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spicycronereads's review against another edition
challenging
dark
emotional
hopeful
mysterious
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
This book is really beautiful. It’s also really hard to read. Not because of the way it’s written, but because the weight of the main character’s grief, for her father, and for the planet, is so heavy. But it really is quite beautiful in the end.
Rita, the main character, is really the only character. She goes to a remote cabin to spend an artist residency for which her girlfriend has applied for her without telling her. So we do see a little bit of her girlfriend from time to time and in flashback, but she’s really almost a tertiary character. The environment is like a secondary character with Rita being the main character.
Tiffany Morris’ writing is really poetic and lyrical. I found myself highlighting tons of passages because they were just so beautifully written.
If you were looking for a horror story, this is pretty unconventional. There is no gore, no killers, and no hauntings or violence, other than that of the landscape, and what is done to the landscape by people. Part of the narrative convention, which I found really neat, is that parts of the story are told by artist reviews of Rita’s paintings. And so we very closely see the relationship between art, ecology, and life in the novel.
In terms of diverse representation, Morris is a queer, indigenous author, and Rita is an indigenous character of the Mi’kmaw people. It’s not clear whether her mother is also indigenous, but there is a lot of emphasis in the narrative about her father and her connection to her indigenous background through her father.
Overall, even though it’s a pretty short book, it took me quite a while to read, because the depth of the grief had to be taken in slow doses for me. ⭐️⭐️⭐️⭐️
Rita, the main character, is really the only character. She goes to a remote cabin to spend an artist residency for which her girlfriend has applied for her without telling her. So we do see a little bit of her girlfriend from time to time and in flashback, but she’s really almost a tertiary character. The environment is like a secondary character with Rita being the main character.
Tiffany Morris’ writing is really poetic and lyrical. I found myself highlighting tons of passages because they were just so beautifully written.
If you were looking for a horror story, this is pretty unconventional. There is no gore, no killers, and no hauntings or violence, other than that of the landscape, and what is done to the landscape by people. Part of the narrative convention, which I found really neat, is that parts of the story are told by artist reviews of Rita’s paintings. And so we very closely see the relationship between art, ecology, and life in the novel.
In terms of diverse representation, Morris is a queer, indigenous author, and Rita is an indigenous character of the Mi’kmaw people. It’s not clear whether her mother is also indigenous, but there is a lot of emphasis in the narrative about her father and her connection to her indigenous background through her father.
Overall, even though it’s a pretty short book, it took me quite a while to read, because the depth of the grief had to be taken in slow doses for me. ⭐️⭐️⭐️⭐️
Content Warnings
Graphic: Suicidal thoughts, Grief, and Panic attacks/disorders
Moderate: Body horror, Fire/Fire injury, and Sexual content
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