sort out the heir situation, suddenly the characters pull a Game of Thrones season 7 and argue for Democracy?? Where was all this at for the first 420 pages?? Both these scenes felt so heavy handed and random and just felt like the author was trying to squeeze in as many social justice messages as he could without bothering to cohesively weave them into the story. Plenty of young adult stories do an excellent job of writing allegories for modern issues in a complex, nuanced way while allowing the readers to understand the issues. This book is not one of them.
I’m usually one to LOVE an “unlikable” character, but Wyatt is beyond one of the most annoying, edgy, and stagnant protagonists I’ve ever read in a story. I honestly felt nothing towards him, he could have dropped dead and I wouldn’t have cared. He’s not smart. He not kind. He’s not brave. He’s not good at magic and he doesn’t even TRY to learn despite constantly COMPLAINING how he can’t control his abilities and that he’s a “monster”. He doesn’t lead. He’s not anything. He contributes nothing to the story except through reacting to plot points thrown in to make the book less boring. And the constant self depreciating monologue and self wallowing pitty party worked against him and only made me agree with his negative self talk even more. I also felt uncomfortable with the way he talked about some of the female characters, especially Briar and all the sexual comments he made about her. And his off handed remark about the lesbian queens left a bad taste in my mouth. Can we please have trans male characters in books without writing them to be borderline misogynists?
The “romance” in between Wyatt and Emyr is some of the weakest I’ve seen. I usually love a good queer enemies-to-lovers story, but I felt absolutely nothing towards the two. Maybe I’m just not a fan of the “fated mates” trope or the fact that most of their romantic chemistry was from when they were children, but I couldn’t feel any excitement towards them. There was way more telling instead of showing when it came to their interactions, mainly consisting of just Wyatt internally moaning about how attractive yet annoying Emyr is anytime he’s on page.
I wanted to like this book so badly. Trans characters are a rarity in fiction, especially in fantasy. I was able to relate to many of Wyatt’s struggles with transphobia, being misgendered and deadnamed, and his dysphoria. But the lesson learned is that just because a story has representation, does not make it a GOOD story.
Content Warnings
Graphic: Transphobia, Blood, and Death of parent
Moderate: Gore, Child abuse, and Pregnancy
Minor: Grief, Terminal illness, Sexual harassment, Sexual assault, Adult/minor relationship, and Deadnaming
therainbowshelf's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I felt a bit so-so on this book but have absolutely no doubt that it'll be a treasure for the target audience. Many teens, especially LGBTQ teens and teens who love magic and excitablr queer culture will probably love this. I liked the fantasy setting, the characters, and the LGBTQ representation in this story. Several things about this book didn't work for me because they felt too forced to be an organic element. My top complaint was how forced the Facebook and cellphone stuff felt. It seemed like a cool concept that just needed a little more kneeding before it was fully mixed in.
📘The Gist 📘: Wyatt ran from the Fae world and his betrothed prince following a cataclysmic, traumatic event. When the prince comes to drag him back, Wyatt finds himself facing the same anti-witch discrimination and new transohobia as he fights to return home.
📒Representation📒: trans mc, mlm, wlw sc, nonbinary sc, bipoc mc and sc, native American mc
💕 For readers looking for 💕: Complex characters, evolving relationships, friends to lovers to enemies to...?, Magic, fantasy exploring real-world discrimination, moody protagonist
Content Warnings
Graphic: Fire/Fire injury, Death, Death of parent, Ableism, Violence, Transphobia, Toxic relationship, Toxic friendship, Suicidal thoughts, Physical abuse, Panic attacks/disorders, Injury/Injury detail, Hate crime, Homophobia, Grief, Gaslighting, Emotional abuse, Dysphoria, Deadnaming, Child abuse, Blood, and Drug use
Moderate: Racism
caseythereader's review against another edition
adventurous
dark
emotional
funny
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
- Hi hi welcome to another QUEER SCREAMING review! THE WITCH KING is packed with so much good stuff: found family, the fluidity of trans identity, a huge spectrum of genders, sexualities, races, and more.
- Though the book is a wild ride through the fae kingdom, it also covers a lot of hard topics, too: cruel parents, trauma recovery, broken friendships, racism, trying to burn the system down.
- You know I love a book with a prickly protagonist, and that's Wyatt. He makes a lot of bad choices and says a lot of hurtful things impulsively, but much of this book is about him and his friends growing through it together.
- THE WITCH KING is just such a unique book for so many reasons that I can't fit it all here. If you love queer fantasy, put it at the top of your list!
- Though the book is a wild ride through the fae kingdom, it also covers a lot of hard topics, too: cruel parents, trauma recovery, broken friendships, racism, trying to burn the system down.
- You know I love a book with a prickly protagonist, and that's Wyatt. He makes a lot of bad choices and says a lot of hurtful things impulsively, but much of this book is about him and his friends growing through it together.
- THE WITCH KING is just such a unique book for so many reasons that I can't fit it all here. If you love queer fantasy, put it at the top of your list!
Content Warnings
Graphic: Blood, Bullying, Child abuse, Colonisation, Cursing, Deadnaming, Death, Death of parent, Drug use, Emotional abuse, Fire/Fire injury, Gore, Grief, Injury/Injury detail, Murder, Panic attacks/disorders, Sexual assault, Sexual content, Suicidal thoughts, and Violence
Moderate: Abandonment, Alcohol, Genocide, Infertility, Police brutality, Pregnancy, and Transphobia
lagiven's review against another edition
adventurous
challenging
dark
emotional
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.25
There's lots of queer representation in this book which is what made me most excited because there aren't many fantasy novels featuring trans characters especially. The worldbuilding wasn't very detailed, but it was interesting and needed to be explained more. The plot was probably one of the weakest parts as it was all over the place, characters faced little to no consequences for their actions, and the reveal of antagonists at the climax wasn't well planned out.
Content Warnings
Graphic: Blood, Bullying, Child abuse, Death, Death of parent, Drug use, Dysphoria, Emotional abuse, Fire/Fire injury, Gaslighting, Grief, Hate crime, Homophobia, Infertility, Panic attacks/disorders, Sexual assault, Suicidal thoughts, Suicide attempt, Toxic relationship, Transphobia, Violence, and Xenophobia
puttingwingsonwords's review against another edition
dark
emotional
funny
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Blood, Bullying, Child abuse, Cursing, Death of parent, Death, Emotional abuse, Fire/Fire injury, Gore, Grief, Injury/Injury detail, Murder, Sexual assault, Violence, and Xenophobia
Moderate: Abandonment, Confinement, Transphobia, Toxic relationship, and Infertility
Minor: Alcohol, Drug use, Dysphoria, and Pregnancy
cardboardvox's review against another edition
challenging
dark
emotional
hopeful
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I was really excited to read this book, and I read through the whole thing in one sitting. I'm worried the language won't hold up long term, but it's part of what made the characters so real for me. I have Wyatts and Briars and Jins in my life, and it was so nice to see them on page. It's full of discussions of transness and queerness that are true to how I experience the queer community, and it's really nice to see presented for a younger audience so honestly. The metaphors in this book are not subtle, heavy handed and frankly discussed directly in the text - but I'm an adult, and this is a YA book, so it probably doesn't hurt to have things literally spelled out. The main villain is a little cartoonish, but that's fine, because the reveal of his accomplice was quite satisfying, with enough foreshadowing provided that I wasn't entirely surprised (that's good). Looking forwards to some kind of follow up, or at least more content from the author.
Content Warnings
Graphic: Fire/Fire injury
Moderate: Gore and Bullying
Minor: Vomit, Infertility, Grief, Drug use, and Deadnaming
k_tiches's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Transphobia, Death, Emotional abuse, Grief, and Toxic relationship
Moderate: Deadnaming, Drug use, and Sexual assault
Minor: Homophobia
melaniereadsbooks's review against another edition
adventurous
emotional
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Thank you to Netgalley and Ink Yard Press for the arc of this book!
Wyatt has spent the last three years with a new family after running away from Asalin, where he was abused for being a witch born among fae. But then his past comes calling in the form of Emyr, his betrothed, and the prince of the fae. He will be forced to confront his past and the institutions that make it unsafe to be witch-born in Asalin, as well as dealing with the feelings he stills has for his childhood best friend.
This book is the beautiful start to what will no doubt become one of my new favorite series. It was absolutely perfect and everything I could have ever hoped for or dreamt of for a book with such a beautiful cover and title.
The world-building is so interesting and really well done. I loved the way the author incorporated flashbacks as well as other elements to tell us the complete story of the fae and the witches in Asalin as well as the other fae kingdoms around the world.
I LOVED the characters so much! There is such a wealth of diversity amongst them and they are all so well-described and oh my gosh I just love them. I love Wyatt and Emyr and Briar and all the other wonderful and beautiful side characters and allies and villains that make up this world!
This book has trans, gay, nonbinary, ace, lesbian, bi, and potentially pan and/or demi-sexual rep in it and I love that so much!
Honestly, this book is everything. Do yourself a favor and preorder it and get ready for a new favorite series.
Pub Date: June 1, 2021
Wyatt has spent the last three years with a new family after running away from Asalin, where he was abused for being a witch born among fae. But then his past comes calling in the form of Emyr, his betrothed, and the prince of the fae. He will be forced to confront his past and the institutions that make it unsafe to be witch-born in Asalin, as well as dealing with the feelings he stills has for his childhood best friend.
This book is the beautiful start to what will no doubt become one of my new favorite series. It was absolutely perfect and everything I could have ever hoped for or dreamt of for a book with such a beautiful cover and title.
The world-building is so interesting and really well done. I loved the way the author incorporated flashbacks as well as other elements to tell us the complete story of the fae and the witches in Asalin as well as the other fae kingdoms around the world.
I LOVED the characters so much! There is such a wealth of diversity amongst them and they are all so well-described and oh my gosh I just love them. I love Wyatt and Emyr and Briar and all the other wonderful and beautiful side characters and allies and villains that make up this world!
This book has trans, gay, nonbinary, ace, lesbian, bi, and potentially pan and/or demi-sexual rep in it and I love that so much!
Honestly, this book is everything. Do yourself a favor and preorder it and get ready for a new favorite series.
Pub Date: June 1, 2021
Content Warnings
Graphic: Blood, Bullying, Child abuse, Deadnaming, Death, Death of parent, Drug use, Emotional abuse, Grief, Murder, Physical abuse, Police brutality, Violence, and Gore
Minor: Transphobia, Sexual assault, and Toxic relationship
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