Reviews tagging 'Bullying'

If We Were Villains by M.L. Rio

203 reviews

galena19's review against another edition

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challenging dark emotional mysterious reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book reminds me of the play Cat on a Hot Tin Roof by Tennessee Williams 

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bleme's review against another edition

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dark emotional inspiring mysterious reflective tense fast-paced
  • Diverse cast of characters? Yes

5.0


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oliviacarbajal's review against another edition

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adventurous dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.75

I don't even really know where to start. If we were villains immediately sucked me in, then bored me a bit, followed by an infuriating well-just-tell-me-who-done-it-already hissy fit, and finally shocked me right to my core.

This Shakespeare inspired, dark academia drama is separated into five acts to completely embody the Shakespearean themes Rio evokes throughout the novel. It is centered around 7 young Shakespearean actors at Dellecher Classical Conservatory in their fourth and final year. The first two acts are solid and I loved how Rio kept the parallels to The Bard's tragedies at the center of her story. The scene where these 7 misfits act out Macbeth had me on the edge of my damn SEAT. I have to say each character began to be more like stereotypes than real people by the end of Act II, but it was effective nonetheless. I was also so locked into the drama and tension everywhere you turn, the stakes were high in every class and conversation. The bickering, the emotionally deep rehearsals, the fighting (physical and verbal), the atmosphere was cut throat and pulled taut. While the drama and building climax to the murder is what kept me going, Acts III and IV were a bit dry and sooooo dragged out. Act V thought?? We were back in business.

That ENDING. While I should've seen it coming as someone that took 3 Shakespeare classes in undergrad (and studied abroad in London and took 2 more), I was so ill-prepared for that final sentence. I read that final scene three times over and sat with my jaw to the floor the whole time. While I was unsure where this review would go after the dull Acts III and IV, Act V redeemed this entire story. I am now going to see if I can find some decent fanfic to help me recover. 



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ashleyslibrary's review against another edition

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challenging dark emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

I’ve never greatly enjoyed reading Shakespeare, and I was worried that it would affect my overall perception of If We Were Villains. 

While I am grappling with mixed emotions on my overall opinion of the book, I know this book will stick around with me for quite a while. 

M.L Rio does a beautiful job of displaying the complex and raw emotions and relationships that can form in tight-knit friend circles in early adulthood. 

I both love and hate the ending at the same time - a form of artistry I’ve grown to appreciate more the older I’ve gotten. A solid 4 stars!

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julells's review against another edition

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challenging dark emotional inspiring mysterious reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

This book is frustrating, gut-wrenching and absolutely heartbreaking.
I hated it.
Go read it.

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arbramirez's review against another edition

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dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5


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gussurireads's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

Pretensioso, com uma prosa terrível cheia de más comparações (uma bengala da autora que não consegui ignorar) e uma personagem principal cujo ponto de vista é por vezes irritante, por outras misógino - portanto, irritantemente misógino?

Passo a citar uma das frases que mais me chocou,  p. 139 Ato II, "Felizmente, não estava excessivamente maquilhada e continuava a parecer humana." Isto é a observação da personagem principal (um homem) sobre uma das suas melhores amigas, com quem ele se envolve romanticamente, e que apenas a vê como um objeto de desejo, enquanto o seu amor verdadeiro é outro homem. Será pedir muito que autoras mulheres não odeiem outras mulheres nos seus livros?

Relativamente ao enredo e o motivo pelo qual segui a recomendação de leitura (proveniente de uma das minhas booktubers favoritas, nem acredito na desilusão): o mistério do assassinato torna-se relativamente óbvio no início do Ato III. O livro é composto por 5 atos e estava a custar-me continuar a leitura desde o primeiro ato. Tornou-se mais interessante conforme a tensão foi aumentando, mas creio que grande parte do combustível que alimentou está leitura foi a minha própria teimosia em ver a minha teoria sobre o assassino confirmada (e foi confirmada!).

O plot twist no epílogo que todos falaram foi... Ok. Não sou muito fã deste tipo de epílogos e creio que não beneficiou em nada a narrativa, sendo que o mais interessante de "Como Se Fôssemos Vilões" é mesmo toda a tensão e drama criado em torno do ambiente obsessivo em que estes jovens vivem. Fora isso, resta apenas uma prosa pobre e personagens estereotipados, com pouca profundidade. 

Recomendo a leitura se estiverem presos numa cabine sem internet e este for o único livro entre uma coleção de livros da Coleen Hoover.

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yzer2468's review against another edition

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challenging dark funny mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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scottsland_yard's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book was really good! The writing was very poetic and the inclusion of many Shakespeare quotes was accurate to the characters as well as a great way to really draw the reader into the world. A bit difficult to get the nuance of the Shakespeare quotes chosen if you aren't well-versed in shakespearean theater though. I'm sure there were references I missed. 

SPOILER AHEAD!! 



The ending really upset me and I don't think in the way the author intended. While it was very poetic and intense, creating a huge tension that just ramped up and up toward the last page, I feel like the ending didn't justify the means. While ostensibly a story about murder and passion and rage, it was also obviously a story about love and self discovery. I think having the main character be bi-sexual and technically in a relationship with both Meredith and James (in a way) was really smart story telling to showcase the difficulty he feels in trying to figure out who he is, not only as an actor, but as a lover. What I didn't appreciate (and it's not really Rio's fault so much as it's a tired and hurtful trope shares by many authors) is that the majority of stories that feature a gay couple require that they go through torturous and heart-wrenching levels of trauma in order to move the story along. As a gay man, reading the tension between Oliver and James over and over with little to now pay off didn't feel exciting, it felt like torture. I was being led along like a horse with a carrot, the promise of the possibility of Oliver and James professing their feelings for each other or ending up together, only to constantly be whipped with sex scenes with Meredith and violence with Richard. In the end, when you think Oliver might finally get yo be happy with James, we're slapped in the face with the blunt honesty of Phillipa letting us know that James killed himself after not being able to bare the weight of the guilt of killing Richard (in self defense, btw) and his lover taking the blame for it. So Oliver once again ends up with Meredith and I was left furious. And the last page does little to bandage those wounds. 

I was left feeling empty, tense beyond belief, and with a heavy pit in my stomach. While the story was very good and the book was extremely well written, I am sick of this trope. I'm sick of gay characters being used as the martyrs in stories or being included only to drive the trauma train. (OH, also include the only canonically gay character overdosing and almost dying too) 

I yearn for stories of gay couples/characters that include all the tense will-they-won't-they that straight romances have, but for once, I'd like them to actually end up together. I've learned this is not the book for that. 

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aloola's review against another edition

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dark emotional mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

5.0


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