Reviews tagging 'Death'

The Phantom of the Opera by Gaston Leroux

34 reviews

jobaji's review

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adventurous dark emotional mysterious sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.5

I thought this book was pretty interesting! It was told in a cool way, with Leroux assuming the role of a historian or reporter. Some of Erik’s lines were truly spine-chilling, but the themes of nature vs. nurture and showing compassion to those whom most people would turn away from were definitely worthy of further thought. It’s a slow read at the start, but towards the middle the story starts to pick up.

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alicearaujoms's review against another edition

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adventurous dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75


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linnylionheart's review against another edition

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dark sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


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mengzhenreads's review against another edition

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dark emotional mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

You can feel the emotion pouring from every crevice of this book. Definitely different from the musical, but just as original, moving, and dramatic.

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toffishay's review against another edition

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adventurous mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

I was a bit disappointed by this book. I found it to be very slow and the writing style made it hard to keep up at times. It gets really slow in the middle and then all the action is in the last 50 pages or so. I also think that the approach of writing it almost like an investigative journalist was a detriment to the story; without the perspective of our main characters, I found it a little hard to connect with them. Of course, there are some very unfortunate racial stereotypes in here particularly with the character of the "Persian" who is never named beyond that. And as much as Christine fits into the characterization of a female Gothic heroine, she lacks the agency that would make me feel like this is her story. She is pulled around by everyone else, with just enough of a hint of a real character to make it disappointing that we get so little of it. Not terrible, but not the best. I think Wuthering Heights does a lot of this style and themes better

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maeverose's review against another edition

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dark mysterious slow-paced
  • Plot- or character-driven? A mix
  • Diverse cast of characters? No

3.0

Whelp. That sure was a book.

My rating is mostly for the unintentional comedy of how ridiculous the book is. I know some parts are supposed to be funny but I think I was laughing at the wrong parts. I also just love the idea of some guy secretly living in an opera house and messing with people. Sadly though I was bored most of the time while reading this. I liked Raoul and Christine well enough (though they were both extremely naive), Erik was very different than I thought he would be (I didn’t know anything about his backstory and I had no idea he’d be so talkative and weird. I thought he’d be more brooding lol). I found it hard to imagine the descriptions of the opera house, especially when they went underground, though that’s likely a fault of the translation.

Speaking of the translation, I don’t know if my edition (paper mill press) is just a bad edition but there were quite a few typos and a lot of things were worded awkwardly, and I don’t think it was just the writing style, it seemed like a bad translation. Maybe I’ll have to do some research and see if there’s a better one.

I really wanted to like this but I think I might just not get along with classics that well. Every time I read a classic I feel like I would like it better if it had been written today. Same time period, story and characters, just a more modern writing style (and less misogyny, racism and ableism… although this story relies so heavily on the ableism I’m not sure how you’d write it without it…). I don’t mind the old language so much but I don’t like the overly dramatic repetitive dialogue that classics often have (this one had a lot of that). I don’t like how repetitive in general classics tend to be. Which is sad because I want to like classics. The stories themselves are sometimes interesting but then the writing and dialogue ruin it for me :/

That ending though… Erik really went to all that trouble… just to break down over a forehead kiss and decide to let Christine marry Raoul after all. THEN DIE. OVER SAID KISS. Dude..

Also, I can’t imagine a room of mirrors being that convincing that you’d have to have prior knowledge of what it is to know it’s not actually a forest. YOU’D SEE YOUR OWN REFLECTION. COME ON.


I think this is probably much better experienced via the actual musical rather than the book. I’ve never seen the musical but now I want to.

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natgoe's review

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dark mysterious sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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dlrosebyh's review

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dark mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

A captivating tale, The Phantom of the Opera centers on the young Swedish Christine Daaé. She is reared at the Paris Opera House with her famed musician father's dying vow of a guardian angel to watch over her. She finally learns how to sing wonderfully from the voice she starts hearing after spending some time at the opera. All is good until Raoul, Christine's childhood friend who attends the opera, arrives to see his opera-going parents and spots her as she starts singing effectively on stage. Erik, the deadly, malformed "ghost" of the opera theater, is the voice, but as his awful jealously builds, he becomes more aggressive until Christine vanishes without a trace. The ghost is madly in love and it is a terrible disaster.

Although it appears intriguing, comprehending it was quite difficult. Throughout the first half of the book, I thought the two major characters to be obnoxious and didn't give a damn about them. I was highly entertained by the book's second half, but the ending was awful.

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sxrxh_lenx's review

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dark emotional sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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apersonfromflorida's review against another edition

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dark emotional mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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