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booksthatburn's review against another edition
adventurous
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
One of my favorite things in GODKILLER is that all of the characters change in very significant ways, prompted by their interactions with each other, but no one changes into any other character's ideal. They bend without breaking, they fit in with each other on the road without wholly molding to one another. Inara is a little girl with a god, Skediceth, living inside her. She seeks out a godkiller to try and find a way to free Skediceth from her, to let them both live separately, no longer intertwined. Kissen, a godkiller, seems to have already changed enough by not killing Skediceth when she meets him, but as they journey together it becomes apparent that being a godkiller doesn't actually mean that she kills every god she meets. Instead, Kissen kills the ones who are making life worse for people, the ones she's paid to kill. Elogast is on a mission from his best friend and king, Arren, to go to a city whose gods he tried to kill, to get one of them to become the king's new heart. Publicly, the king wants all the gods dead, or at least no longer worshipped, so Elogast must keep this mission secret, for the sake of the king. All four of them and up in the same pilgrimage caravan, traveling together with a few others, braving the dangers of the road and the patrolling knights. Skediceth is a god of white lies, untruths that are meant to mitigate harm and make things feel better, even if reality doesn't change because of them. Because he's a god, he's able to affect how lies are perceived, how readily they are believed. This makes things much easier as they travel, deflecting questions and averting gazes, making some trouble never manifest at all.
There's a narrative focus on the way all of the characters have been marked by the gods, changed by them, for good or ill. Kissen has a prosthetic leg fashioned from leather and metal, replacing the flesh leg she lost as a child when the other villagers tried to sacrifice her family to a fire god. She uses the prosthesis when the situation calls for two legs (as travelling and fighting tend to do). Most discussion of her legs is logistical, such as when she's cut in the leg while fighting and just needs to repair or replace the prosthesis, instead of having been injured in her flesh. I like the matter-of-fact handling of it. While there was someone in her past who exploited her and other children like her, the narrative only briefly discusses that time of her life. Now, she has two legs, it's just that the lower part of one of them can detach from the rest of her.
As the first book in the series, Godkiller feels very complete, able to stand alone. It invites a sequel with the way that it changes the situations of the main characters by the end, and I want to know what they do next. It's more open than a standalone without giving me a cliffhanger, which is perfect. The main characters are all very different with competing motivations that have all placed them together for now, but they don't know if they can trust each other. The worldbuilding and characterization work together seamlessly to make an engaging story that isn't afraid to have a slow burn in the middle. Most of it takes place during this pilgrimage, complemented by a much slower story pace. It helps to create a sense of time, that this journey really does take a while, one measured in days or perhaps weeks though not months.
There's a narrative focus on the way all of the characters have been marked by the gods, changed by them, for good or ill. Kissen has a prosthetic leg fashioned from leather and metal, replacing the flesh leg she lost as a child when the other villagers tried to sacrifice her family to a fire god. She uses the prosthesis when the situation calls for two legs (as travelling and fighting tend to do). Most discussion of her legs is logistical, such as when she's cut in the leg while fighting and just needs to repair or replace the prosthesis, instead of having been injured in her flesh. I like the matter-of-fact handling of it. While there was someone in her past who exploited her and other children like her, the narrative only briefly discusses that time of her life. Now, she has two legs, it's just that the lower part of one of them can detach from the rest of her.
As the first book in the series, Godkiller feels very complete, able to stand alone. It invites a sequel with the way that it changes the situations of the main characters by the end, and I want to know what they do next. It's more open than a standalone without giving me a cliffhanger, which is perfect. The main characters are all very different with competing motivations that have all placed them together for now, but they don't know if they can trust each other. The worldbuilding and characterization work together seamlessly to make an engaging story that isn't afraid to have a slow burn in the middle. Most of it takes place during this pilgrimage, complemented by a much slower story pace. It helps to create a sense of time, that this journey really does take a while, one measured in days or perhaps weeks though not months.
Content Warnings
Graphic: Gore, Religious bigotry, Blood, Death, Kidnapping, Fire/Fire injury, Violence, Murder, Child death, Death of parent, and Confinement
Moderate: Ableism, Self harm, Sexual content, War, and Injury/Injury detail
Minor: Excrement, Trafficking, Animal death, Child abuse, and Slavery
kjm19's review against another edition
adventurous
dark
emotional
funny
inspiring
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Godkiller is a great display of character driven fantasy that includes so many fun tropes and colourful characters.
It is possibly the most diverse/inclusive set of core characters that I’ve come across in any novel, let alone a fantasy one, which was really refreshing. Several characters have disabilities that add depth and context to their lives and shows us just how possible it is to be inclusive in the fantasy genre. Authors, take note!
The characters are loveable, funny, and relatable. It’s great to see how relationships blossom between our core characters, I do admit that it happens rather fast, but it’s a fast pace story with high stakes. Of course they will form immediate bonds if they have to.
There are convenient elements to the plot line, I must admit, like how quickly Skedi changes his mind about things and how his actions are forgiven etc. But fantasy is all about people coming together to join in one an epic adventure, and I feel that this was crafted very well.
I see how the world is building for a sequel, and I am intrigued to see how the wider context, such as archivists and the role of the King, will play into the future plot.
Kissen is one of my favourite protagonists of recent reads - she is bold in every way possible. Need I say more.
It is possibly the most diverse/inclusive set of core characters that I’ve come across in any novel, let alone a fantasy one, which was really refreshing. Several characters have disabilities that add depth and context to their lives and shows us just how possible it is to be inclusive in the fantasy genre. Authors, take note!
The characters are loveable, funny, and relatable. It’s great to see how relationships blossom between our core characters, I do admit that it happens rather fast, but it’s a fast pace story with high stakes. Of course they will form immediate bonds if they have to.
There are convenient elements to the plot line, I must admit, like how quickly Skedi changes his mind about things and how his actions are forgiven etc. But fantasy is all about people coming together to join in one an epic adventure, and I feel that this was crafted very well.
I see how the world is building for a sequel, and I am intrigued to see how the wider context, such as archivists and the role of the King, will play into the future plot.
Kissen is one of my favourite protagonists of recent reads - she is bold in every way possible. Need I say more.
Content Warnings
Graphic: Death of parent, Murder, Sexual content, Violence, Injury/Injury detail, Abandonment, Child death, Chronic illness, Death, Gore, War, Confinement, Fire/Fire injury, Grief, and Panic attacks/disorders
kattila's review against another edition
adventurous
dark
emotional
funny
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Great disablility representation and people just casually being gay without it making a fuss. Loved the story too and was invested in the characters and their goals.
Content Warnings
Graphic: Confinement, Violence, Genocide, Grief, Fire/Fire injury, Death of parent, Death, Emotional abuse, Gore, and Blood
Moderate: Alcohol and Animal death
Minor: Child abuse and Trafficking
mattiedancer's review against another edition
adventurous
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Writing: 4⭐️/5
The writing in this novel is strong in some sections and adequate in others. I thought the descriptions were strong, the world-building strong, but portions of the book dedicated to emotions or the inner turmoil of characters could sometimes fall flat in comparison to everything else. Similarly, the dialogue, especially at the beginning, felt forced, attempting to craft a badass female MC, but it came off a little cringe-y.
Characters: 3.75⭐️/5
Listen. I love the badass female protagonist as much as the next gal, but I felt a bit forced by Kaner to accept our MC’s badassery. She was in your face, blunt, and sassy to the point of disinterest, seemingly cutting elements from the typical badass female character and pasting it onto the page. Similarly, Elo’s determination to be a pouty ex-soldier with a chip on his shoulder reads similarly. His broody demeanour felt broody for no reason other than to be broody, and I was happy when he started to develop into something more.
Now, that being said, nearly everyone else was so fascinating to read about. The gods and their desire to have gifts. The young King and his suspiciously timed mission. The young girl who is plagued with a god of white lies. That god of white lies and his desire to undo the hurt he causes. If the two main characters had hit a stronger stride earlier, this could have easily been a five.
Plot: 4.5⭐️/5
The plot – and the world it takes place in – are instantly fascinating. We have a world, once overcome with gods and their patrons, now devoid of them. We have a quest to find the lost gods, and an attempt to untie a small god from the girl it wound itself around. I loved the story and I was fascinated at nearly every turn to understand and read about the next exciting moment, the next beautiful description, the next intriguing turn.
Who Should Read This Book?
- Fans of older young adult fiction looking for a brilliant fantasy world
- Those who LOVE the badass female protagonist
- Fantasy readers looking for plot and world-building over writing
Content Warnings?
- Death, fire, fire injury, murder, stalking, gaslighting, confinement, toxic relationship, toxic friendship, violence, injury, blood, injury detail, death of parent, death of child, war, sexism, sexual content,
Post-Reading Rating: 4.5⭐️/5
Fascinating. If I had the second, I would have started reading immediately.
Final Rating: 4.25⭐️/5
Content Warnings
Graphic: Violence, Injury/Injury detail, Blood, Murder, Child death, Fire/Fire injury, Death of parent, Toxic friendship, Toxic relationship, War, Sexism, Death, Gaslighting, Confinement, and Sexual content
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