Reviews

Disputes et Disparitions by Pete Williamson, Marcus Sedgwick

bethkemp's review against another edition

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4.0

Hilarious with gentle gothic elements for children. A good choice for sharing/reading aloud or for more confident readers.

There is much to praise in this book, but I think I've finally settled on its key strength being the narration. Having the family raven (called Edgar, of course) tell the story is a fabulous feature of this very entertaining book. There are aspects which I think the younger end of its target audience (8-9 year olds) might miss, but at the same time, I think there's plenty here to keep them reading while also being sharp enough for 12 year olds to enjoy. Despite the many gothic elements, the book is not scary for younger readers: this is zany-gothic rather than creepy-gothic.

The pace is lively, with short chapters and quirky illustrations, making it suitable for newly-independent readers, while the content (particularly the unreliable narrator, in that Edgar doesn't always understand everything immediately) offers enough to engage older and more experienced readers (myself included!).

The characters are wonderful. Edgar, of course, is closest to us and we learn a little of his history and that of the house. His absolute belief in his superiority is endearing (and befitting a raven), as is his loyalty. The family are, of course, hilariously crazy, and the castle itself (in fine Gothic tradition) is effectively a character too. Using an animal to narrate, and spreading the focus around the whole family means that this is easily a gender-neutral choice and will appeal to both boys and girls.

I would absolutely recommend this for anyone of 7 or over, and will be reading further instalments in the series.

arbieroo's review against another edition

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4.0

Marcus Sedgwick aims for a younger audience with this, the first of five Raven Mysteries books. Instead he gets me.

The ancient Guardian of Otherhand Castle has noticed a threat to the family and servants of the castle - a menacing and noxious tail, that may be connected to a mouth connected to the disappearance of a kitchen maid. Soon he has observed another danger: the castle, which appears to have something of a mind of its own, is flooding. Being a responsible Guardian, he attempts to warn the Otherhands, but this is more difficult than it would initially seem, since the Otherhands are variously, mad, stupid, obsessed with trivialities, conducting gruesome meteorological experiments or accompanied by a dangerous sticky monkey. Even explaining the situation to the one sensible member of the Otherhand clan is not straightforward, because the ancient Guardian is a Raven. Called Edgar.

This immensely entertaining, funny book combines ingredients from every comic-Gothic source that comes to mind, including The Adams Family, Beetlejuice and Araminta Spook with items from numerous more serious Gothic sources such as Gormenghast and one E.A. Poe, mixed together with Sedgwick's own strong Gothic sensibility and baked in a slightly rusty cake tin, rising to form a light and fluffy cake that it is a delight to consume.

It is worth noting that the book deploys illustration more effectively than any other novel with a similar target audience that I can remember. (Admittedly I can remember few.)

I look forward impatiently to the next Mystery as told from the viewpoint of Otherhand's oldest denizen, Edgar the Raven.
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