Reviews with content warning for Murder - The Phantom of the Opera

At first I thought it very slow and also perhaps worse than I had expected it to be after seeing the movie and the musical. But now after I’ve finished it I can without a doubt say that I have not read a book this great in years. In one night I finished the ending because I could not tear myself away from it.

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toffishay's review against another edition

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adventurous mysterious tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

I was a bit disappointed by this book. I found it to be very slow and the writing style made it hard to keep up at times. It gets really slow in the middle and then all the action is in the last 50 pages or so. I also think that the approach of writing it almost like an investigative journalist was a detriment to the story; without the perspective of our main characters, I found it a little hard to connect with them. Of course, there are some very unfortunate racial stereotypes in here particularly with the character of the "Persian" who is never named beyond that. And as much as Christine fits into the characterization of a female Gothic heroine, she lacks the agency that would make me feel like this is her story. She is pulled around by everyone else, with just enough of a hint of a real character to make it disappointing that we get so little of it. Not terrible, but not the best. I think Wuthering Heights does a lot of this style and themes better

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sarasreading's review

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adventurous dark mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

This was an enjoyable reread! I haven't read it since I was in high school, and I thoroughly enjoyed it then as well. I remember it was the first book that gave me a jump, but I couldn't tell you what that point was this time around.

There was some meandering about, and a few chapters at the end that were too bloated in my opinion. But it was an easy and engaging classic for the spooky season!

p.s. there was a part where one of the managers was backing into his office, extremely butt first, and all I picture was him twerking his way back lol

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maeverose's review against another edition

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dark mysterious slow-paced

Plot- or character-driven? A mix
Diverse cast of characters? No

3.0

Whelp. That sure was a book.

My rating is mostly for the unintentional comedy of how ridiculous the book is. I know some parts are supposed to be funny but I think I was laughing at the wrong parts. I also just love the idea of some guy secretly living in an opera house and messing with people. Sadly though I was bored most of the time while reading this. I liked Raoul and Christine well enough (though they were both extremely naive), Erik was very different than I thought he would be (I didn’t know anything about his backstory and I had no idea he’d be so talkative and weird. I thought he’d be more brooding lol). I found it hard to imagine the descriptions of the opera house, especially when they went underground, though that’s likely a fault of the translation.

Speaking of the translation, I don’t know if my edition (paper mill press) is just a bad edition but there were quite a few typos and a lot of things were worded awkwardly, and I don’t think it was just the writing style, it seemed like a bad translation. Maybe I’ll have to do some research and see if there’s a better one.

I really wanted to like this but I think I might just not get along with classics that well. Every time I read a classic I feel like I would like it better if it had been written today. Same time period, story and characters, just a more modern writing style (and less misogyny, racism and ableism… although this story relies so heavily on the ableism I’m not sure how you’d write it without it…). I don’t mind the old language so much but I don’t like the overly dramatic repetitive dialogue that classics often have (this one had a lot of that). I don’t like how repetitive in general classics tend to be. Which is sad because I want to like classics. The stories themselves are sometimes interesting but then the writing and dialogue ruin it for me :/

That ending though… Erik really went to all that trouble… just to break down over a forehead kiss and decide to let Christine marry Raoul after all. THEN DIE. OVER SAID KISS. Dude..

Also, I can’t imagine a room of mirrors being that convincing that you’d have to have prior knowledge of what it is to know it’s not actually a forest. YOU’D SEE YOUR OWN REFLECTION. COME ON.

I think this is probably much better experienced via the actual musical rather than the book. I’ve never seen the musical but now I want to.

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