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occasionally cool concepts, but wayyy too #girlboss 2010s feminism for me. DNFed at ~100 pages because if I have to read how "the poets won't sing about the women" one more time I'm going to go insane.
Content Warnings
Graphic: Rape, Sexism, Sexual assault, Sexual violence, Violence, Sexual harassment, War
adventurous
challenging
emotional
inspiring
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
I did enjoy this book, which highlights the hidden strengths and wiles of women that, although crucial, are often never 'sung about'. It does feel quite slow-paced at times. It's worth sticking with it for the final 20% or so, but I found myself skimming over parts in the middle. Also, heavy on the sexual assault descriptions which I didn't love.
Content Warnings
Graphic: Sexual assault, Sexual violence
adventurous
emotional
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Despite almost all the men being dead or at war, I feel like this barely passes the Bechdel test? But the women still got all the big things done with no thanks to the men?
Content Warnings
Graphic: Death, Misogyny, Violence
Moderate: Rape, Sexual assault, War, Injury/Injury detail
Minor: Domestic abuse, Slavery, Blood
adventurous
emotional
informative
mysterious
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Adult/minor relationship, Rape, Sexual assault, Sexual content, Suicidal thoughts, Violence, Grief, Sexual harassment
Minor: Alcoholism, Animal death, Blood
adventurous
dark
emotional
funny
inspiring
reflective
relaxing
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
„Love is for fools and children.“
„And yet we live, Leaneira. We live.“
What a masterpiece of a book, wow. The prose was excellent, it reminded me of the Bridgerton narrator, but like hundred times better. It's witty, engaging and easy to read. The story was unfolding at a slower, but nevertheless enjoyable pace, and I loved how the narrator didn't tell us everything, how we were invited to think about the story and its characters and come to our own conclusions about some things. I adored the wide cast of woman characters, who were all masterfully written - complex, sometimes unlikeable and messy, driven, and so real. The only issue I had that there were - ironically - too many male characters for me to keep track of, I kept forgetting who was who, lol. It also felt like just a glimpse into the lives of the gods and the mortals alike, like there is so much more to come - you can imagine my delight when I found out that this is the start of a series.
Content Warnings
Graphic: Misogyny, Sexism
Moderate: Death, Incest, Misogyny, Rape, Sexual assault, Sexual violence, Slavery, Violence, Grief, Murder, Sexual harassment
Minor: Adult/minor relationship, Domestic abuse, Racism, Terminal illness, Death of parent, Alcohol, Colonisation, War, Injury/Injury detail
adventurous
emotional
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Misogyny, Sexual assault
Minor: Slavery
adventurous
dark
funny
inspiring
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
From the very first day I started reading this book, I was obsessed with North's style of writing. An incredible blend of beautiful descriptions, witty dialogue, and clever insights into the world of the gods, North allows us to see the Age of Gods and Men through a previously relatively unexplored perspective: that of the goddess, Hera.
Within its first few pages, Ithaca throws you immediately into the belly of the beast while also establishing quickly that, unlike other stories of Grecian mythos, this tale revolves around women. I adore this altered perspective on Greek mythos as so many of the writings and stories are male-centric and Hera's bitter scorn towards those who have cast her aside and underestimated her provides a refreshing and, at times, entertaining view. It serves as a reminder that not only is Hera the goddess of wives, she's also the goddess of queens.
It is a beautiful thing to see powerful women being angry and destroying anyone who tells them they shouldn't.
Hera's unending persistence and resilience, and how it echoes in the characters she blesses, is truly a wonder and joy to read, even as she 'loses' conflicts. There are three primary examples we can see this in: Penelope (Queen of Ithaca), Clytemnestra (Former Queen Regent of Mycenae), and Elektra (Princess of Mycenae). Each of these three echo aspects, or epithets, of Hera.
It's worthy of mentioning that Helen of Troy is also referenced in the context of being blessed by Hera, though I won't be using her as an example as she does not actually appear in this novel.
In Penelope, we see the facet of Hera that is purely the goddess of Queens. She sacrifices everything for her kingdom, for her people, with even the fate of her son falling to a place of lesser import for the majority of the book's pages.
Through Clytemnestra, we see the facet of Hera that is the goddess of not only Queens, but of Women and, to a lesser extent, Mothers as well. Clytemnestra is referred to throughout the novel as being one of Hera's favoured in a variety of ways and we see this in the way she interacts with others throughout the chapters.
Finally, and my personal favourite of the three, we have Elektra. Elektra is an incredibly unique character, her viewpoints a mishmashed blend of the misogynistic views of her father and the strongwilled determination of her mother, and due to her much younger age than the other two listed here, we get to see much more of her character develop and be shaped by the presence and proximity she has to the Divine.
We also get a very interesting view on Hera's thoughts and feelings of her fellow Olympians. Her distaste for Zeus is palpable while her fear is also entirely understandable. The relationship between Hera and Athena, particularly the way it develops, was one of the major highlights of the novel for me and something I really really enjoyed. Hera is not simply the narrator of this story, she's equally as much of a character as any other and that's really what sets this novel apart for me.
Within its first few pages, Ithaca throws you immediately into the belly of the beast while also establishing quickly that, unlike other stories of Grecian mythos, this tale revolves around women. I adore this altered perspective on Greek mythos as so many of the writings and stories are male-centric and Hera's bitter scorn towards those who have cast her aside and underestimated her provides a refreshing and, at times, entertaining view. It serves as a reminder that not only is Hera the goddess of wives, she's also the goddess of queens.
It is a beautiful thing to see powerful women being angry and destroying anyone who tells them they shouldn't.
Hera's unending persistence and resilience, and how it echoes in the characters she blesses, is truly a wonder and joy to read, even as she 'loses' conflicts. There are three primary examples we can see this in: Penelope (Queen of Ithaca), Clytemnestra (Former Queen Regent of Mycenae), and Elektra (Princess of Mycenae). Each of these three echo aspects, or epithets, of Hera.
It's worthy of mentioning that Helen of Troy is also referenced in the context of being blessed by Hera, though I won't be using her as an example as she does not actually appear in this novel.
In Penelope, we see the facet of Hera that is purely the goddess of Queens. She sacrifices everything for her kingdom, for her people, with even the fate of her son falling to a place of lesser import for the majority of the book's pages.
Through Clytemnestra, we see the facet of Hera that is the goddess of not only Queens, but of Women and, to a lesser extent, Mothers as well. Clytemnestra is referred to throughout the novel as being one of Hera's favoured in a variety of ways and we see this in the way she interacts with others throughout the chapters.
Finally, and my personal favourite of the three, we have Elektra. Elektra is an incredibly unique character, her viewpoints a mishmashed blend of the misogynistic views of her father and the strongwilled determination of her mother, and due to her much younger age than the other two listed here, we get to see much more of her character develop and be shaped by the presence and proximity she has to the Divine.
We also get a very interesting view on Hera's thoughts and feelings of her fellow Olympians. Her distaste for Zeus is palpable while her fear is also entirely understandable. The relationship between Hera and Athena, particularly the way it develops, was one of the major highlights of the novel for me and something I really really enjoyed. Hera is not simply the narrator of this story, she's equally as much of a character as any other and that's really what sets this novel apart for me.
Content Warnings
Graphic: Murder, War
Moderate: Rape, Sexual assault
adventurous
informative
mysterious
fast-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
A really interesting book of political intrigue and hidden agendas. I didn’t know a lot about Penelope going in, and it was refreshing to see a different aftermath of Tory and a parallel to the Odyssey. It got a little slow in the middle, but I loved the camaraderie between the women of Ithaca and the goddesses of Olympus.
Content Warnings
Graphic: Death, Sexual assault, Violence
adventurous
dark
emotional
mysterious
tense
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Content Warnings
Minor: Rape, Sexual assault, Violence