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black_cat_iiix's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Moderate: Murder, Violence, Injury/Injury detail, Classism, and Gore
Minor: Physical abuse, Torture, and Slavery
kassidyreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death, Violence, Death, and Physical abuse
Moderate: Blood, Gore, and Body horror
Minor: Alcohol
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The worldbuilding is gradual, with Yumeko often serving as the mouthpiece because she's excited to explain whatever now-relevant thing the monks had taught her. Having two main characters with occasional other points of view for brief stretches allows for a lot of worldbuilding conveyed through the different ways they view what's happening. Occasionally when the perspective switches there will be an overlap in the scenes to convey at least what the second narrator thought about what happened, with only minor duplications when describing the events.
A few minor characters are portrayed in frustrating ways, such as in an early incident where a canonically fat character describes a (now dead) yōkai as the only one who ever loved him. He’s then almost immediately killed. I think his size was supposed to indicate that he used his wealth to hoard resources, especially when a later section comments on how farmers often starve for at least part of each winter, but it comes across as fatphobic when combined with his lament.
The three narrators for the audiobook work well, with one narrator each for Yumeko's and Kage Tatsumi's perspectives, then the third narrator for other points of view. The plot follows their travels from one temple to another, and the battles they fight along the way. By the time they get there, several events have created a new goal for them which I assume is the subject of the next book. The overarching goal of the trilogy as previewed here is to keep anyone from using a scroll (which was split into pieces and hidden at several temples) to summon the Kami dragon. I'm very interested in where this goes next, I enjoyed the characters and the cliffhanger ending promises answers which I very much want.
Graphic: Violence, Confinement, Emotional abuse, Physical abuse, Blood, Gore, and Death
Moderate: Sexism, Classism, Alcohol, Kidnapping, Body horror, and Self harm
Minor: Torture, Suicide, Body shaming, and Fatphobia
singalana's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
Minor: Alcohol, Blood, Body horror, Death, Animal cruelty, Animal death, Injury/Injury detail, Murder, Violence, Fire/Fire injury, and Physical abuse
teri_b's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The story is actually more gory and bloody than I perceived it previously.
But you cannot not come to love Yokemi and root for Tatsumi and little Suki. Hers is the hardest story I have come across in my reading for quite a while.
Beautiful also, how all the storylines come together by the end of the book and open up to more mysteries and the question of what happens now.
This time round I struggled with the narrator's voices. Something just did not really gel with me.
Graphic: Blood, Death, Gore, Emotional abuse, and Physical abuse
mind control, mental abuse, demons, blood magicemily_mh's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Graphic: Blood, Death, Gore, Injury/Injury detail, Murder, and Violence
Moderate: Alcohol, Animal death, Body horror, Child death, Fire/Fire injury, and Physical abuse
Minor: Abandonment, Ableism, Cannibalism, Cursing, Medical content, Sexism, Sexual assault, Suicide, and War
morganish's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
The trope I'm talking about doesn't have a consistent name that I've found, but it's essentially "character(s) who are outsiders/ostracized from their communities because of something about them which is magically/abnormally monstrous/demonic/inhuman." Bonus points if this is a part of the character's identity that they have to hide. A lot of how this is done in western fiction correlates really strongly with our ideas of race, which always gives me a bad vibe and is most often written by white people trying to explore elements of race/racism in a one-dimensional way. But my favorite stories use this in a way that, at least to me, feels like a more general metaphor for not fitting in, having any complex/dual identity, or exists as a stand-in for other things like queerness or neurodivergence rather than race.
Shadow of the Fox has not one but two main characters who fit this bill for me. Yumeko is part kitsune, and spends a lot of her life trying to balance her yokai self with being passably human. And she spends a lot of this story trying to hide her yokai heritage and abilities from others. Kage - Yumeko's unwilling partner, future love interest and the other MC - is an assassin viewed as dangerous by his clan because of the demon he has to carry as part of his role, and is kept wholly separated from other humans because of it.
Those characters alone are enough to make me like this, but there's also a sacred quest, a lot of intriguing mini-adventures, a slow-burn romance, and a surprising found-family element as they pick up companions along the way (at least one who provides a delightful amount of humor).
I watched a lot of anime in my late teens and early 20s, so there are a bunch of Japanese-inspired tropes and world-building I picked up on quickly and really enjoyed. But I'm not sure if people unfamiliar with Japanese media will recognize a lot of those tropes, or if readers who are familiar will automatically like this book. But for me, this is definitely one of my favorite books of the year, and a series I absolutely plan on continuing.
If you like Japanese-inspired fantasy, adventures with angsty murder boys, enemies-to-lovers romances, found-family dynamics, or humor juxtaposed with horror elements, this book should be fun! It doesn't have much that I can recall in the way of queer diversity, though, and the one major caveat I have about the book is that the enemies-to-lovers romance doesn't play around: Yumeko and Kage might like each other, but there's a very real element of both of them being like, "hope he doesn't murder her because she's a yokai and he's a possessed demon-slayer, lol." If that's not your thing, you might want to take a pass. In general, I'd say the best parts of the story take a while to warm up to, so this story has a lot of things I love, but it might not be as exciting for all other readers.
Graphic: Blood, Child abuse, Death, Emotional abuse, Gore, Murder, Physical abuse, Torture, Toxic relationship, and Violence
Moderate: Confinement and Grief
Minor: Alcohol, Animal cruelty, and Body horror
Additional content warnings: *a romantic relationship where both parties are afraid that the male love interest might kill the female love interest. It's portrayed in such a way that it's based on fantastical storytelling elements instead of misogyny or IRL unhealthy relationship dynamics.aplanetarymind's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Blood and Violence
Minor: Physical abuse, Suicide, and Confinement