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grubstlodger's review against another edition
4.0
This was a joint writing project between Leon Garfield and Edward Blishen, brought together by their childhood love of Greek Myths. The idea is to take the myths, tie them together into something of a through-narrative and tell them in a language that is gritty, modern and poetic. The book won the Carnegie Medal and Charles Keeping’s creepy illustrations were commended for the Greenaway Medal.
That aim to be gritty and poetic threatens to overwhelm the book but thanks to a smart way with a simile or a dash of humour, it never is quite subsumed. There’s no clear indication of who wrote what, but comparing the crusting on a crab’s shell to mini travelling cities can only be a Garfield idea. I also enjoyed the way the book creates its own epithets for the Gods and Goddesses.
The God beneath the sea is Hephaestus, son of Zeus and Hera, thrown to the sea for being ugly. The stories of the Earth’s creation and the Titanomachy are told to him by the sea nymphs who have taken him in. It’s interesting though, Hephaestus is not really the main character, if anything, it’s Prometheus.
I didn’t realise that in Greek creation myth, humans were created, not by an Olympian but the Titan, Prometheus. What’s more, the human soul are seeds born of the primordial chaos of the world. People in this book are so fragile and weak compared to the Gods and Prometheus sacrifices himself to fight in their corner.
This is very much a God’s-eye view of the Greek myths, dabbling in ones that I knew less about. Not only the lesser told stories of Chronos and the war with the Titans but also the ancient Greek version on the universal flood myth. Also - I didn’t know the walls of Troy were built by Gods.
This is a very different book from Leon Garfield’s others (except the sequel) but it’s vivid and exciting, certainly better than the Stephen Fry retellings.
That aim to be gritty and poetic threatens to overwhelm the book but thanks to a smart way with a simile or a dash of humour, it never is quite subsumed. There’s no clear indication of who wrote what, but comparing the crusting on a crab’s shell to mini travelling cities can only be a Garfield idea. I also enjoyed the way the book creates its own epithets for the Gods and Goddesses.
The God beneath the sea is Hephaestus, son of Zeus and Hera, thrown to the sea for being ugly. The stories of the Earth’s creation and the Titanomachy are told to him by the sea nymphs who have taken him in. It’s interesting though, Hephaestus is not really the main character, if anything, it’s Prometheus.
I didn’t realise that in Greek creation myth, humans were created, not by an Olympian but the Titan, Prometheus. What’s more, the human soul are seeds born of the primordial chaos of the world. People in this book are so fragile and weak compared to the Gods and Prometheus sacrifices himself to fight in their corner.
This is very much a God’s-eye view of the Greek myths, dabbling in ones that I knew less about. Not only the lesser told stories of Chronos and the war with the Titans but also the ancient Greek version on the universal flood myth. Also - I didn’t know the walls of Troy were built by Gods.
This is a very different book from Leon Garfield’s others (except the sequel) but it’s vivid and exciting, certainly better than the Stephen Fry retellings.
annabel_kathryn's review against another edition
4.0
I read this book as a child and absolutely loved it. I had vivid memories of the illustrations and descriptions of Hephaestus' creations and I was just as blown away revisiting it. The beauty of the words makes this book enthralling and paints such incredible images. Garfield doesn't shy away from writing about the darker side of these tales, but he also doesn't go into details that would prevent me from giving this to an older child with an interest in mythology. Definitely one to revisit again!
singinglight's review
3.0
A re-telling of Greek myths, focusing on Hephaestus. I’m quite fond of Hephaestus myself, but I never quite tipped over into love here. This may partly be due to the pictures, which kind of freaked me out. [May 2011]
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