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mariahmmm's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
What a book. An exhausting read with dense and heavy content that picks apart and lays bare the prejudice and injustice of white colonialism and the greed for power and control.
Graphic: Addiction, Bullying, Child abuse, Death, Drug abuse, Emotional abuse, Genocide, Gun violence, Misogyny, Racial slurs, Racism, Slavery, Suicide, Torture, Violence, Xenophobia, Blood, Antisemitism, Kidnapping, Grief, Death of parent, Murder, Toxic friendship, Abandonment, Colonisation, War, Injury/Injury detail, Classism, and Deportation
noms01's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Misogyny, Sexism, Violence, Xenophobia, Death of parent, Murder, Toxic friendship, Colonisation, War, and Classism
Moderate: Physical abuse, Racial slurs, Slavery, Suicidal thoughts, Suicide, Torture, Alcohol, and Sexual harassment
Minor: Addiction
idabwells's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Manages to capture the devastating scope of colonial genocide while also portraying the courage and brilliance of those around the world struggling to survive and triumph over it.
Graphic: Addiction, Domestic abuse, Emotional abuse, Genocide, Misogyny, Racism, Sexism, Suicidal thoughts, Suicide, Torture, Toxic relationship, Violence, Xenophobia, Police brutality, Trafficking, Kidnapping, Mass/school shootings, Death of parent, Murder, Cultural appropriation, Abandonment, Colonisation, Classism, and Pandemic/Epidemic
Minor: Gun violence, Hate crime, Rape, Slavery, Religious bigotry, Gaslighting, War, and Injury/Injury detail
trashbinfluencer's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Moderate: Addiction, Bullying, Child abuse, Confinement, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Gore, Gun violence, Infidelity, Physical abuse, Racial slurs, Racism, Sexism, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Xenophobia, Blood, Police brutality, Grief, Religious bigotry, Death of parent, Murder, Fire/Fire injury, Cultural appropriation, Toxic friendship, Abandonment, Alcohol, Sexual harassment, Colonisation, War, Injury/Injury detail, Classism, Deportation, and Pandemic/Epidemic
fionamclary's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
As a huge language nerd, I was absolutely delighted with the magic system. It's clear that Kuang is also a language lover and has put a lot of research and passion into all the many languages that play a part in Babel. It's not a complicated magic system by any means, but it doesn't have to be when the intricacies are SO fascinating (at least to me).
Also, as a current physics grad student, the descriptions of Robin and his classmates' first few years at Babel were all too familiar and at times painfully relatable. The intense workload, the way it makes you a bit crazy, the closeness it can bring about when shared with others. The first third of the book set up the perfect premise for dark academia: golden summer days of picnics with your best friends, long nights in the library, and many hints that all is not right within the institution. And Kuang certainly delivered on that premise, escalating matters all the way.
I'm aware that this book made several white women quite angry. As a white woman, I can see why. Through one particular character, Kuang delivers an unflattering portrait of how white women can harm their friends of color simply by inaction and ignorance, and how they can fail when presented with the opportunity to commit to liberation. Although in some ways simplified for the purposes of fitting within the story and conveying the author's point, this portrait is not exactly wrong. I think there's some validity to criticism that the book does not do enough to address Robin and Ramy's internalized sexism, which hurts both Victoire and Letty. I think the fact that only Robin and to a somewhat lesser extent Ramy are fully fleshed-out for about the first half of the book does hamper some of the book's messages. But to say that this book indicts white women or even white people is ridiculous. The climax involves an immense show of solidarity across class and racial lines. Professor
Speaking of which, the climax of this book was beautiful and destructive. I cried for fully the last 20 pages, which never happens. In the end, I don't think I fully agree with Robin. I'm not sure if Kuang does, either. I don't think we're meant to feel one way or the other -- just consider his choices and his beliefs, and hopefully we understand how he came there, having grown up with him, as it were, and seen him through all the events that led up to his decisions in the last chapters of the book.
Highly recommend for language lovers, academics who feel complicated about their funding sources, and first-world leftists trying to understand their place in the world and their role in a frightening future.
Graphic: Child abuse, Death, Racial slurs, Racism, Suicidal thoughts, Torture, Violence, Xenophobia, Grief, Death of parent, Murder, Toxic friendship, Colonisation, War, and Injury/Injury detail
Moderate: Gun violence, Hate crime, Misogyny, Sexism, Suicide, Blood, Alcohol, and Sexual harassment
Minor: Addiction, Drug abuse, Drug use, Slavery, Islamophobia, Religious bigotry, Abandonment, and Pandemic/Epidemic
julia_eve_r's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Xenophobia
Moderate: Child abuse
Minor: Addiction, Toxic friendship, and War
ericadawson's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
People like to pull Playfair's quote about the violence and betrayal of translation from the text and present it as one of the most gut-wrenching lines in the entire novel. In fact, there are many such lines across many contexts. If I went through Babel now to put them all here, I'd never stop. I may as well quote the whole book.
Babel is about a a young, half-Chinese, half-English man named Robin Swift as he grapples with his role in support Britain's colonial Empire in the 1830s. The lynchpin for all of England's dealings is silver, imbued with the magical and abstract powers of the tongue via the powerful spaces between translation.
Babel has almost everything for me. I love all of the characters. The "math" of the arcs--that is, why anyone one character says or does anything at any give time--makes perfect sense. It's not predictable; simply logical. I could never hate Robin or Victoire or Letty for their initial love of Babel. I couldn't blame Ramy for anything he did or said. Letty's white feminism, white supremancy, and willfully ignorant understanding of the world was on point until it got tiresome.
That is where I have to shave off a portion of a point, unfortunately. Letty's point as a character was hammered home until the wood was dented and the head was flying off the hammer. While I can understand that narrative math of Robin, Ramy, and Victoire explaining to Letty over and over how hard it is to be non-white in a fundamentally white supremacist insitution, white supremacist land--at a point, I grew patient with them. Especially after
Another portion of a point gets shaved off for Victoire's character. I loved her, I do, I just wish she stood out more from the beginning. I loved her especially in the end, with how her character was set up against Robin's and how they played off each other's strengths and weaknesses.
Yet another portion of a point for the pacing of the ending in general. It was slow for me. There were two supposed twists/keys to success that I was waiting for the characters to remember and use, which made me get impatient.
None of these things overall seriously detracts from my star-point rating for Babel. It was a lovely book. The prose was straightforward without being plain, and often punched me in the gut (in a good way). The concept was amazing, and the entire plot was clearly well-researched. I loved the footnotes. I loved everything. Highly recommended. If there was top-shelf wine for books, Babel would be up there.
Graphic: Child abuse, Racial slurs, Racism, Violence, Blood, Death of parent, and Classism
Moderate: Panic attacks/disorders, Murder, and Colonisation
Minor: Addiction
jiwiz's review against another edition
- Strong character development? Yes
4.0
I'd describe this book in one sentence as a very loud 'Fuck you' to western colonialism. I've seen people criticise how on-the-nose it is. It drives its point home in such a glaringly obvious way that it's impossible to misinterpret it. I think it definitely could stand to deliver its message in a more subtle, nuanced manner. That being said, it was a solid read. I think R.F. Kuang does a good job at writing less-than-perfect protagonists and the magic system is very fresh and unique.
Graphic: Death, Racial slurs, Racism, Xenophobia, Murder, and Colonisation
Moderate: Addiction, Child abuse, Misogyny, Racism, Sexism, Slavery, Suicide, Torture, Violence, Grief, Murder, Toxic friendship, Sexual harassment, and Injury/Injury detail
Minor: Blood
mereas's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Besides the foundation to this historical fantasy, the found-family trope touched my soul. I am a sucker for the most of unlikely friends to become a group of four. Between the lines, there are undertones of queer sentiments that also resonated with me, though they do not go further than just that. This, I did not mind because the characters are constantly in survival mode whether physically or emotionally. The reality underneath Rebecca F. Kuang's words is like a goldfish peaking above the water's surface--the social arguments always felt natural and fluid, which hurt the most.
Language holds so much power, yet it can just as easily be lost.
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On a side note, I love to find authors' favorite diction. Rebecca F. Kuang is biased to: teeter, tranquility, translation.
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"'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your own biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands'" (535).
"Oxford relied on silver, how without the constant labour of its translation corps, of the talent it attracted from abroad, it immediately fell apart. It revealed more than the power of translation. It revealed the sheer dependence of the British, who, astonishingly, could not manage to do basic things like bake bread or get safely from one place to another without words stolen from other countries" (471). This, made me question what else can stand in for silver. Oil. Petroleum. Fast fashion. And, at what cost?
Graphic: Death, Racism, Sexism, Slavery, Suicide, and Xenophobia
Moderate: Addiction, Body horror, Child abuse, Drug abuse, Emotional abuse, Gun violence, Panic attacks/disorders, Physical abuse, Blood, Grief, Death of parent, Murder, Colonisation, Classism, and Pandemic/Epidemic
navayiota's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Child abuse, Child death, Confinement, Death, Domestic abuse, Drug use, Emotional abuse, Gun violence, Misogyny, Physical abuse, Racial slurs, Racism, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Xenophobia, Blood, Police brutality, Grief, Suicide attempt, Death of parent, Murder, Toxic friendship, Abandonment, Alcohol, Colonisation, War, Injury/Injury detail, Classism, and Pandemic/Epidemic
Moderate: Addiction, Drug abuse, Islamophobia, Car accident, Fire/Fire injury, and Deportation